Often harrowing and traumatically tough-minded, this fine Australian film is ultimately about growth and some of the better attributes, like self-knowledge and forgiveness, that ideally come with it.
Somersault (2006)
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Reviews Counted:63
Fresh:52
Rotten:11
Average Rating:6.9/10
Consensus: A poignant coming-of-age tale marked by a breakout lead performance from Abbie Cornish and a successful directorial debut from Cate Shortland.
Theatrical Release:Apr 21, 2006 Limited
Synopsis: Australian directors have always made fascinating and unique films in the coming-of-age genre, from Bruce Beresford's PUBERTY BLUES (1981) to John Duigan's FLIRTING (1991). Now, with SOMERSAULT,... Australian directors have always made fascinating and unique films in the coming-of-age genre, from Bruce Beresford's PUBERTY BLUES (1981) to John Duigan's FLIRTING (1991). Now, with SOMERSAULT, first-time director Cate Shortland has managed to make this well-trodden genre seem fresh once again, and in the process, introduced the world to Abbie Cornish, an actress of uncommon presence. Cornish is 16-year-old Heidi, who lives with her single mother, Nicole. After her mother walks in on Heidi kissing Nicole's boyfriend, the sexually precocious teen flees her troubled home for the Aussie ski town of Jindabyne, where young people drink to excess every night and deal with the ramifications of their intoxicated couplings the morning after. She manages to find a job at a local filling station, and lodging at a hotel run by motherly Irene (Lynette Curran)--but when she falls for wealthy farmhand Joe (Sam Worthington), she finds that her budding feminine wiles are no match for class differences, and will only create pain and confusion for her once again. Shortland paints Heidi's often painful journey in a palette of beautiful, melancholic blues, which are the perfect match for the spare, acoustic/electronic score by the Australian band Decoder Ring. SOMERSAULT's meditative pace is an effective choice for making us understand Heidi's loneliness. As Heidi, Abbie Cornish (who was 21 at the time of production and resembles a combination of Nicole Kidman and Maria Bello) perfectly captures the whirlwind of confusion and sexuality that Heidi hasn't yet learned to wield properly. Despite her poor choices, we are on her side--and it hurts to see her continuous missteps. Even though she is in a vacation spot, Heidi stays on the outside looking in--watching everyone else have the fun. [More]
Starring: Abbie Cornish, Sam Worthington, Lynette Curran, Erik Thomson
Starring: Abbie Cornish, Sam Worthington, Lynette Curran, Erik Thomson, Nathaniel Dean, Hollie Andrew, Olivia Pigeot
Director: Cate Shortland
Director: Cate Shortland
Screenwriter: Cate Shortland
Producer: Anthony Anderson
Composer: Decoder Ring
Studio: Magnolia Pictures
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Reviews for Somersault
Director Cate Shortland has created a truthful, textured tale, exploring the subtlety and sensuality in all her scenes -- and never taking them exactly where expected.
Based on her painfully vulnerable performance, don't be surprised when the promising [Abbie] Cornish joins Hollywood's pool of Aussie ex-pats.
The film occasionally succumbs to preciousness, but Cornish makes for an unusually complicated Lolita, as if her hormones were waging war with her heart.
Shortland appears to have a great fascination with objects like pine needles and gas jets, but the pic's visual flourishes tend to be distracting in their restless artiness.
Taking in Somersault's textures--alternating between frosty, pale landscapes and burnt-ochre interiors--along with Cornish's knockout performance, are true pleasures
This remarkable film from Australia, the debut feature of writer-director Cate Shortland, moves to the lyrical rhythms and unhurried pace of a 1970s road movie, or one of those Joni Mitchell ballads.
Somersault's dreamy, sexy, rather chilly style captures Heidi's attempt to escape her past, to build something new atop the rubble of what came before, and ultimately to hide it.
An exercise in film-school pretense, Somersault prettifies the ugliness of a girl's sexual experience after she leaves her mother's nest.
It’s deliberately oblique, but the remarkable visuals and soundtrack will stay with you long after the 'so what?' plot is forgotten.
Shortland well deserves the awards already lavished on her back home in Australia.
...it contains several startling, brilliant moments that bring its emotional and visual content together with tremendous clarity and power.
A mesmerizing Australian movie about one lonely sixteen-year-old girl's yearning for intimacy.
[Cornish] gives a superb performance as Heidi, who is a complex mixture of childish innocence (symbolised by her ever-present scrapbook) and a powerful, almost dangerous sexual confidence that belies her emotional naivety.
Shortland paints a collage of regret: evocative snapshots of what might be; gritty footage of what is. Her cast is bursting with promise.
Not an earth-shattering film by any means, but it's thoughtfully and beautifully made.
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