You will be deeply disturbed, but you will watch obsessively. You will be haunted, and manipulated, and angered, and you will suffer pangs of guilt, too.
Funny Games (2008)
Tomatometer
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Reviews Counted:139
Fresh:71
Rotten:68
Average Rating:5.6/10
Consensus: Though made with great skill, Funny Games is nevertheless a sadistic exercise in chastising the audience.
Rated: R [See Full Rating] for terror, violence and some language.
Runtime: 1 hr 52 mins
Genre: Horror/Suspense
Theatrical Release:Mar 14, 2008 Limited
Box Office: $1,045,279
Synopsis: In 1997, writer-director Michael Haneke (CACHE) made the controversial Austrian thriller, FUNNY GAMES, about two young men who terrorize a family on vacation. A decade later, Haneke was convinced... In 1997, writer-director Michael Haneke (CACHE) made the controversial Austrian thriller, FUNNY GAMES, about two young men who terrorize a family on vacation. A decade later, Haneke was convinced by producer Chris Coen to bring the story to America, filming a nearly word-for-word, shot-for-shot English-language version, even re-creating the locations and sets as obsessively as possible. Shortly after Ann (Naomi Watts), George (Tim Roth), and Georgie (Devon Gearhart) arrive in their country home, Peter (Brady Corbet), an eerily polite young man dressed all in white, including odd white gloves, appears on the doorstep, asking Ann if he can borrow some eggs for their neighbor. Peter is joined by Paul (Michael Pitt), and the Leopold-and-Loeb-like duo are soon doing horrible things to Ann, George, and Georgie, torturing them both physically and psychologically (nearly all the violence occurs off-screen), for no apparent reason other than they can, referring to the whole thing as a game. And the biggest game of all is whether the family will be alive at the end. FUNNY GAMES is an intense experience, driven by Haneke's careful manipulation of both the film itself and the audience. He's trying to shake up the viewer, even having Paul address the audience directly several times, with Paul fully aware of what he is doing and how the audience is most likely responding. And in one unforgettable scene, Haneke pulls the cathartic rug right out from under the viewer, playing with the actual medium of cinema in an infuriating and ingenious way. Roth and Watts give outstanding performances as the victims, matched by Pitt and Corbet's deeply unsettling creepiness. Just as Peter and Paul (who also call themselves Tom and Jerry and Beavis and Butt-Head) alternate between calm and violent, the soundtrack alternates between classical music by Handel, Mozart, and others and hardcore punk from John Zorn and Naked City. Though difficult to watch, FUNNY GAMES is ultimately a rewarding and illuminating film, though not for the squeamish. [More]
Starring: Naomi Watts, Michael Pitt, Tim Roth, Brady Corbet
Starring: Naomi Watts, Michael Pitt, Tim Roth, Brady Corbet, Devon Gearhart
Director: Michael Haneke
Director: Michael Haneke
Screenwriter: Michael Haneke
Producer: Hengameh Panahi, Christian Baute, Andro Steinborn, Chris Coen, Hamish McAlpine
Studio: Warner Independent
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Reviews for Funny Games
Funny Games U.S. is one of those interesting but ultimately pointless experimental films.
All the things we hope from in a fright film with characters we recognize as very much like ourselves are toyed with.
The earlier release helped make him a critics' darling with its meta-movie touches and baldly articulated strategy of implicating the audience in the violence; replayed a decade later, those stunts feel both rhetorical and redundant.
Director Michael Haneke abhors mindless cinematic violence as much as you do. He just has a different approach: high-minded shock therapy.
Funny Games is an art house Hostel -- it mistakes self-consciousness for intelligence.
It's an (arguably) nonexploitive, nightmarish vision of random violence that goes exactly where you don't want it to go and then goes even further.
Funny Games is like a graduate thesis on screen violence. It's less successful as a compelling piece of cinema.
A fascinating meditation on the commercialization of violence in popular culture that will shock even the most jaded moviegoers into contemplating what they look for in mass entertainment.
Watching "Funny Games" is pure torture. It's not that the film is bad, mind you. Far from it. "Funny Games" is a work of unmitigated genius. But it is, most certainly, not for the faint of heart.
a scary and tense movie that tries to be different, but the attempt is best described as giving the middle finger to the audience
If you loved Hostel and are in the market for an exceedingly, diabolically well made torture/horror film, you can't do much better than this.
The only real torture here is the one Haneke inflicts on the audience.
The appalling sadism it eagerly employs in the name of, well, decrying sadism, becomes all the more infuriating when Funny Games repeatedly tells us it's for our own good.
Either one subscribes to Haneke's breathless nihilism and sarcasm or you give up immediately and write the whole thing off as another Eurotrash director masturbating with his camera...my personal choice is a nap.
One thing you can say about Michael Haneke's unbelievably brutal thriller, Funny Games, is that it's an experience: an unpleasant, unsettling, cruelly manipulative and finally hateful experience, but an experience nonetheless.
Haneke's been quoted as saying he wants his movies to make people think, but Funny Games is 110 minutes of pure reptile-brain jolts (fear, mostly), with a couple of meta-narrative finger wags thrown in.
Latest News for Funny Games
June 09, 2008:
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May 06, 2008:
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March 28, 2008:
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March 16, 2008:
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