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Fierce People

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Fierce People (2007)

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Reviews Counted:43

Fresh:11

Rotten:32

Average Rating:4.7/10

Consensus: Fierce People's premise of a teenager studying rich people like animals is grating and self-satisfied, and Anton Yelchin's smug performance makes the film even harder to agree with.

Rated: R [See Full Rating] for language, drug use, sexuality/nudity and some violence.

Runtime: 1 hr 52 mins

Genre: Dramas

Theatrical Release:Sep 7, 2007 Limited

Synopsis: A coming-of-age story about the perils of privilege, Lions Gate Films’ FIERCE PEOPLE examines the deceit and betrayal that erupts when a working-class mother and her son move to a wealthy “country... A coming-of-age story about the perils of privilege, Lions Gate Films’ FIERCE PEOPLE examines the deceit and betrayal that erupts when a working-class mother and her son move to a wealthy “country club” suburb where social climbing is a blood sport. Starring Oscar ® nominee Diane Lane (UNFAITHFUL, UNDER THE TUSCAN SUN), Donald Sutherland (COLD MOUNTAIN, THE ITALIAN JOB) and Anton Yelchin (HEARTS IN ATLANTIS), FIERCE PEOPLE is directed by Griffin Dunne and written by Dirk Wittenborn, who adapted the screenplay from his novel. Trapped in his mother’s Lower East Side apartment, sixteen-year-old Finn (Anton Yelchin) wants nothing more than to escape New York and spend the summer in South America studying the Iskanani Indians, or “Fierce People,” with the anthropologist father he’s never met. But Finn’s dreams are shattered when he is arrested in a desperate effort to help his drug-dependent mother, Liz (Diane Lane), who scrapes by working as a masseuse. Determined to get their lives back on track, Liz moves the two of them into a guesthouse on the vast country estate of her ex-client, the aging aristocratic billionaire, Ogden C. Osbourne (Donald Sutherland). In Osbourne’s close world of privilege and power, Finn and Liz encounter a tribe fiercer and more mysterious than anything they might find in the South American jungle: the super rich. While Liz battles her substance abuse and struggles to win back her son’s love and trust, Finn falls in love with Osbourne’s beautiful granddaughter, Maya (Kristin Stewart), befriends her charismatic older brother, Bryce (Chris Evans), and even wins the favor of Osbourne himself. But when a shocking act of violence shatters Finn’s ascension within the Osbourne clan, the golden promises of this lush world quickly sour. And both Finn and Liz, caught in a harrowing struggle for their dignity, discover that membership always comes at a price… Contrasting the mores of high society with the blunt savagery of primitive tribes, FIERCE PEOPLE takes an inside look at the upper classes, examining the darkness that lurks beneath the surface of good manners. Sporting a biting wit, and featuring charismatic performances from Diane Lane and Donald Sutherland, this unflinching drama exposes the trappings of wealth and privilege, and their overwhelming power to both seduce and corrupt. --© Lionsgate [More]

Starring: Diane Lane, Anton Yelchin, Donald Sutherland, Kristen Stewart

Starring: Diane Lane, Anton Yelchin, Donald Sutherland, Kristen Stewart, Christopher Shyer, Elizabeth Perkins, Paz de la Huerta, Blu Mankuma, Chris Evans

Director: Griffin Dunne

Director: Griffin Dunne
Screenwriter: Dirk Wittenborn
Producer: Nick Wechsler, Keith Addis
Composer: Nick Laird-Clowes
Studio: Lions Gate Films

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Release:

Feb 5, 2008

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Reviews for Fierce People

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1 - 20 (sorted by source)
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Dunne weighs down a light social satire with a ponderous anthropological analogy.

Full Review Source: AboutFilm.com | comment Comment
05/22/06
Carlo Cavagna
Carlo Cavagna
AboutFilm.com

Fierce People is based on a forced premise: the idea that a family of super-rich New Jersey eccentrics is like a tribe to be studied anthropologically. None of the characters resembles any creature you'd discover in nature, however.

Full Review Source: Associated Press | comment Comment
09/06/07
Christy Lemire
Christy Lemire
Associated Press
Top Critic Icon Top Critic

On balance, it's a movie worth seeing with its artistic inserts, appropriate soundtrack and organic performances.

Full Review Source: Atlanta Journal-Constitution | comment Comment
11/24/07
Jennifer Preyss
Jennifer Preyss
Atlanta Journal-Constitution

Dunne's messy, unpredictable, yet weirdly vital movie veers from one extreme to another without finding a consistent tone, but Sutherland never strikes a wrong note.

Full Review Source: AV Club | comment Comment
09/20/07
Nathan Rabin
Nathan Rabin
AV Club

The film is way too banal to raise any questions of its own. [Director] Dunne, for his part, doesn't conjure up any kind of inspired visual atmosphere or compelling psychological tension. Nothing is as funny, touching, true, or sad as it should be.

Full Review Source: Boston Globe | comment Comment
09/21/07
Wesley Morris
Wesley Morris
Boston Globe
Top Critic Icon Top Critic
N/R

Click to read the article

Full Review Source: Boston Phoenix | comment Comment
04/23/09
Jenny Halper
Jenny Halper
Boston Phoenix

Griffin Dunne and Dirk Wittenborn think they’re pretty clever.

Full Review Source: Boxoffice Magazine | comment Comment
09/15/07
Chad Greene
Chad Greene
Boxoffice Magazine

Director Griffin Dunne, working from Dirk Wittenborn's adaptation of his own novel, pounds away at the analogy between the inherent cruelty of the tribal rituals of the Iskanani and those of the well-heeled.

Full Review Source: Chicago Reader | comment Comment
12/03/07
Joshua Katzman
Joshua Katzman
Chicago Reader

After a promising start, Griffin Dunne's film bogs down and simply turns into a predictable mish-mash of a movie that is shrill and heavy-handed and totally trite.

Full Review Source: Chicago Sun-Times | comment Comment
09/21/07
Bill Stamets
Bill Stamets
Chicago Sun-Times

The idea that rich people are an alien tribe is just one of many that get lost in Wittenborn’s distracted script.

Full Review Source: Chicago Tribune | comment Comment
09/20/07
Tasha Robinson
Tasha Robinson
Chicago Tribune

The laughs suddenly cease after a brutal rape sequence, and Dunne desperately and vainly tries to re-work the remainder of the movie as a metaphysical coming-of-age story.

Full Review Source: Combustible Celluloid | comment Comment
09/20/07
Jeffrey M. Anderson
Jeffrey M. Anderson
Combustible Celluloid

Quickly gets bogged down in Anton Yelchin's tendency to be whiny and annoying in his attempts to be clever or cute.

Full Review Source: ComingSoon.net | comment Comment
09/04/07
Edward Douglas
Edward Douglas
ComingSoon.net

Smart-but-grim coming-of-age tale best for adults.

Full Review Source: Common Sense Media | comment Comment
10/22/07
S. Jhoanna Robledo
S. Jhoanna Robledo
Common Sense Media

Desperate, manipulative.

Full Review Source: Contra Costa Times | comment Comment
09/21/07
Mary F. Pols
Mary F. Pols
Contra Costa Times

With a screechingly affected voice (think Nicholson mixed with a sick Chihuahua), Yelchin is all tiring, syllable-pulling raw nerve here; a blinding pitch that holds the film back from needed dramatic expression.

Full Review Source: DVDTalk.com | comment Comment
01/30/08
Brian Orndorf
Brian Orndorf
DVDTalk.com

A movie that practically begs you to hate it. Wish granted.

Full Review Source: Ebert & Roeper | comment Comment
09/10/07
Richard Roeper
Richard Roeper
Ebert & Roeper
Top Critic Icon Top Critic

While not as interesting a ride as advertised, the movie does keep one from falling asleep.

Full Review Source: Entertainment Insiders | comment Comment
09/07/07
Eric Lurio
Eric Lurio
Entertainment Insiders

The suffocating atmosphere of WASP-y snobbery has a morbid fascination, and the characters have enough flavorful eccentricity to hold one's interest.

Full Review Source: Film Journal International | comment Comment
09/06/07
David Noh
David Noh
Film Journal International

throwing the film heedlessly into what was essentially a light social satire seems to border on the irresponsible

Full Review Source: Filmcritic.com | comment Comment
05/03/05
Christopher Null
Christopher Null
Filmcritic.com

Too bad this wasn't made twenty-five years ago, when it still had a chance of being accepted by the masses because it was quirky.

Full Review Source: FilmJerk.com | comment Comment
09/07/07
Edward Havens
Edward Havens
FilmJerk.com
 
 
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September 09, 2007: Trailer & Poster review. Opens in new window
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September 07, 2007: A deliciously dark, cutting satire crafted as subversive re-narration of traditional Eurocentric racist anthropology normally defining Third World tribes as savages rather than, say, America's rich and famous. Opens in new window
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