A jazzy, whip-smart, and mischievous account of the one of the great literary cons of the twentieth century.
The Hoax (2007)
Tomatometer
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Reviews Counted:148
Fresh:126
Rotten:22
Average Rating:7.2/10
Consensus: The Hoax is an enormously appealing film, thanks to the uniformly excellent performances and Lasse Hallström's zippy direction.
Runtime: 1 hr 55 mins
Genre: Dramas
Theatrical Release:Apr 13, 2007 Wide
Box Office: $7,092,859
Synopsis: In 1971, Clifford Irving achieved the very heights of American journalism, nabbing a series of unprecedented interviews with the most famous man in the world – ultra-reclusive, immensely powerful,... In 1971, Clifford Irving achieved the very heights of American journalism, nabbing a series of unprecedented interviews with the most famous man in the world – ultra-reclusive, immensely powerful, superstar billionaire Howard Hughes – revealing his most intimate memories and controversial secrets. Actually, that's a lie. In 1971, writer Clifford Irving told an incredible whopper – one that became one of the most audacious and outrageous hoaxes ever perpetrated on the media and American public. Claiming to have obtained Howard Hughes' long sought-after memoirs, Irving pulled the wool over the entire publishing industry's eyes, and nearly made off with major cash and worldwide fame, until his clever yarn unraveled into a serious crime. Now from Academy Award®-nominated director Lasse Hallström (CIDER HOUSE RULES, CHOCOLAT) comes THE HOAX, a riveting caper inspired by Irving's untrue story. Jumping off from the still controversial facts surrounding Irving's ruse into a fictional reverie, the film mischievously and imaginatively explores how a man, an industry and an entire nation could become intoxicated by a good story . . . in sheer defiance of the fact that it never really happened. Golden Globe winner Richard Gere takes on the roguish role of Clifford Irving, an ambitious yet struggling writer who's been looking for that one big story for so long, he brazenly decides to make one up. At first the idea is just a savvy artistic prank, but if that's what the world wants, Irving believes he can take it further. Shrouding himself in a clever cloud of secrecy, he drops the news to a major publisher that he has been approached by the one man the entire world most wants to know about – aviator, movie mogul, ladies man and eccentric billionaire Howard Hughes – to ink his priceless biography. There's just one little problem: not a word of what Clifford is saying has an ounce of truth to it. He's never so much as seen a glimpse of the real Howard Hughes. But Irving banks on the idea that Hughes' seclusion and notoriously thin hold on reality will allow the con to succeed. Hughes has not been seen or heard from in public for over a decade. He is a total recluse. Irving relies on this fact to protect his bogus story – as Hughes refuses to confirm or deny anything so prevalent is his fear of appearing in public. Recruiting his anxiety-prone but loyal best friend Dick Suskind (ALFRED MOLINA) and European artist wife (Academy Award® winner MARCIA GAY HARDEN) into the scheme, Clifford soon finds himself in a wild maze of treachery, as he is forced to dodge the fallout of his falsehoods at every turn. What started as an adventurous lark soon turns into a seemingly inescapable maze of forgeries, thefts, tall tales, deceptions and impersonations. Yet Clifford's plan works like magic as his publishers, hungry for a bestseller at any cost, are hoodwinked by the thrill of it all. When Clifford stumbles upon possible links between Hughes and a corrupt Nixon administration, the stakes for his book grow even higher. Clifford is on top of the world . . . until the real Howard Hughes shockingly emerges to pull the rug out from under him. Only now, Clifford is so caught up in the tale he created that he may no longer know where his incredible story ends and reality begins. --© Miramax Films [More]
Starring: Richard Gere, Michael J. Burg, Julie Delpy, Hope Davis
Starring: Richard Gere, Michael J. Burg, Julie Delpy, Hope Davis, Eli Wallach, Marcia Gay Harden, Alfred Molina, Stanley Tucci, Stuart Margolin
Director: Lasse Hallström
Director: Lasse Hallström
Screenwriter: William Wheeler
Producer: Betsy Beers, Mark Gordon, Leslie Holleran, Joseph Maurer, Bob Yari
Composer: Carter Burwell
Studio: Miramax Films
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Reviews for The Hoax
Somehow Irving's crafty evasiveness sparked something in Hallstrom; it's his best movie in two decades.
This is some of the best work of Richard Gere's career as he blends the breezy charm with a more self-effacing ooze that makes Irving the weaker man that he is.
a very good caper movie lead by an actor taking sheer glee in the game.
Deeply problematic in large part because of Hallstr%uFFFDm's monomaniacal determination to turn Clifford Irving's story into a lively romp.
Hallstrom, never a show-offy director, keeps the action buzzing along to a very satisfying conclusion.
Regardless of pacing hiccups, Hallstrom's filmmaking lays the viewer in Irving's impulsively spun web of troubles while having fun dreaming up ways to depict these ballsy bits of dishonesty.
Relax and take in 'The Hoax' as a sometimes humorous, buddies-on-the-scam adventure, preposterous but somewhat true.
The Hoax might be intended as a cautionary tale, but in today's cynical climate, it stands a better chance of emerging as an inspirational training film.
Magnificently constructed and manipulated by Hallström, it presents a Gere that we haven’t seen in a long time, if at all.
Director Lasse Hallström, delivering his best all-around work since 1999's The Cider House Rules, manages to sustain a nimble pace despite a crushing amount of narrative detail.
An amusing bounce through an unhappy period in American history, recalling the attitudes, fashions, politics and paranoias of the day.
Twisty, quite fun and generally bereft of sentimentality. It is, in short, just about the last movie you'd expect Lasse Hallström to make.
We never establish an emotional connection with Irving. Even though we're caught up in his derring-do as he beguiles entire meeting rooms of jaded publishers and editors, we're kept at a dissatisfying distance from Irving and the movie.
The filmmakers catch the right glittery look and paranoid intensity, and they make gutsy speculations about the story beneath the story.
The Hoax never wanders too far from its pitiful but somehow joyously deceitful center, and Gere captures the sheer electricity of a man who, even for only a few moments, seems to have made reality play by his rules.
[Gere] has the right kind of shifty energy and superficial charisma. [Alfred] Molina, always a treasure, is especially funny as the naive, egotistical fact-cruncher.
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October 14, 2007:
Clifford Irving gets the last laugh, while Howard Hughes must be spinning in his grave, given this revisionist tale which turns the truth on its head. ![]()
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April 28, 2007:
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