This is cinematic gamesmanship that is simultaneously brutal, bizarre and elegant in its audacity. Director Haneke has artistically exploited cinematic structure to play with and engage the mind. It's a very funny game indeed.
Funny Games (2008)
Tomatometer
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Reviews Counted:139
Fresh:71
Rotten:68
Average Rating:5.6/10
Consensus: Though made with great skill, Funny Games is nevertheless a sadistic exercise in chastising the audience.
Rated: R [See Full Rating] for terror, violence and some language.
Runtime: 1 hr 52 mins
Genre: Horror/Suspense
Theatrical Release:Mar 14, 2008 Limited
Box Office: $1,045,279
Synopsis: In 1997, writer-director Michael Haneke (CACHE) made the controversial Austrian thriller, FUNNY GAMES, about two young men who terrorize a family on vacation. A decade later, Haneke was convinced... In 1997, writer-director Michael Haneke (CACHE) made the controversial Austrian thriller, FUNNY GAMES, about two young men who terrorize a family on vacation. A decade later, Haneke was convinced by producer Chris Coen to bring the story to America, filming a nearly word-for-word, shot-for-shot English-language version, even re-creating the locations and sets as obsessively as possible. Shortly after Ann (Naomi Watts), George (Tim Roth), and Georgie (Devon Gearhart) arrive in their country home, Peter (Brady Corbet), an eerily polite young man dressed all in white, including odd white gloves, appears on the doorstep, asking Ann if he can borrow some eggs for their neighbor. Peter is joined by Paul (Michael Pitt), and the Leopold-and-Loeb-like duo are soon doing horrible things to Ann, George, and Georgie, torturing them both physically and psychologically (nearly all the violence occurs off-screen), for no apparent reason other than they can, referring to the whole thing as a game. And the biggest game of all is whether the family will be alive at the end. FUNNY GAMES is an intense experience, driven by Haneke's careful manipulation of both the film itself and the audience. He's trying to shake up the viewer, even having Paul address the audience directly several times, with Paul fully aware of what he is doing and how the audience is most likely responding. And in one unforgettable scene, Haneke pulls the cathartic rug right out from under the viewer, playing with the actual medium of cinema in an infuriating and ingenious way. Roth and Watts give outstanding performances as the victims, matched by Pitt and Corbet's deeply unsettling creepiness. Just as Peter and Paul (who also call themselves Tom and Jerry and Beavis and Butt-Head) alternate between calm and violent, the soundtrack alternates between classical music by Handel, Mozart, and others and hardcore punk from John Zorn and Naked City. Though difficult to watch, FUNNY GAMES is ultimately a rewarding and illuminating film, though not for the squeamish. [More]
Starring: Naomi Watts, Michael Pitt, Tim Roth, Brady Corbet
Starring: Naomi Watts, Michael Pitt, Tim Roth, Brady Corbet, Devon Gearhart
Director: Michael Haneke
Director: Michael Haneke
Screenwriter: Michael Haneke
Producer: Hengameh Panahi, Christian Baute, Andro Steinborn, Chris Coen, Hamish McAlpine
Studio: Warner Independent
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Reviews for Funny Games
this Funny Games remake is as thrilling, as provocative, and as harrowing as the original - but only because it is a near carbon copy.
The movie is unforgettable and will cause a reaction from you, whether you like it or not. Me? I liked it's sick, twisted sense of manipulating the audience
It's not a fun ride, but Funny Games forces us -- almost against our will -- to examine its characterization of violence and our response to it.
Watching "Funny Games" is pure torture. It's not that the film is bad, mind you. Far from it. "Funny Games" is a work of unmitigated genius. But it is, most certainly, not for the faint of heart.
Posits that we humans are a persuadable lot, willing to accept almost anything in the name of entertainment.
If you meet director Michael Haneke and you tell him his movie, Funny Games, cheesed you off, he'll probably be thrilled.
Funny Games is like a graduate thesis on screen violence. It's less successful as a compelling piece of cinema.
This is a piece of art. The direction is amazing, the performances are top-notch, and the pot-boiling pace is pitch-perfect.
Both versions of Funny Games equally represent the most indigestible and unsettling fictional film I've ever seen.
Even if you're already aware that violence is sickening, thank you very much, Haneke's confrontational film stirs up distressing emotions and leaves you to resolve them as best you can. Good luck. You'll need it.
The movie assumes you know all this already and shows it to you anyway.
A stylish, darkly satirical horror-thriller, raising serious questions about Hollywood’s sanitisation of violence.
I'm not at all sure that, in manipulating the audience to make his points, Haneke isn't as guilty of exploitation as the filmmakers and the films he's attacking here.
Difficult to like and yet impossible to deny, Funny Games is a coldly efficient, spectacularly acted and unremittingly bleak thriller.
If you're interested in intellectual abstraction, you might find Haneke's games intriguing. Just be warned: When the movie ends, you'll definitely feel like you've been played.
The purpose is to provoke and disturb the audience. It does this so well that you may not be able to watch it.
Although Funny Games inspires a lot of conflicting emotions in viewers, isn't it always better to leave the theatre feeling something than nothing at all?
Latest News for Funny Games
June 09, 2008:
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March 16, 2008:
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