even as this odd couple cuts its destructive path through the social order in a story that is essentially a tragedy, they come across as idealised revolutionaries rather than deluded victims of love.
The Last Mistress (2008)
Tomatometer
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Reviews Counted:91
Fresh:68
Rotten:23
Average Rating:6.7/10
Consensus: More complicated than your average bodice ripper, Catherine Breillat's Last Mistress features beautiful costumes, wrought romances, and a feral performance from Argento.
Theatrical Release:Jun 27, 2008 Limited
Box Office: $621,567
Synopsis: Controversial director Catherine Breillat (ROMANCE, FAT GIRL) delivers her most ambitious film yet with THE LAST MISTRESS. Adapted from the novel by Jules Barbey d'Aurevilly, the film is set in... Controversial director Catherine Breillat (ROMANCE, FAT GIRL) delivers her most ambitious film yet with THE LAST MISTRESS. Adapted from the novel by Jules Barbey d'Aurevilly, the film is set in 19th-century France, when the world was a seemingly much more innocent place. Underneath the surface, however, lurk infidelities and other dark secrets. Ryno de Marigny (Fu'ad Ait Aattou) is about to marry the beautiful and sweet Hermangarde (Roxane Mesquida). He is so devoted to her that he has decided to make a clean break from his ongoing affair with the tempestuous Vellini (Asia Argento). One day, Hermangarde's grandmother, the Comtesse d'Artelles (Yolande Moreau), convinces Ryno to tell of his affair with Vellini, which he does. By the end of his story, even she is concerned that he is in too deep with Vellini and that the couple's torrid romance will continue. Nonetheless, Ryno and Hermangarde get married, but Vellini's lure proves too strong a temptation. Breillat's biggest production to date also feels like one of her most personal. While the film has a sedate façade, it is in keeping with the graphic work of her previous films. Argento is a perfect Vellini, at once carnal and terrifying but also sensual and alluring. The striking Ait Aattou, who makes his first screen appears, confirms Breillat's gift of getting the most out of non-actors. THE LAST MISTRESS is a lush period piece that nonetheless has a universal, modern message, and it makes many daring statements about love, lust, and romance. [More]
Starring: Asia Argento, Fu'ad Ait Aattou, Roxane Mesquida, Claude Sarraute
Starring: Asia Argento, Fu'ad Ait Aattou, Roxane Mesquida, Claude Sarraute, Yolande Moreau, Michael Lonsdale
Director: Catherine Breillat
Director: Catherine Breillat
Screenwriter: Catherine Breillat
Producer: Jean-François Lepetit
Studio: IFC Films
Reviews for The Last Mistress
In this lush period piece, a perfect match between gutsy actress Argento and France's enfant terrible-director, Breillat continues to explore gender and sexual politics in a bold yet entertaining way, resulting in her most accessible work to date.
Argento vamps her way through Breillat's film with an enthusiasm rarely seen these days outside a drag show.
While the story may creak, the performances do not; a wonderful cast breathes life into the characters %u2026 Strangely unsatisfying, the film nevertheless looks superb and Breillat's direction is fluid, aided by top notch editing and a great score
That rare period piece in which characters and their relationships are rendered with as much precision and detail as the set and costumes.
Breillat's most commercial film to date is an enjoyable costume drama that plays like an arthouse sequel to Dangerous Liaisons and features an utterly bonkers performance from Asia Argento.
The costumes are lavish but never get in the way of the characters, who are all fully fleshed out and given added verve from the excellent cast.
This talky, heavy melodrama is pretty to look at, but behind it there is nothing of substance
Asia Argento is the lively center of a sometimes meandering tale of sexual intrigue.
The adventures of a handsome libertine, his sexy Spanish mistress, and the beautiful young woman he is engaged to marry.
Breillat here shakes historical drama out of its petticoats, with a torrid but rigorously executed tale of bohemian amour fou.
Adapting a book by semi-notorious novelist and critic Jules Barbey d'Aurevilly (1808-89), Breillat freely stamps her strong and singular feminine insights on a man's material.
Latest News for The Last Mistress
May 25, 2008:
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