The filmmaker can't help but place himself in the middle of things -- his occasional voiceover narration is more irritating than amusing. And he's got no real sense of comic timing.
The Boss of it All (2007)
Tomatometer
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Reviews Counted:61
Fresh:45
Rotten:16
Average Rating:6.6/10
Consensus: Director Lars von Trier ditches the pretensions but keeps his misanthropy in The Boss of it All, a surprisingly sharp and witty comedy about office life gone haywire.
Theatrical Release:May 23, 2007 Limited
Synopsis: Controversial yet always-interesting filmmaker Lars von Trier takes a surprising turn with THE BOSS OF IT ALL. Von Trier shackles his film to a traditional narrative structure, hitting cinematic... Controversial yet always-interesting filmmaker Lars von Trier takes a surprising turn with THE BOSS OF IT ALL. Von Trier shackles his film to a traditional narrative structure, hitting cinematic heights he's been unable to reach since early efforts such as THE IDIOTS and BREAKING THE WAVES. Indeed, moviegoers who felt alienated by esoteric works such as DOGVILLE and MANDERLAY should find themselves on more comfortable ground here. THE BOSS OF IT ALL is set in Denmark, and revolves around Ravn (Peter Gantzler), the unassertive founder of a popular technology company. Ravn has invented a fictional, svengali-like boss ("Svend") of the company, whom he claims is pulling the strings from America. In fact, Svend is a front that the lily-livered Ravn uses whenever he has to make an unpopular decision. But when Ravn decides to sell the company, he has to corral an unemployed actor, Kristoffer (Jens Albinus), into playing Svend, thus introducing him to a group of co-workers who all have wildly different expectations of what this shadowy figure will be like. The strength in von Trier's film lies in the subtle interplay between Gantzler and Albinus. Albinus's "Svend" gets into a mind-boggling array of tangled and complicated situations with Ravn's co-workers, and his woeful yet hilariously overwrought acting really hits some comic high points as the movie unravels. Von Trier shoots in a "mockumentary" style which is sure to draw comparisons to both the British and U.S. versions of THE OFFICE, but THE BOSS OF IT ALL is really a work that inhabits its own peculiar universe, standing as a fine testament to a director who is not afraid to confound, surprise, and even alienate his own audience. [More]
Starring: Peter Gantzler, Jens Albinus, Fridrik Thor Fridriksson, Iben Hjejle
Starring: Peter Gantzler, Jens Albinus, Fridrik Thor Fridriksson, Iben Hjejle, Henrik Prip
Director: Lars von Trier
Director: Lars von Trier
Screenwriter: Lars von Trier
Producer: Meta Louise Foldager, Vibeke Windelov
Studio: IFC Films
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Reviews for The Boss of it All
At ten minutes too long, "The Boss of It All" is Lars Von Trier poking fun at himself and the corporate veil that mystifies all those that attempt to defeat it.
It's more than clear what a goof this all is, and a curiously happy one at that.
Who knew the man had a workplace comedy in him, let alone one this sharp?
If Von Trier wants to play Office, he should at least shoot for one of the more dazzling episodes.
Comedy, thy name isn't Lars von Trier. However, the abstract concept of "comedy," in Brechtian quotation marks, makes for an interesting experiment for cinema's reigning provocateur.
Cynical, misanthropic and embittered. Von Trier delivers some rueful, strangled laughs, most driven by the simmering guerrilla war between employees and management.
Funny is not a word often used to describe von Trier's output, but Boss definitely is that, thanks to a breezy script and a bright cast.
The fact that it is very funny will relieve the frustration of probing further for insight.
von Trier is just too self-absorbed a filmmaker, too much "the boss of it all" to allow for anything as anarchic and joyful as a screwball comedy to bloom from this material
This satire of empty-suit capitalism has scalding moments, but most of it suggests Being There meets The Office gibberized into theater of the absurd.
The one last saving grace of this only marginally entertaining film is its refusal to avail itself of an ironically heroic sentimentality set up by its own narrative trajectory.
Such a clever premise that you can almost count the days until Hollywood tries to adapt it into a whimsical comedy vehicle for Tim Allen, Will Ferrell or the like.
A cold, misanthropic work that places no faith in institutions and in humanity itself. But it’s also very funny.
You gotta give it to Lars, clever bastard, he makes it almost impossible to hold his perceived failings against him!
Von Trier is using irrational modes of expression to comment not only on his own modus operandi as a moralist and a filmmaker but the enterprise of making movies and directing actors in them.
The Boss of It All is a wonderfully perceptive study of the use and abuse of power set in a concrete, everyday context ...
A collector's item for Trier fans, that doesn't add up to much of anything for the rest of us.
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