Taking in Somersault's textures--alternating between frosty, pale landscapes and burnt-ochre interiors--along with Cornish's knockout performance, are true pleasures
Somersault (2006)
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Reviews Counted:63
Fresh:52
Rotten:11
Average Rating:6.9/10
Consensus: A poignant coming-of-age tale marked by a breakout lead performance from Abbie Cornish and a successful directorial debut from Cate Shortland.
Theatrical Release:Apr 21, 2006 Limited
Synopsis: Australian directors have always made fascinating and unique films in the coming-of-age genre, from Bruce Beresford's PUBERTY BLUES (1981) to John Duigan's FLIRTING (1991). Now, with SOMERSAULT,... Australian directors have always made fascinating and unique films in the coming-of-age genre, from Bruce Beresford's PUBERTY BLUES (1981) to John Duigan's FLIRTING (1991). Now, with SOMERSAULT, first-time director Cate Shortland has managed to make this well-trodden genre seem fresh once again, and in the process, introduced the world to Abbie Cornish, an actress of uncommon presence. Cornish is 16-year-old Heidi, who lives with her single mother, Nicole. After her mother walks in on Heidi kissing Nicole's boyfriend, the sexually precocious teen flees her troubled home for the Aussie ski town of Jindabyne, where young people drink to excess every night and deal with the ramifications of their intoxicated couplings the morning after. She manages to find a job at a local filling station, and lodging at a hotel run by motherly Irene (Lynette Curran)--but when she falls for wealthy farmhand Joe (Sam Worthington), she finds that her budding feminine wiles are no match for class differences, and will only create pain and confusion for her once again. Shortland paints Heidi's often painful journey in a palette of beautiful, melancholic blues, which are the perfect match for the spare, acoustic/electronic score by the Australian band Decoder Ring. SOMERSAULT's meditative pace is an effective choice for making us understand Heidi's loneliness. As Heidi, Abbie Cornish (who was 21 at the time of production and resembles a combination of Nicole Kidman and Maria Bello) perfectly captures the whirlwind of confusion and sexuality that Heidi hasn't yet learned to wield properly. Despite her poor choices, we are on her side--and it hurts to see her continuous missteps. Even though she is in a vacation spot, Heidi stays on the outside looking in--watching everyone else have the fun. [More]
Starring: Abbie Cornish, Sam Worthington, Lynette Curran, Erik Thomson
Starring: Abbie Cornish, Sam Worthington, Lynette Curran, Erik Thomson, Nathaniel Dean, Hollie Andrew, Olivia Pigeot
Director: Cate Shortland
Director: Cate Shortland
Screenwriter: Cate Shortland
Producer: Anthony Anderson
Composer: Decoder Ring
Studio: Magnolia Pictures
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Reviews for Somersault
(Director Cate) Shortland has a sensitivity to the confused, unformed, irrational feelings that swirl around them.
... says more about the potent mix of restless sexuality and troubled adolescence than a shelf-full of young adult novels.
A mesmerizing Australian movie about one lonely sixteen-year-old girl's yearning for intimacy.
Shortland balances showing Heidi as a heartbreaking mess -- doing a jailbait dance here, impulsively swallowing a mouthful of chili peppers there -- and judging her for it.
Shortland well deserves the awards already lavished on her back home in Australia.
The 'free spirited innocent' archetype doesn't convincingly share residence with this numbly sexual Lolita.
A frank and visceral film that at the same time exudes an unexpected innocence.
Shortland paints a collage of regret: evocative snapshots of what might be; gritty footage of what is. Her cast is bursting with promise.
This is an honest movie that should, but probably won't, be seen by the tweenie crowd.
This is a coming of age film that matters, an incredibly assured feature debut for Shortland and breakout performance for its star.
Not an earth-shattering film by any means, but it's thoughtfully and beautifully made.
This visually haunting coming-of-age tale marks the individual stamp of yet another original Australian female director to watch.
She may be promiscuous, but she's a stronger person than Joe and a better person than all the men in the movie put together. I was impressed with Abbie Cornish's performance.
It's hard to think of another coming of age film, so dreamy and artfully photographed, that feels more like a horror movie.
An incisive and emotive account of a girl masquerading as a woman, and the danger that entails.
Shortland appears to have a great fascination with objects like pine needles and gas jets, but the pic's visual flourishes tend to be distracting in their restless artiness.
This remarkable film from Australia, the debut feature of writer-director Cate Shortland, moves to the lyrical rhythms and unhurried pace of a 1970s road movie, or one of those Joni Mitchell ballads.
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