How do you rescue the hell brew from absurdity?
Sweeney Todd: The Demon Barber of Fleet Street (2007)
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Reviews Counted:212
Fresh:181
Rotten:31
Average Rating:7.6/10
Consensus: Full of pith and Grand Guignol grossness, this macabre musical is perfectly helmed and highly entertaining. Tim Burton masterfully stages the musical in a way that will make you think he has done this many times before.
Rated: R [See Full Rating] for graphic bloody violence.
Runtime: 1 hr 57 mins
Genre: Musical & Performing Arts
Theatrical Release:Dec 21, 2007 Wide
Box Office: $52,829,046
Synopsis: With its rivers of blood, this adaptation of the Stephen Sondheim musical isn't for the faint of heart--or stomach. But thanks to the black humor, impeccable production design, and gorgeous music,... With its rivers of blood, this adaptation of the Stephen Sondheim musical isn't for the faint of heart--or stomach. But thanks to the black humor, impeccable production design, and gorgeous music, Tim Burton fans will want to sing after seeing SWEENEY TODD. For his sixth collaboration with the director, Johnny Depp stars as Benjamin Barker aka Sweeney Todd, a barber falsely imprisoned by Judge Turpin (Alan Rickman). After leaving prison, he comes back to Victorian London to find his wife poisoned and his daughter held captive. As he plots his revenge, Sweeney joins forces with Mrs. Lovett (Helena Bonham Carter), and while he preys on clients asking for a shave, his new partner turns the bodies into baked goods. But the judge still lives, and the razor-wielding madman wants his vengeance. Though it's a musical, SWEENEY TODD has more in common with Italian horror films such as SUSPIRIA than it does with CHICAGO. Even the horror-musical hybrid LITTLE SHOP OF HORRORS pales in comparison to the darkness found here. Previous Burton-Depp pairings have veered toward the macabre, but this reaches a glorious new level. Though they've made excellent films apart, their partnership has produced some of their best work, including EDWARD SCISSORHANDS, ED WOOD, and now SWEENEY TODD. Depp demonstrates his rock-band roots as the antihero of the title with another amazing performance, while Bonham Carter is both hilarious and heartbreaking as the eager Mrs. Lovett. But credit also belongs to production designer Dante Ferretti, director of photography Dariusz Wolski, and, of course, Burton, for showing a sooty London that is just as dark as the film's subject matter. Source composer Sondheim should also be recognized for the haunting songs that threaten to stick in viewers' heads, but the film as a whole also deserves to be remembered for its beauty and brutality. [More]
Starring: Johnny Depp, Helena Bonham-Carter, Alan Rickman, Timothy Spall
Starring: Johnny Depp, Helena Bonham-Carter, Alan Rickman, Timothy Spall, Jamie Campbell Bower, Jayne Wisener, Sacha Baron Cohen
Director: Tim Burton
Director: Tim Burton
Screenwriter: John Logan
Producer: Richard D. Zanuck, Walter F. Parkes, Laurie MacDonald, John Logan
Composer: Stephen Sondheim
Studio: Warner Bros.
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Reviews for Sweeney Todd: The Demon Barber of Fleet Street
This well-sung and perfectly acted adaptation falls way short of a triumph because Burton misplaces his sense of humor. He only almost makes Sweeney Todd his own.
[Sweeney Todd] is a wonder to behold, but only those with Burton's acquired tastes would want to sample a pie overstuffed with such joylessness.
Love the play, but this film adaptation left a bad taste in my mouth.
Filming a major Broadway musical has always been trouble for moviemakers; none of them seem to work.
Since Sweeney Todd premiered in 1979, screen serial killers have multiplied like so many disposable razors. Making the audience feel something more than the thrill of watching movie stars is the challenge here, and Sweeney Todd somehow cuts itself short.
The film suffers from a relentless emphasis on bland, thoroughly forgettable musical numbers whose sameness inevitably lends the proceedings a distinctly oppressive quality.
Un musical soporífero y sangriento que parecía ideal para la macabra imaginación de Tim Burton, pero que resulta una verdadera decepción.
Should have been a standing triple for Burton to hit off the wall instead of hitting it head-on until the guignol nature became less than grand.
In the end, the real problem with the Demon Barber of Fleet Street is that he's not as bloody fun as he should be.
Depp does about as well as anyone other than Len Cariou could with his one-note character. Bonham-Carter gives Mrs. Lovett a game stab, but she suffers from all that freaky makeup and lacks the voice of an Angela Lansbury.
Revenge is a dish best served cold, exactly how I was left after watching Helena Bonham Carter butcher a cheeky star turn in Tim Burton's cutthroat musical.
I was bored out of my skull during many a scene in this film, and wouldn’t dare recommend it to anyone who, like me, doesn’t like old fashioned musicals.
A movie musical for people who don't like musicals, in the way that -- for example -- Kenneth Branagh's 'Frankenstein' was a horror movie for people who don't like horror movies.
There is much to like in Burton's Sweeney Todd and much not to like, a rather hit-and-miss affair.
Two hours of singing is going to bore the pants off of gore-starved viewers, and the last-reel gore is going to scare the pants of the foofy Broadway types. And that means a theatre full of people without pants.
Poor Depp isn't up to the challenge of a musical. He may look menacing with his ivory skin and flashing eyes, but he sings like he's three drinks into a night at the local karaoke bar.
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