Even if you're already aware that violence is sickening, thank you very much, Haneke's confrontational film stirs up distressing emotions and leaves you to resolve them as best you can. Good luck. You'll need it.
Funny Games (2008)
Tomatometer
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Reviews Counted:139
Fresh:71
Rotten:68
Average Rating:5.6/10
Consensus: Though made with great skill, Funny Games is nevertheless a sadistic exercise in chastising the audience.
Rated: R [See Full Rating] for terror, violence and some language.
Runtime: 1 hr 52 mins
Genre: Horror/Suspense
Theatrical Release:Mar 14, 2008 Limited
Box Office: $1,045,279
Synopsis: In 1997, writer-director Michael Haneke (CACHE) made the controversial Austrian thriller, FUNNY GAMES, about two young men who terrorize a family on vacation. A decade later, Haneke was convinced... In 1997, writer-director Michael Haneke (CACHE) made the controversial Austrian thriller, FUNNY GAMES, about two young men who terrorize a family on vacation. A decade later, Haneke was convinced by producer Chris Coen to bring the story to America, filming a nearly word-for-word, shot-for-shot English-language version, even re-creating the locations and sets as obsessively as possible. Shortly after Ann (Naomi Watts), George (Tim Roth), and Georgie (Devon Gearhart) arrive in their country home, Peter (Brady Corbet), an eerily polite young man dressed all in white, including odd white gloves, appears on the doorstep, asking Ann if he can borrow some eggs for their neighbor. Peter is joined by Paul (Michael Pitt), and the Leopold-and-Loeb-like duo are soon doing horrible things to Ann, George, and Georgie, torturing them both physically and psychologically (nearly all the violence occurs off-screen), for no apparent reason other than they can, referring to the whole thing as a game. And the biggest game of all is whether the family will be alive at the end. FUNNY GAMES is an intense experience, driven by Haneke's careful manipulation of both the film itself and the audience. He's trying to shake up the viewer, even having Paul address the audience directly several times, with Paul fully aware of what he is doing and how the audience is most likely responding. And in one unforgettable scene, Haneke pulls the cathartic rug right out from under the viewer, playing with the actual medium of cinema in an infuriating and ingenious way. Roth and Watts give outstanding performances as the victims, matched by Pitt and Corbet's deeply unsettling creepiness. Just as Peter and Paul (who also call themselves Tom and Jerry and Beavis and Butt-Head) alternate between calm and violent, the soundtrack alternates between classical music by Handel, Mozart, and others and hardcore punk from John Zorn and Naked City. Though difficult to watch, FUNNY GAMES is ultimately a rewarding and illuminating film, though not for the squeamish. [More]
Starring: Naomi Watts, Michael Pitt, Tim Roth, Brady Corbet
Starring: Naomi Watts, Michael Pitt, Tim Roth, Brady Corbet, Devon Gearhart
Director: Michael Haneke
Director: Michael Haneke
Screenwriter: Michael Haneke
Producer: Hengameh Panahi, Christian Baute, Andro Steinborn, Chris Coen, Hamish McAlpine
Studio: Warner Independent
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Reviews for Funny Games
This iteration of the slow-moving story features many of the same beats and shocks as its predecessor, which - of course - ensures that the movie also suffers from precisely the sort of overwhelming problems that plagued the original.
Unlike some recent 'torture-porn' movies, this film leaves the most reprehensible moments unseen (much of the violence is overheard). However, all that shows is that a film can be somewhat restrained and subtle and still be in bad taste.
Funny Games, Michael Haneke’s first English-language film -- and a compulsively faithful replica of his notorious 1997 German-language feature of the same title -- subjects its viewers to a long spectacle of wanton and gratuitous brutality.
It's one of the most repugnant, unpleasant, sadistic movies ever made. No matter what virtues of craft one can find within, no matter what themes lie beneath, Funny Games is aesthetically indefensible.
A chilly and extraordinarily controlled treatise on film violence, Funny Games punishes the audience for its casual bloodlust by giving it all the sickening torture and mayhem it could possibly desire. Neat trick, that.
You'll likely experience a strong reaction to Funny Games, but therein lies the conundrum: Is the film simply reprehensible, or is it art?
A movie that lives and dies on its gimmick, and when you figure out that all it's doing is toying with us, there's nothing left worth watching.
this Funny Games remake is as thrilling, as provocative, and as harrowing as the original - but only because it is a near carbon copy.
Difficult to like and yet impossible to deny, Funny Games is a coldly efficient, spectacularly acted and unremittingly bleak thriller.
[Director Haneke is] an adept manipulator who goes one better by calling attention to his manipulations, questioning them, and then, still, managing to freak us out in the coldest, cruelest ways.
While the movie's star -- and ruler, and ship's captain, and grand poobah -- is Haneke himself, his actors are sublime.
A chillingly effective thriller, it is likely to leave you edgy for quite some time.
Tackles issues that mean much more now than they did 11 years ago ... so tense that you may forget to breathe.
Funny Games is about as hostile a jest as has ever been aimed at American audiences by a foreign director. The joke wouldn't be half as galling were it not so expertly written and executed.
It's not a fun ride, but Funny Games forces us -- almost against our will -- to examine its characterization of violence and our response to it.
If the pot means to call the kettle black in order to make a larger point, that still doesn't change the pot's color.
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| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 25% 25% | Four Christmases |
| 68% 68% | Funny People |
| 95% 95% | Star Trek |
| 14% 14% | The Ugly Truth |
| Tomatometer Percentage | Movie |
|---|---|
| 32% 32% | Terminator Salvation |
| 44% 44% | Night at the Museum: B… |
| 86% 86% | A Christmas Tale |
| 60% 60% | Paper Heart |
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