Average Rating: 6.6/10
Reviews Counted: 56
Fresh: 43 | Rotten: 13
With animated sequences adding imaginative quirkiness to the mix, this movie about death and disaster is insightful, empathic, and more uplifting than one would think.
Average Rating: 6.8/10
Critic Reviews: 21
Fresh: 17 | Rotten: 4
With animated sequences adding imaginative quirkiness to the mix, this movie about death and disaster is insightful, empathic, and more uplifting than one would think.
liked it
Average Rating: 3.5/5
User Ratings: 6,172
Preoccupation with disasters and a growing sense of mortality threaten to derail the growing relationship between the witness of a train accident and the reporter sent to interview her in this daring drama from emerging Australian filmmaker Sarah Watt. As the weekend draws near, three troubled souls find themselves faced with pivotal, potentially life-changing events. Though the death of her father still looms heavily in her mind, Meryl (Justine Clark) is forced to cut short her bereavement in
Apr 14, 2006 Limited
Dec 5, 2006
Kino International
All Critics (59) | Top Critics (21) | Fresh (45) | Rotten (13) | DVD (5)
A black-humored screenplay, realistic performances, eye-catching artwork, and a few creative turns on some well-worn themes.
Filled with aloof and confused characters just treading water, and even if they are likable, it eventually becomes tiresome. It's like one big pity party.
The bottom line is that none of this goes anywhere beyond a droning funeral procession.
The film itself is beautifully done.
... deliriously inventive ...
Though Watt's emphasis on coincidence and fate seems strained at times, Look Both Ways is rich in dreamy summer atmosphere and deadpan wit.
A remarkably dense and powerful picture of people's yearning and struggling. . . . about how 'things just happen'%u2014that's the sadness and beauty of life.
an impressive, intelligent and moving tragicomedy of manners - any way you look at it.
Not a feel-good flick, yet likely to strike a chord with those inclined to contemplate life as a pessimistic venture guided by the unpredictable vagaries of the fickle finger of fate.
Not a feel-good flick, yet likely to strike a chord with those inclined to contemplate life as a pessimistic venture guided by the unpredictable vagaries of the fickle finger of fate.
A multi-faceted, sparkling gem of a movie.
Most films about shell-shocked characters coming to grips with their own mortality are either excruciating or forcefully comical. Not so with this mini-masterpiece.
A dreamy but tough ensemble indie that delivers its existential angst with a straight-up Aussie drawl.
A thoroughly engaging, warm-hearted and frequently moving drama that marks Watt out as a talent to watch and deserves to find as big an audience as possible.
While [director Sarah] Watt begins to offer an interesting study in paranoia, tinged with some good comic moments, her multi-stranded plot and last-minute recourse to romance ultimately lost the interest of this viewer.
Lapses in judgement occasionally jar -- like the habit of playing middle of the road ballads over key scenes -- but the central romance is touching enough to lock us in while bringing out the moral of this story.
It has a cold, observer's touch that makes dealing with the death and disease a disdainful task.
It's the type of film in which a character sits next to his work acquaintance for a few moments, then asks, 'Do you believe in God?'
Although none of Watt's characters is granted the full attention of the film, they feel entirely real in their flaws, dreams and struggles with the grown-up world of pain, loss and isolation.
Watt stirs the ingredients in her story pot with vigor, sprinkling in rich dialogue and effortless tonal shifts that tend to add just the right shade of humor to lighten the dark material.
A deeply affecting film from first time Australian director Sarah Watt, who also wrote the screen play and did some of the animation. It is about death, and family, and career, and loneliness, and loving, and friendship. In short, it is about life. Terrific actors, a dynamite script, and characters one can identify
August 14, 2009Super Reviewer
NICK: Do you think you're getting over the shock?MERYL: The dad shock or the accident shock? Do you think you can have two at once? Maybe I'm into 'bargaining' on one of them. Y'know, the seven stages of grief. What's the point in knowing where you're up to when you've still got to go through it anyway?This is one of
March 27, 2007Super Reviewer
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