The children are operating without a safety net or a script typed with kid gloves, and that makes it all the more easy to fear for and sympathize with them, even as the plot takes outlandish twists.
12 and Holding (2006)
Tomatometer
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Reviews Counted:76
Fresh:56
Rotten:20
Average Rating:6.7/10
Consensus: This shocking pre-teen drama manages, through realistic performances and a sense of empathy, to avoid exploitation and instead deliver something honest and haunting.
Rated: R [See Full Rating] for some violence and sexual content involving minors, and for language.
Runtime: 1 hr 34 mins
Genre: Dramas
Theatrical Release:May 19, 2006 Limited
Synopsis: Director Michael Cuesta follows up his debut film L.I.E. with another harrowing coming-of-age tale in TWELVE AND HOLDING. Cuesta casts young Conor Donovan as his lead, with the impressive actor... Director Michael Cuesta follows up his debut film L.I.E. with another harrowing coming-of-age tale in TWELVE AND HOLDING. Cuesta casts young Conor Donovan as his lead, with the impressive actor playing twins--the sociable athlete Rudy and the distinctly introspective Jacob. Joining Donovan in the cast are Jesse Camacho as Leonard, a paunchy kid reminiscent of Jerry O'Connell's Vern in STAND BY ME, and Zoe Weizenbaum as Malee, a quietly disturbed young girl with a fractured family life. The five 12-year-olds are close friends, but their lives are thrown into turmoil when a prank by local bullies goes horribly wrong and Rudy is burned alive in a tree house. As Jacob's parents fall apart at the news, the rudderless surviving twin realizes he can't rely on them for support, so he makes the surprising decision to make regular visits to the two brothers who killed Rudy as they languish in a juvenile detention center. Meanwhile, Malee copes with the tragedy by obsessing over an attractive older guy named Gus (Jeremy Renner) and Leonard gets on a health kick despite his overweight parents' protestations. Cuesta's film draws on elements of similar genre favorites, not only STAND BY ME but Jacob Estes's MEAN CREEK and even the work of Todd Solondz and Gregg Araki. But TWELVE AND HOLDING is not a facile reproduction of other work; instead it's a startling kids'-eye view of poor parenting and woeful neglect. The four leads give astonishingly mature performances, and Cuesta manages to surpass his meagre budget by creating a stylistic tour-de-force that may leave anxious parents wondering what their kids are doing in their spare time. [More]
Starring: Marcia DeBonis, Michael Cuesta, Conor Donovan, Linus Roache
Starring: Marcia DeBonis, Michael Cuesta, Conor Donovan, Linus Roache, Jo Weizenbaum, Annabella Sciorra, Jeremy Renner
Producer: Tom McGowan, Brian Bell, Michael Cuesta, Leslie Urdang
Composer: Pierre Foldes
Studio: IFC Films
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Reviews for 12 and Holding
Though occasionally clumsy, it manages to accurately re-create the especial lonely pain of nascent pubescence, the shock of change and the feeling that no one has ever lived through the sort of emotional weather you're required to endure.
The trio of youths at the heart of first-time screenwriter Anthony S. Cipriano's script do shocking, outrageous things, events seemingly arising not so much from genuine character motivations as from desire for the film to shock and be outrageous.
The film careens from crisis to crisis. Yet each time it threatens to spin out of control, [director Michael] Cuesta demonstrates a firm hand that keeps us leaning in with interest.
Twelve isn’t always easy to watch. But it feels emotionally authentic -- not exploitive, not farfetchedly quirky.
It doesn't sound like a barrel of laughs, but [director Michael] Cuesta finds wry humour in tragic situations while at the same time thickening the air with quiet foreboding.
Cuesta prizes curiosity and perception over conflict resolution. He likes the way kids take their cues from adults and the ways they revolt against them.
Even if childhood innocence seems to be going the way of the hula hoop, Cuesta is far too willing to throw the baby out with the bathwater.
Cuesta's overkill approach to black comedy, reminiscent of the hyperrealism Gregg Araki uses in Mysterious Skin, allows cheap laughs to subvert understanding and compassion for his troubled tweens.
Twelve and Holding could have been a series of horror stories, but the filmmakers and their gifted young actors somehow negotiate the horrors and generate a deep sympathy.
The kids deliver uniformly solid, occasionally remarkable performances.
Most of the time ... we are watching pathology without benefit of insight.
One of the most exceptional, down to Earth portrayals of childhood and adolescence in the face of tragedy I've ever seen...
Further solidifies Michael Cuesta's talents for telling realistic stories about adolescence.
A riveting low-budget look at how a group of 12-year-olds react to the accidental killing of one of their friends.
The excellent casting and acting, the strong script and subtle plotting build into a carefully crafted roller coaster ride.
Flawed but compassionate study of kids struggling with grown-up issues without much adult supervison.
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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