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Free Zone

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Free Zone (2006)

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Reviews Counted:46

Fresh:12

Rotten:34

Average Rating:5/10

Consensus: The symbolism in this cinematic metaphor on conflicts in the Middle East becomes so overbearing that it's hard to care about the characters or their plight.

Rated: Not Rated

Runtime: 90 mins

Genre: Dramas

Theatrical Release:Apr 7, 2006 Limited

Synopsis: Sitting in a chauffeured car parked just outside of Jerusalem's Wailing Wall, Rebecca (Golden Globe winner and Academy Award nominee Natalie Portman) struggles to compose herself. It isn't clear... Sitting in a chauffeured car parked just outside of Jerusalem's Wailing Wall, Rebecca (Golden Globe winner and Academy Award nominee Natalie Portman) struggles to compose herself. It isn't clear who or what has just upset her, but the driver of the car she's sitting in (Hanna Laslo as Hanna) is losing patience. Hanna's running late for an appointment that she absolutely must keep and Rebecca is holding her up. A strong-willed, charismatic Israeli woman, Hanna is on her way to Jordan, to an ungoverned economic free zone of shady business transactions that is bordered by Syria, Iraq and Saudi Arabia. Looking for a quick "escape", Rebecca heedlessly convinces a reluctant Hanna to take her along for the ride. Their trip to the Free Zone allows Rebecca a moment to reflect on what led her - some months ago - to leave the United States for Israel, and on her breakdown in Hanna's cab earlier in the day. The road-trip also reveals the urgency behind Hanna's quest, which is being made on behalf of her husband, Moshe (Uri Klauzner). Recently wounded in a terrorist attack, Moshe needs Hanna to collect a debt owed to him by a business partner of his that operates an armored car dealership within the Free Zone. But when Hanna and Rebecca reach "the American's" office, they are confronted by Leila (Hiam Abbass), a Palestinian that works for "the American" and who tells Hanna that "the American" and Hanna's money are missing. Determined not to leave the Free Zone without her husband's debt paid, Hanna forces Leila to join her, and with Rebecca tagging along, the three woman begin a search of the Free Zone for "the American" and Moshe's money. Soon the relationship between the three women changes and what began as a kind of pragmatic mutual need between them, quickly turns into an emotional solidarity that will affect each of their lives forever. Internationally acclaimed Israeli filmmaker Amos Gitai (Yom Yom, Kadosh, Kippur, Kedma, Promised Land) is arguably the most accomplished filmmaker to ever come out of the Israeli film industry. Furthering his career-long exploration of Israeli culture – the Film Society of Lincoln Center recently held a major retrospective of his work – Free Zone moves to a unique terrain where Israelis and their Arab neighbors connect in a market free of political wrangling. Employing virtuosic long-takes and elegant simultaneous exposures, Gitai's beautiful new film is a quietly sweeping movie about intersected lives in transit. Shot in cooperation with the Jordanian Royal Film Commission, Free Zone is the first Israeli fiction feature ever shot in an Arab country. The film boasts first-rate performances by three great actresses of world cinema – Natalie Portman (Closer, Garden State), Hanna Laslo (Winner, Best Actress, 2005 Cannes Film Festival) and Hiam Abbass (Paradise Now). --© New Yorker Films [More]

Starring: Natalie Portman, Hana Lazlo, Hiam Abbass

Starring: Natalie Portman, Hana Lazlo, Hiam Abbass

Director: Amos Gitai

Director: Amos Gitai
Screenwriter: Amos Gitai, Marie-Jose Sanselme
Producer: Laurent Truchot
Studio: New Yorker Films

[See More Credits]

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Release:

May 29, 2007

No Details Exist
 
 

Reviews for Free Zone

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1 - 20 (sorted by fresh rating)
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The film is about their journeys, separate and together, and only nominally in Hanna's car.

Full Review Source: PopMatters | comment Comment
05/13/06
Cynthia Fuchs
Cynthia Fuchs
PopMatters

[The] set-up is given a human face by fine performances and a physical journey that's often more interesting than the characters' emotional ones.

Full Review Source: Variety | comment Comment
05/19/05
Derek Elley
Derek Elley
Variety

Addressing conflict by conflicting itself, Free Zone's effect is almost avant-garde.

Full Review Source: Slant Magazine | comment Comment
03/01/06
Ed Gonzalez
Ed Gonzalez
Slant Magazine

This is not a geat film, but an extremely good one...

Full Review Source: Greenwich Village Gazette | comment Comment
04/06/06
Eric Lurio
Eric Lurio
Greenwich Village Gazette

Rebecca (Natalie Portman) is the quiet American who stands on the sidelines while the Israeli and the Palestinian bicker and argue in this intriguing Middle Eastern travelogue.

Full Review Source: Premiere Magazine | comment Comment
04/11/06
Ethan Alter
Ethan Alter
Premiere Magazine

The meeting of three women -- an American, an Israeli, and a Palestinian -- in Jordan and their struggle to overcome prejudices and their communal histories.

Full Review Source: Spirituality and Practice | comment Comment
04/06/06
Frederic and Mary Ann Brussat
Frederic and Mary Ann Brussat
Spirituality and Practice

An intriguing allegorical road-trip movie about 3 women in search of an identity.

Full Review Source: Compuserve | comment Comment
03/30/06
Harvey S. Karten
Harvey S. Karten
Compuserve

An exceptional new film.

Full Review Source: Combustible Celluloid | comment Comment
07/20/06
Jeffrey M. Anderson
Jeffrey M. Anderson
Combustible Celluloid

Judging from her heartfelt turn as Rebecca, Portman seems much more at home in character-driven, art house fare than in her usual studio extravaganzas.

Full Review Source: Film-Forward.com | comment Comment
04/06/06
Kent Turner
Kent Turner
Film-Forward.com

[A] fractious film from thorny filmmaker Amos Gitai.

Full Review Source: Entertainment Weekly | comment Comment
04/12/06
Lisa Schwarzbaum
Lisa Schwarzbaum
Entertainment Weekly
Top Critic Icon Top Critic

Shot mostly in close-ups, it's a fascinating road movie with an absurdist allegorical finale.

Full Review Source: New Times | comment Comment
06/02/06
Luke Y. Thompson
Luke Y. Thompson
New Times

There's an art to ambiguity -- there really is... Left to their own devices, viewers will fill in the blanks, but when the movie starts filling them in itself, you have to wonder about the mismatch.

Full Review Source: Paste Magazine | comment Comment
06/05/08
Robert Davis
Robert Davis
Paste Magazine

Maybe being stuck in the car is supposed to give you that claustrophobic feeling that you're in the middle of this, but it feels like a low-budget home movie from a vacation you wouldn't want to take.

Full Review Source: TheMovieChicks.com | comment Comment
06/02/06
Cherryl Dawson and Leigh Ann Palone
Cherryl Dawson and Leigh Ann Palone
TheMovieChicks.com

In a film that is so concerned and in love with its female characters, Gitai sort of leaves them in a lovable sing-along

Full Review Source: Filmcritic.com | comment Comment
04/06/06
Chris Cabin
Chris Cabin
Filmcritic.com

It’s a frustrating experience.

Full Review Source: eFilmCritic.com | comment Comment
10/17/05
Collin Souter
Collin Souter
eFilmCritic.com

...an unquestionably awful, awful film.

Full Review Source: Reel Film Reviews | comment Comment
09/27/05
David Nusair
David Nusair
Reel Film Reviews

The message is made clear within the first 10 minutes, leaving us with about 80 minutes of thematic repetition.

Full Review Source: Washington Post | comment Comment
05/04/06
Desson Thomson
Desson Thomson
Washington Post
Top Critic Icon Top Critic

Visually, Free Zone resembles a home movie in which an overly enthusiastic vacationer records every moment of a mundane trip.

Full Review Source: Hollywood Reporter | comment Comment
05/20/05
Duane Byrge
Duane Byrge
Hollywood Reporter

Gitai’s films are unabashedly political, tackling controversial issues. They are often more interesting intellectually than artistically. Freezone is no exception.

Full Review Source: EmanuelLevy.Com | comment Comment
05/30/05
Emanuel Levy
Emanuel Levy
EmanuelLevy.Com

Much of it is labored and overemphatic.

Full Review Source: Film Journal International | comment Comment
03/01/07
Eric Monder
Eric Monder
Film Journal International
 
 
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