artful in showing the positive side of belief and the negative responses to freedom and free thinking
Water (2006)
Tomatometer
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Reviews Counted:87
Fresh:79
Rotten:8
Average Rating:7.6/10
Consensus: This compassionate work of social criticism is also luminous, due to both its lyrical imagery and cast.
Theatrical Release:Apr 28, 2006 Limited
Box Office: $3,113,922
Synopsis: When Deepa Mehta first began filming WATER in 2000, angry fundamentalist mobs burned her sets and threatened her life. The Indian government claimed it could not protect her, and the project had to... When Deepa Mehta first began filming WATER in 2000, angry fundamentalist mobs burned her sets and threatened her life. The Indian government claimed it could not protect her, and the project had to wait four years before finally filming in Sri Lanka. Her film has raised the ire of extremists because it challenges the Hindu customs that dictate that widows, considered half-dead after the loss of their husbands, must be closeted in holy ashrams--a practice that still exists today. Set in the 1930s, the film tells the story of eight-year old Chuyia, whose husband dies before she even meets him. Her parents shave her head and whisk her away to a house of widows where the women sleep on the ground and beg in the streets to earn their puny portion of rice. Chuyia, feisty and resilient, comes into this world like a ray of light, and soon the women are rethinking their mute acceptance of their fate. Her closest friend and ally is the lovely Kalyani, and soon a forbidden romance begins to develop between Kalyani and Narayana, a young Brahmin man who, following the teachings of Gandhi, has denounced injustice. The film is sumptuously beautiful, Chuyia is utterly winsome, and despite the harsh social issues at its heart, it often feels light and lively: Chuyia and Kalyani play games and dance, Chuyia steals sweets for a dying old widow, the women dance and paint each other's faces during a color festival, and the Cinderella-story romance between Kalyani and Narayana shimmers with the promise of salvation and happiness. Mehta, however, knows it would be disingenuous to allow such an easy resolution to such a dire situation, and the final chapter of WATER takes a tragic turn. [More]
Starring: Lisa Ray, Seema Biswas, Kalbushan Kharbadna, Waheeda Rehman
Starring: Lisa Ray, Seema Biswas, Kalbushan Kharbadna, Waheeda Rehman, Rishma Malik, John Abraham
Director: Deepa Mehta
Director: Deepa Mehta
Screenwriter: Deepa Mehta
Producer: Mark Burton
Composer: Mychael Danna
Studio: Fox Searchlight Pictures
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Reviews for Water
One of the best movies of the year with its extraordinary depiction of plight of Indian widows and their yearning for liberation.
This work of gorgeous fury, about the virtual imprisonment of millions of Hindu widows in the years before independence, transforms Mehta's feminist rage into an eloquent testament to the hunger for freedom.
With none of the joyous zest for life we encountered in Fire, or the emotional power from Earth, this intense story set in an ashram for widows almost drowns us with sorrow.
'Water' glows from rich and natural lighting, warm and radiant colors, and powerful symbolic imagery.
With “Water,” a subdued but moving and emotionally powerful masterpiece, Deepa Mehta ends her “Elements Trilogy” movies.
Deftly balancing epic sociopolitical scope with intimate human emotions, all polished to a high technical gloss, Deepa Mehta's Water is a profoundly moving drama.
Mehta has concocted a potent mix of politics, historical conflict, religion and philosophical questioning.
An exquisite drama brimming with life and laughter and great tenderness and wrenching tragedy.
Both the plot and its symbolism are transparently basic, yet Mehta handles them with a quiet, lyrical assurance.
Mehta's conventional direction fails to do proper justice to this disturbing reality.
Like Bandit Queen and Maya, Water bravely delves into outmoded social traditions of India, thus roiling the waters of religious fundamentalism, which might mean that Deepa Mehta's film will never get past the censors in that country.
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