Once the film gets mired in specifics, it begins to seem like any other Holocaust documentary and loses the sense of relevance and engagement with the now that at first makes it so intriguing.
Unknown Soldier (2006)
Tomatometer
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Reviews Counted:10
Fresh:6
Rotten:4
Average Rating:6.1/10
Theatrical Release:Sep 7, 2007 Limited
Synopsis: The Wehrmacht-Exhibition, which was shown in eleven major cities in Germany between 1999 and 2004 and was visited by more than 500,000 attendants, challenged ordinary Germans to rethink what their... The Wehrmacht-Exhibition, which was shown in eleven major cities in Germany between 1999 and 2004 and was visited by more than 500,000 attendants, challenged ordinary Germans to rethink what their fathers and grandfathers did during the war. Whereas most had been led to believe that the cold-blooded murder of civilians had been a crime of a minority of officers, for the first time Germans saw photos and footage of ordinary soldiers gleefully tormenting and executing civilians on the Eastern front. The nation was shaken, and large protests were organized by those who believed the evidence was manufactured. In THE UNKNOWN SOLDIER, director Michael Verhoeven (The Nasty Girl) interviews historians and experts, including those who allege or deny the crimes, and filmed in the killing fields of Ukraine and White Russia. --© First Run Features [More]
Director: Michael Verhoeven
Director: Michael Verhoeven
Producer: Michael Verhoeven
Composer: Martin Grubinger & Art Percussion, Mike Herting
Studio: First Run Features
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Reviews for Unknown Soldier
The film eventually becomes one long therapy session for the German nation as it struggles to understand how its brave and good soldiers could have done such bad, bad things.
It is a painful but important subject, to be certain, but the film dilutes its own effectiveness by devolving into a collection of talking heads who often seem to be repeating each other.
Is such footage appropriate to the big-screen environment of the cinema?
German director Michael Verhoeven returns to his country's Nazi past with this searing documentary about the aftershocks of a controversial museum exhibition that rattled the conscience of a nation.
Structurally, the film itself is a pristine example of levelheaded journalism.
As Verhoeven's film makes clear, many thousands of surviving German veterans, along with a disturbing quotient of their children and grandchildren, are much too eager to make excuses.
Even if you've watched archival evidence of the Holocaust before, anyone with a soul and a functioning conscience intact ought to brace yourself to be sickened afresh by this nauseating, if necessary, reminder of man's inhumanity to man. Never again!
Another apt title for Michael Verhoeven's new film could be It's All True.
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