The viewer comes to identify with Jay, feeling jerked around and not really wanting to get to know Emily, a lost soul who isn't worth two hours of audience investment to find.
Clean (2006)
Tomatometer
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Reviews Counted:63
Fresh:45
Rotten:18
Average Rating:6.6/10
Consensus: In one of her best roles, Cheung gives a believable and arresting performance as a recovering addict.
Theatrical Release:2004-00
Synopsis: Maggie Cheung gives an extraordinary performance in CLEAN, written and directed by her ex-husband, Olivier Assayas (DEMONLOVER). Cheung stars as Emily Wang, a junkie living with fading... Maggie Cheung gives an extraordinary performance in CLEAN, written and directed by her ex-husband, Olivier Assayas (DEMONLOVER). Cheung stars as Emily Wang, a junkie living with fading rock-and-roll star Lee Hauser (James Johnston). Their wild life has swung so far out of control that their young son, Jay (James Dennis) lives far away in Vancouver with Lee's parents, Rosemary (Martha Henry) and Albrecht (Nick Nolte). One night, after fighting over Lee's future career, Emily goes for a long ride, only to return to find that Lee has overdosed and the cops are ready to bring her in. After spending six months in prison, Emily discovers that life for a recovering heroin addict -- who still has a thing for other drugs, as well as alcohol -- is going to be a lot harder than she thought. She also decides to reconnect with Jay, who is not thrilled with her sudden and confusing reappareance in his life. Cheung, who has starred in such diverse films as Wong Kar-wai's romantic IN THE MOOD FOR LOVE, Zhang Yimou's martial arts epic HERO, and Assayas's own IRMA VEP, which is set in the world of moviemaking, was named Best Actress at the 2004 Cannes Film Festival for her mesmerizing portrayal of Emily, an ambitious woman lost in a haze of drugs and desire. Nolte excels as the soft-spoken Albrecht, who only wants what's best for his grandson while also being concerned about Emily's welfare. Musicians Tricky, David Roback of Mazzy Star, and Emily Haines of Metric appear in the film as themselves, and Beatrice Dalle and Jeanne Balibar are excellent in supporting roles. The soundtrack features songs by Brian Eno, Luna's Dean Wareham, Tricky, Metric, and Cheung herself. [More]
Starring: Nick Nolte, Maggie Cheung, James Johnston, Don McKellar
Starring: Nick Nolte, Maggie Cheung, James Johnston, Don McKellar, Remi Martin, Tricky
Director: Olivier Assayas
Director: Olivier Assayas
Screenwriter: Olivier Assayas
Producer: Niv Fichman
Studio: Palm Pictures
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Reviews for Clean
The film that showed the world Maggie Cheung is more than just a strikingly beautiful face.
Assayas' tale of the difficult search for redemption is less a standard road-to-sobriety story than a chance to marvel, close-up, at Cheung.
One of the most emotionally honest movies about drug addiction ever made. Well, maybe not addiction per se, but rather the attempt to disgorge oneself from heroin's grip.
The film gets its distinction from the performances by Cheung and Nolte, whose scenes together are suffused with loss and unexpected mutual compassion.
It's a globe-trotting drama with more than a touch of Wim Wenders whim to it.
A potentially incisive treatise on the nature of redemption and reinvention is given disappointingly watered-down treatment.
Plays like the work of a great auteur working in sandbox mode to build a world that has too much of the whiff of hipster fabulism about it to play at gut level.
A tough tale that gives a fresh perspective and brittle honesty to the experiences of a recovering drug addict.
Emily is played by Maggie Cheung with such intense desperation that she won the best actress award at Cannes 2004. Only a few actresses in the world could have handled this role from a technical point of view.
It's a joy to watch the characters in this grown-up drama interact, their exchanges laced with anger and doubt, sadness and regret.
Can a misguided adult start afresh with a new set of values and priorities? This ambitious drama, directed by one of France's most resourceful filmmakers, explores that crucial question in depth and detail.
Cheung has a long way to go to be able to add much to a meandering, unfocused storyline or to develop much care for the plight of a marginal character.
A remarkably human and heartfelt tale unlike anything Assayas has yet produced. It's as if, for the first time in years, Assayas could see clearly.
Heroin really screws you up. And this deathly dull drug drama will do the same if you manage to get to the end, that is.
While this somber drug-abuse drama contains few surprises -- it's pretty much what we've come expect to expect from such material -- Cheung's convincing performance as a drug addict is what makes it watchable.
It’s a complex, very successful portrayal of an addictive, selfish, volatile soul who knows she might be running out of chances at a decent life.
Bit of a mediocre drama from writer-director Assayas despite some good turns, not least from Nick Nolte and Beatrice Dalle.
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 25% 25% | Four Christmases |
| 68% 68% | Funny People |
| 95% 95% | Star Trek |
| 14% 14% | The Ugly Truth |
| Tomatometer Percentage | Movie |
|---|---|
| 32% 32% | Terminator Salvation |
| 44% 44% | Night at the Museum: B… |
| 86% 86% | A Christmas Tale |
| 60% 60% | Paper Heart |
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