What Coppola delivers is a fresh take on history that makes it come to life in an unexpected way.
Marie Antoinette (2006)
Tomatometer
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Reviews Counted:170
Fresh:92
Rotten:78
Average Rating:6/10
Consensus: Lavish imagery and a daring soundtrack set this film apart from most period dramas; in fact, style complete takes precedence over plot and character development in Coppola's vision of the doomed queen.
Rated: PG-13 [See Full Rating] for sexual content, partial nudity and innuendo.
Runtime: 2 hrs 3 mins
Genre: Dramas
Theatrical Release:2006
Box Office: $15,962,471
Synopsis: Oscar® winner Sofia Coppola brings to the screen a fresh interpretation of the life of France's legendary teenage queen MARIE ANTOINETTE. Betrothed to King Louis XVI (Jason Schwartzman), the naïve... Oscar® winner Sofia Coppola brings to the screen a fresh interpretation of the life of France's legendary teenage queen MARIE ANTOINETTE. Betrothed to King Louis XVI (Jason Schwartzman), the naïve Marie Antoinette (Kirsten Dunst) at the age of 14, she is thrown into the opulent French court which is steeped in conspiracy and scandal. Alone, without guidance, and adrift in a dangerous world, the young Marie Antoinette rebels against the isolated atmosphere at Versailles and, in the process, becomes France's most misunderstood monarch. Kirsten Dunst stars as the youthful princess whose fateful life became the stuff of myth and legend. The story begins when 14-year-old Marie Antoinette is whisked away from her family and friends in Vienna, stripped of all her possessions and deposited in the sophisticated and decadent world of Versailles, the lavish royal court near Paris. Marie Antoinette is merely a pawn in an arranged marriage meant to solidify the harmony between two nations. Her teenage husband, the Dauphin Louis (Jason Schwartzman), is heir to the French throne. But Marie Antoinette is ill prepared to be the kind of ruler for whom the French populace yearns. Beneath her finery, she's a sheltered, frightened and confused young woman, surrounded by vicious detractors, insincere flatterers, puppet masters and gossips. Trapped by the conventions of her station in life, Marie Antoinette must find a way to fit into the complex and treacherous world of Versailles. Adding to her woes is the indifference of her new husband, Louis. Their marriage goes unconsummated for an astonishing seven years. The awkward future king proves to be a disaster as a lover, sparking grave concerns (and relentless gossip) that Marie Antoinette will never produce an heir. Overwhelmed and distraught, Marie Antoinette seeks refuge in the decadence of the French aristocracy and in a secret love affair with the alluring Swedish Count Fersen (Jamie Dornan). Her indiscretions are soon the talk of France. Whether she is being idealized for her impeccable style or vilified for being unforgivably out of touch with her subjects, reaction to Marie Antoinette is always extreme. Yet, slowly, as she matures, she begins to find her way as a wife, mother and Queen — only to be tragically swept up in a bloody revolution that alters France forever. -- © Columbia Pictures [More]
Starring: Kirsten Dunst, Jason Schwartzman, Steve Coogan, Judy Davis
Starring: Kirsten Dunst, Jason Schwartzman, Steve Coogan, Judy Davis, Rip Torn, Asia Argento, Marianne Faithfull, Aurore Clement, Molly Shannon, Shirley Henderson, Jamie Dornan
Director: Sofia Coppola
Director: Sofia Coppola
Producer: Francis Ford Coppola, Ross Katz
Studio: Columbia Pictures
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Reviews for Marie Antoinette
Extravagant, lavish, and shallow. Coppola knows about dresses and shoes but not about subtext and complex characters. 12-year old Dakota Fanning couldn’t play “older”?
Marie Antoinette may be Coppola's weakest movie, but it is far from a failure.
Mainly, Marie Antoinette is a film about fetish. It's about taking in all the pink cookies, pink shoes and pink wigs and finding them wonderful, even erotic.
I don't know why I kept thinking about Paris Hilton while watching Sofia Coppola's "Marie Antoinette." Perhaps because the film looks good %u2014 all fluffy and pink %u2014 but decidedly empty when it comes to plot and emotional implementation.
Let them eat cake? Sofia Coppola feeds it to us in spoonfuls -- pink, sugary, decadent. The entire film seems to have been squeezed onto the screen from a confectioner's pastry bag...
This is a movie that never gets to the point, perhaps because it doesn't recognize what the point is.
The result is a silly piece of costume jewelry called Marie Antoinette, and no, the soldering of a new-wave-revival soundtrack with 18th-century Versailles is not interesting enough to save this bauble.
I was captivated enough by Coppola's tapestry of fantasy- realism to be well entertained.
Where Marie Antoinette fares best is in its examination of the royal life as a treadmill of constantly winding boredom.
A mesmerizing performance by Kirsten Dunst as Marie Antoinette, a self-absorbed woman imprisoned in a golden cage of wealth and privilege.
Sofia Coppola arroja una mirada fresca y contemporánea (incluso desde la banda sonora) sobre la figura de María Antonieta; quienes busquen rigor histórico, o se incomoden con las libertades que suelen tomarse los artistas, deberían abstenerse.
From scene to scene you sense Coppola has a strong personal connection with both this character and the material, but it's never articulated clearly enough to elevate her film beyond an admirable head-scratcher.
By film’s end when the royal family is forced to evacuate the besieged Versailles (no guillotine in this retelling), this Marie has achieved something like genuine nobility. When the chips are down she takes her queenly role seriously.
Pretty as a picture... and as empty as a French peasant's portefeuille.
Is it possible to make a film that evokes both Barry Lyndon and National Lampoon’s European Vacation? Sofia Coppola has had a decent stab at it.
Once she makes the sound feminist point that it wasn't easy being a girl in 1768, Coppola proves intellectually taxed.
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