In the exhilarating Casanova, giddy shenanigans effectively set off the dangerous, darker impulses of human nature.
Casanova (2005)
Tomatometer
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Reviews Counted:127
Fresh:55
Rotten:72
Average Rating:5.6/10
Consensus: This frothy, oddly bloodless film does a disservice to the colorful life of the real Casanova.
Runtime: 1 hr 51 mins
Genre: Romance, Theatrical Release
Theatrical Release:Dec 25, 2005 Limited
Box Office: $11,193,738
Synopsis: CASONOVA is loosely based on the memoirs of the writer, adventurer, and infamous lover Giacomo Casanova--themselves notably unreliable--and fortunately has no pretensions to historical realism.... CASONOVA is loosely based on the memoirs of the writer, adventurer, and infamous lover Giacomo Casanova--themselves notably unreliable--and fortunately has no pretensions to historical realism. Instead, it's a witty, lighthearted romantic comedy, which uses its 18th century setting and renowned hero as a jumping-off point for sexy banter and ruminations on love, lust, and freedom. Directed with visual flair and wit by Lasse Hallström--a master of classy period pieces like CHOCOLAT and CIDER HOUSE RULES--the movie was filmed on location in Venice, and the stunningly gorgeous scenery is almost a character in its own right. Heath Ledger, believable and engaging here in a role that couldn't be more different from his powerhouse performance in BROKEBACK MOUNTAIN, turns on all of his considerable charms here. Abandoned by his mother as a child, Casanova has grown into a lascivious yet oddly innocent young man, who pursues pleasure wholeheartedly and mistakes lust for love. His biggest concern is eluding Italy's puritanical Inquisitors, until he meets Francesca Bruni (Sienna Miller), a beauty who publishes clever pamphlets on women's rights under a pen name. In the time-honored tradition, Casanova is instantly smitten with the one woman in Venice who doesn't want anything to do with him. The plot provides few surprises, but that is beside the point; the pleasures of CASANOVA are in its warm freewheeling tone, its sumptuous visuals, and the cheerful exuberance of its actors. In addition to Ledger's winning star turn, Lena Olin is her usual mesmerizing self as Francesca's scheming mother, and the reliably excellent Oliver Platt (as Francesca's overmatched fiancé) and Jeremy Irons (as the frustrated head Inquisitor) both deliver deft comic performances. [More]
Starring: Heath Ledger, Sienna Miller, Jeremy Irons, Oliver Platt
Starring: Heath Ledger, Sienna Miller, Jeremy Irons, Oliver Platt, Lena Olin, Charlie Cox, Philip Davis, Stephen Greif, Helen McCrory
Director: Lasse Hallstrom
Director: Lasse Hallstrom
Screenwriter: Jeffrey Hatcher, Kimberly Simi
Producer: Gary Levinsohn
Composer: Alexandre Desplat
Studio: Buena Vista Pictures
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Reviews for Casanova
Hallstrom gives us a genial interpretation and a supremely good-humored film.
The movie contains so little sexual content, it seems pre-edited for viewing on airplanes, or perhaps balloon rides like the fake one taken high above Venice by stars Heath Ledger and Sienna Miller.
Casanova relies heavily on charm, and it's not a case of misplaced confidence. The legendary rogue's saga, at least in this fresh incarnation, is indeed a charmer.
Raucously ribald, lushly romantic romp, aimed at the same audience who enjoyed the wicked wit of "Shakespeare In Love"
Casanova is a role that should be performed with fire and charm (Johnny Depp would be a bowl of candy here). All Ledger can muster is a slight wink and a grimace.
Hallström crosses the line from irreverence into bigotry by using Pucci as an instrument to attack the Catholic church.
Few pictures in recent memory have worked as laboriously as Lasse Hallstrom's new romantic farce to be a featherweight lark.
I have long praised Hallstrom's ability to bring life to material that should have been dead on the screen, but here it's the opposite. He has never directed rapid-fire door-slamming, disguise-switching comedy before; and it turns out he can't.
In its sheer desire to entertain, the film takes whimsy to levels normally outlawed by the Geneva Convention.
Casanova works because it gives in to its nuttier impulses instead of fighting them. It's an absurdly joyous bit of fluff.
Randy flirtations and elaborate masquerades to evade the sanctimonious powers-that-be are the cornerstone of this exuberant film.
This delightful, spirited romp is like a comical Shakespearean rewrite of the Zorro legend...if Zorro's sword were more, er, symbolic.
Casanova was such a genuinely fascinating person, so tireless, seductive, brilliant, revolutionary and daring, that Hallstrom's Casanova hardly does him justice.
Lasse Hallstrom's tale of an uncomplicated lover is a delightful respite from awards-season seriousness.
The movie Casanova, starring Heath Ledger, not only fetters the randy Venetian in political correctness, it condemns him to dwell inside the modern equivalent of a bad Shakespeare play.
The movie sidesteps modern-day issues of political correctness raised by a story about a rogue who shamelessly uses women for his own amusement. This is all done for our amusement.
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