After a brutal date rape, a woman discovers her sexual power and the need for revenge.
Dark in its subject matter and the complexion of the film, Descent whiles most of its 100 minutes in as many depressing and angering scenes one could imagine, and there's not a single moment of comic relief. There are multiple rape scenes in this film, each of which goes on longer than we're used to seeing. I understand that the point of the film may be realism, but there's a line between wallowing in the mire and effective dramatic presentation of horrid events, and Descent dove off the cliff of wallowing.
Also, I wonder about what the film is saying. Maya is raped, and in response, she discovers her ability to manipulate others using her sexuality. Does this suggest that a woman's sexual power is tantamount to "reverse rape?" Does the discovery of one's sexual power mark a "descent?" Whatever the concept behind freshman director Talia Lugacy's filmm is, it isn't clear and could be debated.
Jared is a douche from the beginning, and the elevated dialogue that Chad Faust and Rosario Dawson are forced to utter makes the dynamic even more unrealistic. Faust's performance is bad because he fails to find anything worth liking in Jared, and Dawson's performance is good because despite it all, she finds something that draws her character to him and she can somehow make the bad writing seem natural.
Overall, Descent is remarkably disturbing and dark, and that's all it is, a catalog of horrors with no redeeming through-line.