It is distinguished, hypnotic, brilliantly executed and positively electrifying.
Sweeney Todd: The Demon Barber of Fleet Street (2007)
Tomatometer
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Reviews Counted:37
Fresh:31
Rotten:6
Average Rating:7.4/10
Consensus: Full of pith and Grand Guignol grossness, this macabre musical is perfectly helmed and highly entertaining. Tim Burton masterfully stages the musical in a way that will make you think he has done this many times before.
Rated: R [See Full Rating] for graphic bloody violence.
Runtime: 1 hr 57 mins
Genre: Musical & Performing Arts
Theatrical Release:Dec 21, 2007 Wide
Box Office: $52,829,046
Synopsis: With its rivers of blood, this adaptation of the Stephen Sondheim musical isn't for the faint of heart--or stomach. But thanks to the black humor, impeccable production design, and gorgeous music,... With its rivers of blood, this adaptation of the Stephen Sondheim musical isn't for the faint of heart--or stomach. But thanks to the black humor, impeccable production design, and gorgeous music, Tim Burton fans will want to sing after seeing SWEENEY TODD. For his sixth collaboration with the director, Johnny Depp stars as Benjamin Barker aka Sweeney Todd, a barber falsely imprisoned by Judge Turpin (Alan Rickman). After leaving prison, he comes back to Victorian London to find his wife poisoned and his daughter held captive. As he plots his revenge, Sweeney joins forces with Mrs. Lovett (Helena Bonham Carter), and while he preys on clients asking for a shave, his new partner turns the bodies into baked goods. But the judge still lives, and the razor-wielding madman wants his vengeance. Though it's a musical, SWEENEY TODD has more in common with Italian horror films such as SUSPIRIA than it does with CHICAGO. Even the horror-musical hybrid LITTLE SHOP OF HORRORS pales in comparison to the darkness found here. Previous Burton-Depp pairings have veered toward the macabre, but this reaches a glorious new level. Though they've made excellent films apart, their partnership has produced some of their best work, including EDWARD SCISSORHANDS, ED WOOD, and now SWEENEY TODD. Depp demonstrates his rock-band roots as the antihero of the title with another amazing performance, while Bonham Carter is both hilarious and heartbreaking as the eager Mrs. Lovett. But credit also belongs to production designer Dante Ferretti, director of photography Dariusz Wolski, and, of course, Burton, for showing a sooty London that is just as dark as the film's subject matter. Source composer Sondheim should also be recognized for the haunting songs that threaten to stick in viewers' heads, but the film as a whole also deserves to be remembered for its beauty and brutality. [More]
Starring: Johnny Depp, Helena Bonham-Carter, Alan Rickman, Timothy Spall
Starring: Johnny Depp, Helena Bonham-Carter, Alan Rickman, Timothy Spall, Jamie Campbell Bower, Jayne Wisener, Sacha Baron Cohen
Director: Tim Burton
Director: Tim Burton
Screenwriter: John Logan
Producer: Richard D. Zanuck, Walter F. Parkes, Laurie MacDonald, John Logan
Composer: Stephen Sondheim
Studio: Warner Bros.
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Reviews for Sweeney Todd: The Demon Barber of Fleet Street
This Sweeney Todd is all subtext and no substance. It starts off large and swaggering but doesn't know where to turn next: Burton seems fixated on serving up an event, to the extent that he neglects to dig into the story.
Stylized but spasmodic, this Sweeney seems more interested in distancing than captivating an audience.
Depp may not be a trained singer, but his voice is more than passable, and his presence -- his Sweeney is Edward Scissorhands gone bad -- is perfect.
By all means go, and be prepared for a holiday musical like no other.
Sondheim's original musical was already a mad synthesis of Jacobean shock, Brechtian irony and Dickensian pathos -- to which Burton's lush visuals add another layer of aesthetic distance. The overall effect is somewhere between melodrama and camp.
The film benefits from Burton's consistency of vision. Swooping camera work and a sense of really discomfiting fantasy do the groundwork. When characters break into song, it fits in the world Burton has built.
No sentiment goes unbloodied in [Burton's] exuberantly dark Sweeney Todd.
An elegant horror film that takes pleasure in its own theatricality, gives pleasure with caustic wit, trusts the power of Stephen Sondheim's score and exults in flights of fancy that only a movie can provide.
It combines some of Tim Burton's favorite elements: The fantastic, the ghoulish, the bizarre, the unspeakable, the romantic and in Johnny Depp, he has an actor he has worked with since Edward Scissorhands and finds a perfect instrument.
A conceptual masterstroke. Sweeney always wanted to be a revenger's tragedy to make us recoil in fright. Now it is. Merry Christmas.
[Sweeney Todd] is a wonder to behold, but only those with Burton's acquired tastes would want to sample a pie overstuffed with such joylessness.
Tim Burton's scaled-down adaptation chooses style over substance. The result, however, is still a pretty enjoyable film.
Sweeney Todd is as much a horror film as a musical. It is also something close to a masterpiece.
Director Tim Burton has found the right look and, more crucially, the right scale for his film version of the grandiose 1979 Broadway musical thriller.
Burton brings Sondheim's 1979 musical to the screen with a visual style informed by a truly cinematic feel for Grand Guignol.
Abetted by Wolski's swooping, receding camera and Jonathan Tunick's propulsive orchestrations, Burton makes this as fluid and dynamic as any screen ride this year, musical or otherwise.
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