Average Rating: 6.4/10
Reviews Counted: 12
Fresh: 8 | Rotten: 4
No consensus yet.
Average Rating: N/A
Critic Reviews: 4
Fresh: 3 | Rotten: 1
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Average Rating: 3.5/5
User Ratings: 402
Writer/director Andrea Staka's Das Fräulein paints an exceptionally sensitive, multilayered, and richly textured portrait of a blossoming friendship between two adult women. Mirjana Karanovic is Ruza, a Slavic émigré in her fifties, who years ago transplanted herself from her native Serbia to Zurich, Switzerland. Quiet, introverted, and stoic, she runs a canteen business in the city and trusts absolutely no one, building her life exclusively around income. She and her Croatian associate, Mila
Sep 19, 2008 Wide
Nov 4, 2008
Film Movement
All Critics (12) | Top Critics (4) | Fresh (8) | Rotten (4)
The film dwells on different ways of coming to terms with a traumatic past, and it's clearly a subject dear to the heart of director Andrea Staka, who grew up in Switzerland but is of Bosnian and Croatian heritage.
Presents immigrant lives with significantly more empathy than detail.
Stylized with a recurring misty focus, the film's economically captured detail shots (gestures, expressions, caught moments) convey genuine sensitivity without the expected weepiness.
Sensitively drawn and lensed with special attention to characterization and tone, Andrea Staka's Golden Leopard winner Fraulein introduces a strong new voice in Swiss cinema.
Refreshingly and sympathetically about women deciding to live in Switzerland as émigré, exile, immigrant, or refugee from Yugoslavia, a country that no longer exists.
Murky drama about three displaced immigrant women with deep emotional scars ...
Easier to admire than actually enjoy.
It's a fine movie--spare and moving--and, in its way, also kind of daring.
It seems disingenuous to call Fraulein a film when it's more like a glossy fashion magazine layout.
A tense yet lyrical psychological drama about the brutal effects of extreme historical shifts, war and cultural displacement without a single frame depicting historical cataclysm, yet where the past is always present even in life's most private moments.
As a character study, this feels as real as a knife cut, slicing to the heart of shattered dreams, long-forgotten hopes and aspirations which may go unfulfilled.
With outstanding performances and a keen eye for detail, Fraulein continues to expand the cinematic exploration of the heritage of the Balkan Wars from a female point of view after Grbavica.
In a Zurich restaurant, Ana(Marija Skaricic), a new employee, is warned against throwing a surprise party for her boss Ruza(Mirjana Karanovic), who is old enough to be her mother. She goes ahead anyway. What separates "Fraulein" from every other touchy-feely intergenerational friendship story are events that are not
October 11, 2009Super Reviewer
Touching moments,fierce reality but what struck me most is the short amount of time and the debut whistle.While it's certainly not a groundbreaking film,it's basically a great introduction to one's ideas on film-making and a fabulous start for Staka.Karanovic amidst the top 5 actresses of 2006.
September 7, 2008Super Reviewer
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