Despite its fuzzy, getting-to-know-you message, the movie itself offers zero motivation for any of its protagonists.
License To Wed (2007)
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Reviews Counted:25
Fresh:2
Rotten:23
Average Rating:3.2/10
Consensus: Featuring one of Robin Williams' most shtick-heavy performances, the broad and formulaic License to Wed wrings little out of its slightly creepy, unappealing premise.
Theatrical Release:Jul 4, 2007 Wide
Box Office: $43,745,954
Synopsis: An all-star cast inhabits this romantic comedy about a couple who must endure a humiliating obstacle course of a marriage-training program in order to gain permission to wed from their church's... An all-star cast inhabits this romantic comedy about a couple who must endure a humiliating obstacle course of a marriage-training program in order to gain permission to wed from their church's over-the-top reverend (Robin Williams). Hilarity follows as the lovebirds (Mandy Moore and THE OFFICE'S John Krasinksi) put their devotion to the test. From the moment they met in a Starbucks line, the couple was prone to cute mishaps and clumsiness, but they also displayed amazing chemistry. Then Reverend Frank and his creepy child assistant intervene, putting Sadie and Ben through a torturous process which involves couples counseling, bedroom surveillance, and a very funny sequence in which the couple must take care of two robotic fake babies while shopping for their registry at Macy's. While Krasinski's average-guy expressions are fun to watch, his persona on the big screen isn't too much of a stretch from his role in the television sitcom. And Moore's typical likability becomes irritatingly upbeat in several scenes. Packed with OFFICE cameos, LICENSE TO WED promises laughs up until the end, where it veers towards the trappings of an archetypal romantic comedy. [More]
Starring: John Krasinski, Robin Williams, Mandy Moore, Christine Taylor
Starring: John Krasinski, Robin Williams, Mandy Moore, Christine Taylor, De Ray Davis, Eric Christian Olsen
Director: Ken Kwapis
Director: Ken Kwapis
Screenwriter: Kim Barker, Tim Rasmussen, Vince DiMeglio
Producer: Arnold Messer, Mike Medavoy
Composer: Christophe Beck
Studio: Warner Bros.
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Reviews for License To Wed
This assaultively unappealing 'romantic comedy' could well mark the opening salvo in a whole new Hollywood campaign against movie piracy. Anybody who'd steal this dud would stink just from carrying it around.
Forget about Saw, Hostel and all the other films in the new, notorious torture-porn genre. If you're looking for a really sick movie, check out License to Wed.
The inert License to Wed shambles along one lame scene after another.
...even if I could have put up with the unpleasantness of this as comedy, I still would have balked at the eventual portrayal of this monster [Williams] as an angel in disguise.
There's bad, there's awful and there's horrible, and then somewhere beyond that, in its own Kingdom of Lousy -- where all the milk curdles and the jokes aren't funny -- is License to Wed.
It's highly amusing and its cast is extremely persuasive, playing the kind of roles that kill most careers: genuinely nice people.
The movie is plodding, predictable, formulaic and, worst of all, not funny.
The story ends with a sentimental clunk. To say the picture isn't funny is putting it mildly. It isn't tolerable.
All it does is make you wish [Robin Williams] never discovered movies -- or, at least, stuck to voicing cartoons and doing the odd, occasional drama.
The movie is a pastiche of tortured slapstick, groan-inducing dialogue and a lethal dose of treacle, apparently awaiting one of Williams' trademark sprees of riffing and vamping to save the day. That moment never comes.
It is only the latest attempt by a Hollywood studio to pander to prurience and piety in a single gesture, and to avoid giving offense by treating all possible factions of the public equally, which is to say like idiots.
Will Robin Williams ever divorce himself from the unholy union of silliness and sentimentality?
Krasinski affirms that he can carry more than a desk job on The Office, and Moore plays straight gal in a film that improves, at least, on her last role in the ugh-inducing Because I Said So. License to Wed doesn't fail her this time.
The creepy-faced robot twin babies are funny (for a while); the rest of the film is not. It's like Meet the Parents with Dr. Phil as the officiant from hell.
It's supposedly a romantic comedy, so imagine a couple of hilarious physical jokes -- you know, a guy takes a baseball to the face, ha-ha -- and channel in a few moments of Robin Williams doing his improv shtick around some key words.
Anyone who has been through the process of church-mandated marriage preparation counseling should get a chuckle out of License to Wed, that is if the comedy weren't so badly handled.
You'd never know from License to Wed that Krasinski is a big asset to The Office. Here, playing an unappealing male lead, he merely smugs his way through the assignment.
This is the sort of lobotomized, condescendingly lazy movie that leaves you resentful of Hollywood.
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