This version glories in the gory. Depp's singing limitations rob the character of Sweeney of his all-important contagious savage fury.
Sweeney Todd: The Demon Barber of Fleet Street (2007)
Tomatometer
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Reviews Counted:212
Fresh:181
Rotten:31
Average Rating:7.6/10
Consensus: Full of pith and Grand Guignol grossness, this macabre musical is perfectly helmed and highly entertaining. Tim Burton masterfully stages the musical in a way that will make you think he has done this many times before.
Rated: R [See Full Rating] for graphic bloody violence.
Runtime: 1 hr 57 mins
Genre: Musical & Performing Arts
Theatrical Release:Dec 21, 2007 Wide
Box Office: $52,829,046
Synopsis: With its rivers of blood, this adaptation of the Stephen Sondheim musical isn't for the faint of heart--or stomach. But thanks to the black humor, impeccable production design, and gorgeous music,... With its rivers of blood, this adaptation of the Stephen Sondheim musical isn't for the faint of heart--or stomach. But thanks to the black humor, impeccable production design, and gorgeous music, Tim Burton fans will want to sing after seeing SWEENEY TODD. For his sixth collaboration with the director, Johnny Depp stars as Benjamin Barker aka Sweeney Todd, a barber falsely imprisoned by Judge Turpin (Alan Rickman). After leaving prison, he comes back to Victorian London to find his wife poisoned and his daughter held captive. As he plots his revenge, Sweeney joins forces with Mrs. Lovett (Helena Bonham Carter), and while he preys on clients asking for a shave, his new partner turns the bodies into baked goods. But the judge still lives, and the razor-wielding madman wants his vengeance. Though it's a musical, SWEENEY TODD has more in common with Italian horror films such as SUSPIRIA than it does with CHICAGO. Even the horror-musical hybrid LITTLE SHOP OF HORRORS pales in comparison to the darkness found here. Previous Burton-Depp pairings have veered toward the macabre, but this reaches a glorious new level. Though they've made excellent films apart, their partnership has produced some of their best work, including EDWARD SCISSORHANDS, ED WOOD, and now SWEENEY TODD. Depp demonstrates his rock-band roots as the antihero of the title with another amazing performance, while Bonham Carter is both hilarious and heartbreaking as the eager Mrs. Lovett. But credit also belongs to production designer Dante Ferretti, director of photography Dariusz Wolski, and, of course, Burton, for showing a sooty London that is just as dark as the film's subject matter. Source composer Sondheim should also be recognized for the haunting songs that threaten to stick in viewers' heads, but the film as a whole also deserves to be remembered for its beauty and brutality. [More]
Starring: Johnny Depp, Helena Bonham-Carter, Alan Rickman, Timothy Spall
Starring: Johnny Depp, Helena Bonham-Carter, Alan Rickman, Timothy Spall, Jamie Campbell Bower, Jayne Wisener, Sacha Baron Cohen
Director: Tim Burton
Director: Tim Burton
Screenwriter: John Logan
Producer: Richard D. Zanuck, Walter F. Parkes, Laurie MacDonald, John Logan
Composer: Stephen Sondheim
Studio: Warner Bros.
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Reviews for Sweeney Todd: The Demon Barber of Fleet Street
Bloody good, a lusciously Grand Guignol excercise that's true to the composer's original vision but spectacularly cinematic as well.
The result is a musical that I dare say works even better on screen than on stage.
Admittedly it is bloody as hell, but there's something just stylish enough about the way it's executed -- pun intended -- that even viewers with weak constitutions should be able to stomach the violence.
Unparalleled visual splendor, a bloody red-velvet fever dream of a musical for people who think they HATE musicals.
[A]ll operatic gruesomeness and cobblestones-and-fog moodiness, [this] is perfect. One of the most perfect movies ever, maybe, and sure to be pointed to for forever as the way to do a movie musical right.
[W]e haven't seen this much hemoglobin in a Johnny Depp film since the infamous blood geyser in A Nightmare on Elm Street.
This Sweeney Todd is all subtext and no substance. It starts off large and swaggering but doesn't know where to turn next: Burton seems fixated on serving up an event, to the extent that he neglects to dig into the story.
If there were a cinematic version of a harmonic convergence, it would look something like "Sweeney Todd."
A movie musical for people who don't like musicals, in the way that -- for example -- Kenneth Branagh's 'Frankenstein' was a horror movie for people who don't like horror movies.
Personally, I have never sung a love song to my razor, although I did hoist a boom-box over my head and crank Peter Gabriel's In Your Eyes to my pomade once back in 1989.
It has vision to spare, which is rare enough in the modern cinema, and it was made by a director clearly in love with his material, which is rarer. It is not the definitive version of the musical, but maybe we don't need a definitive version.
Like a lot of Sondheim's plays, it's a mixed bag of pros and cons, but Sweeney Todd is worth seeing for Carter alone, much less the excellent design on every level.
Tim Burton's grand guignol fantasy transforms Stephen Sondheim's 1979 musical-theater piece into a cheerfully gothic morality tale.
Latest News for Sweeney Todd: The Demon Barber of...
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May 06, 2008:
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