This intriguing, character-driven drama, directed by three-time, Oscar-nominee Lasse Hallstrom, is worthwhile for its capably-executed, beguiling plot alone.
The Hoax (2007)
Tomatometer
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Reviews Counted:148
Fresh:126
Rotten:22
Average Rating:7.2/10
Consensus: The Hoax is an enormously appealing film, thanks to the uniformly excellent performances and Lasse Hallström's zippy direction.
Runtime: 1 hr 55 mins
Genre: Dramas
Theatrical Release:Apr 13, 2007 Wide
Box Office: $7,092,859
Synopsis: In 1971, Clifford Irving achieved the very heights of American journalism, nabbing a series of unprecedented interviews with the most famous man in the world – ultra-reclusive, immensely powerful,... In 1971, Clifford Irving achieved the very heights of American journalism, nabbing a series of unprecedented interviews with the most famous man in the world – ultra-reclusive, immensely powerful, superstar billionaire Howard Hughes – revealing his most intimate memories and controversial secrets. Actually, that's a lie. In 1971, writer Clifford Irving told an incredible whopper – one that became one of the most audacious and outrageous hoaxes ever perpetrated on the media and American public. Claiming to have obtained Howard Hughes' long sought-after memoirs, Irving pulled the wool over the entire publishing industry's eyes, and nearly made off with major cash and worldwide fame, until his clever yarn unraveled into a serious crime. Now from Academy Award®-nominated director Lasse Hallström (CIDER HOUSE RULES, CHOCOLAT) comes THE HOAX, a riveting caper inspired by Irving's untrue story. Jumping off from the still controversial facts surrounding Irving's ruse into a fictional reverie, the film mischievously and imaginatively explores how a man, an industry and an entire nation could become intoxicated by a good story . . . in sheer defiance of the fact that it never really happened. Golden Globe winner Richard Gere takes on the roguish role of Clifford Irving, an ambitious yet struggling writer who's been looking for that one big story for so long, he brazenly decides to make one up. At first the idea is just a savvy artistic prank, but if that's what the world wants, Irving believes he can take it further. Shrouding himself in a clever cloud of secrecy, he drops the news to a major publisher that he has been approached by the one man the entire world most wants to know about – aviator, movie mogul, ladies man and eccentric billionaire Howard Hughes – to ink his priceless biography. There's just one little problem: not a word of what Clifford is saying has an ounce of truth to it. He's never so much as seen a glimpse of the real Howard Hughes. But Irving banks on the idea that Hughes' seclusion and notoriously thin hold on reality will allow the con to succeed. Hughes has not been seen or heard from in public for over a decade. He is a total recluse. Irving relies on this fact to protect his bogus story – as Hughes refuses to confirm or deny anything so prevalent is his fear of appearing in public. Recruiting his anxiety-prone but loyal best friend Dick Suskind (ALFRED MOLINA) and European artist wife (Academy Award® winner MARCIA GAY HARDEN) into the scheme, Clifford soon finds himself in a wild maze of treachery, as he is forced to dodge the fallout of his falsehoods at every turn. What started as an adventurous lark soon turns into a seemingly inescapable maze of forgeries, thefts, tall tales, deceptions and impersonations. Yet Clifford's plan works like magic as his publishers, hungry for a bestseller at any cost, are hoodwinked by the thrill of it all. When Clifford stumbles upon possible links between Hughes and a corrupt Nixon administration, the stakes for his book grow even higher. Clifford is on top of the world . . . until the real Howard Hughes shockingly emerges to pull the rug out from under him. Only now, Clifford is so caught up in the tale he created that he may no longer know where his incredible story ends and reality begins. --© Miramax Films [More]
Starring: Richard Gere, Michael J. Burg, Julie Delpy, Hope Davis
Starring: Richard Gere, Michael J. Burg, Julie Delpy, Hope Davis, Eli Wallach, Marcia Gay Harden, Alfred Molina, Stanley Tucci, Stuart Margolin
Director: Lasse Hallström
Director: Lasse Hallström
Screenwriter: William Wheeler
Producer: Betsy Beers, Mark Gordon, Leslie Holleran, Joseph Maurer, Bob Yari
Composer: Carter Burwell
Studio: Miramax Films
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Reviews for The Hoax
Chronicle of a 1970's deception yet relevant because it cleverly parallels contemporary media scams and governmental cover-ups.
It's been said that acting is simply a form of lying. If that's true, then actor Richard Gere has pulled off one hell of an Escher move in The Hoax, a biopic in which he plays shameless liar Clifford Irving.
Pacey and entertaining, it's anchored by a zesty turn from Richard Gere, and it deftly evokes, through music and news clips, the early '70s of Nixon and anti-war protests.
Ultimately, The Hoax seems designed to appeal to the larcenous impulse in all of us.
Who'd have thought a movie about a fake biography would be dealt with as though it were a thriller?
Clifford Irving is a villain. Richard Gere makes him charming, but flawed.
A tale that outlines Clifford Irving's place in history: con artist extraordinaire whose genius shook up the world with a feat of deception and literary exploitation.
Inspired by true events in the life of Clifford Irving, the writer who nearly pulled off one of the most audacious media scams in history, Lasse Hallstrom’s version of the proceedings gives Richard Gere one of his best roles in years.
A schizoid film, more successful as a breezy tale of Clifford Irving, the maniacal liar who faked a bio of Howard Hughes, than as a portrait of the Nixon era and Watergate scandal; effort to intertwine the personal with the collective level doesn't work
Jaunty, likable and surprisingly relevant tale of one of the better scandals of the '70s.
A surprisingly layered vehicle for a maniacally conniving Richard Gere, backed up by a superb Alfred Molina as his accomplice.
Latest News for The Hoax
December 14, 2007:
Atonement, Control Lead London Film Critics Noms
The London Critics Circle has announced the nominees for its year-end awards, with Anton Corbijn's Control and Joe Wright's Atonement leading the pack at eight nominations apiece. More...
October 16, 2007:
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It's a blockbuster week for DVD watchers, as two highly anticipated titles -- a little robot action here (Transformers), a little zombie plague there (Planet Terror) -- come... More...
October 14, 2007:
Clifford Irving gets the last laugh, while Howard Hughes must be spinning in his grave, given this revisionist tale which turns the truth on its head. ![]()
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April 28, 2007:
Trailer & Poster review ![]()
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