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Touch the Sound (2006)
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Reviews Counted:49
Fresh:43
Rotten:6
Average Rating:7.4/10
Consensus: Not only does this documentary introduce viewers to Glennie, it gives them a taste of how she perceives the world.
Theatrical Release:Sep 7, 2005 Limited
Synopsis: In RIVERS AND TIDES, German documentarian Thomas Riedelsheimer explored the enchanting and hypnotic "nature" art-installations of Andy Goldsworthy. Now, with TOUCH THE SOUND, he turns his camera on... In RIVERS AND TIDES, German documentarian Thomas Riedelsheimer explored the enchanting and hypnotic "nature" art-installations of Andy Goldsworthy. Now, with TOUCH THE SOUND, he turns his camera on nearly deaf percussionist Evelyn Glennie, who experiences sound as a kind of touching or vibration. Using Glennie's unique musical sensibilities as a jumping-off point, Riedelsheimer introduces the viewer to an amazing sonic realm that we all know but rarely appreciate--a world of tapping, sputtering, clanging, rustling rhythms. The drone of a suitcase's wheels on concrete interrupted by the periodic zing of a zipper, the crackling of an icy pond, the echoic clang of metal scaffolding struck by Glennie's shoe--these sounds become, in Riedelsheimer's skilled hands, moments of revelation. Watching this film, viewers will feel like they are hearing the world for the first time. [More]
Director: Thomas Riedelsheimer
Director: Thomas Riedelsheimer
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Reviews for Touch the Sound
It doesn't help when Glennie tries to elucidate her feelings about nature and music in holistic, broad strokes that border on nonsense.
There is a maddening sense of dislocation through much of the movie -- a feeling that genuinely fascinating questions have been squeezed out by woo-woo philosophizing and material (like Glennie's brief return to the family farm) of only minor import.
The film is a paean to the variety of sound in our world, sound that we experience very differently from how Evelyn Glennie does.
Unfortunately, a good deal of Touch the Music is devoted to vacuous interviews with Glennie, who seems positively incapable of saying anything substantial.
Riedelsheimer sees Glennie as an angel of hyperawareness and possessor of special spiritual wisdom.
It's a cliché to find inspiration in other people's disabilities, but the truth is that Glennie would be inspiring whether she could hear or not. Her joyful enthusiasm for life is that great.
...he often assembles gorgeous, abstract visual montages that recall Godfrey Reggio’s -qatsi trilogy.
They get some amazing sounds from unusual sources... This film is a visual and auditory experience.
Touch the Sound is a completely joyful moviegoing experience and, like the best movies, it takes you to a place you've never been.
Fans of the Grammy-winning musician will revel in the proximity to their idol, though second pic from talented helmer Thomas Riedelsheimer plays a tad long to those unfamiliar with his, or her, work.
A nice introduction to an artist mostly unknown to the general public... but one that needs to focus more on its strengths and less on outside influences.
You'll either sail along with it contentedly, or you'll start to think halfway through that maybe the movie could have been a lot shorter and made its points just as well.
This 'sound journey' (as the subtitle of the film calls it) has much to like and recommend.
We’re led to experience her life as she does -- as an adventure in which setbacks are not challenges, but illuminations of untracked paths.
Riedelsheimer succeeds in showing us Glennie's world as she feels it.
An often-lovely impressionistic look at the life of a famous avant-garde percussionist who generates a wonderful world of sound, despite being deaf.
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 25% 25% | Four Christmases |
| 68% 68% | Funny People |
| 95% 95% | Star Trek |
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| Tomatometer Percentage | Movie |
|---|---|
| 83% 83% | Harry Potter and the H… |
| 67% 67% | Public Enemies |
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