Mad Money (2008)
A woman who was used to the finer things in life is suddenly thrust back into the work force after her husband gets downsized in writer/director Callie Khouri's (Divine Secrets of the Ya-Ya Sisterhood) American adaptation of the hit British comedy Hot Money. Faced with the prospect of losing her home as her debt begins to mount, posh housewife Bridget (Diane Keaton) accepts a job on the midnight cleaning crew at a local branch of the Federal Reserve Bank. When the growing temptation of the cash that surrounds her night after night ultimately proves too powerful to resist, Bridget teams with two of the other cleaners for a criminal exercise in creative moneymaking. Queen Latifah and Katie Holmes co-star in a crime comedy inspired by actual events. … More
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Critic Reviews for Mad Money
There's an old saying: 'I wrote you a long letter because I didn't have time to write a short one.' In the case of Mad Money, I'll write a short review because the movie won't sustain a long one. (It barely sustains itself.)
It's better than I expected it to be.
This movie is designed to be fun, and its intentions are signaled to us over and over again, as when the women jump around on a bed, giggling and flinging old, dirty money around in a wanton display of pure idiocy.
Speaking of recycling, this script by Glenn Gers reeks of it and not in a healthy, eco-minded way.
A madcap heist movie with a delectable cast who realise that while money can't buy happiness, it sure as hell can buy everything else.
Keaton, Latifah and Holmes have appealing chemistry, although it's not enough to sustain a too-long 104 minute running time.
If you're thinking that there's not much point in rooting for these ballsy babes all the way because in the end crime doesn't pay, think again, sorta. Because even after they're caught, the fun is really just beginning.
Provided you can get past its improbable premise, this madcap crime caper's trio of talented leading ladies manage to provide enough moments of mirth to make the rest of this raucous romp worthwhile.
[T]he gap between [Thelma & Louise] and Mad Money resembles the abyss that Susan Sarandon and Geena Davis drove into in Khouri's earlier hit.
Khouri parece ter deixado no passado qualquer interesse em criar personagens tridimensionais ou minimamente interessantes.
Comedy is difficult, but it seems like Mad Money didn't even try. It's very hard to find the jokes.
Keaton and Latifah lend enough intelligence, wit, and charm to their characters that Mad Money often feels like an ovarian Ocean's Eleven.
den einai toso kaki oso tha se boleye gia na glitoseis ti moyrmoyra an brethei omofyli ton protagonistrion na se faei na to deite (prosferetai gia ypohoriseis diladi)
A few badly conceived scenes and misused actors cannot completely negate the positive message of this situation comedy. Diane Keaton deserves better, but lives to laugh another day.
Just when I thought there was no way a movie like this could possibly show me anything new, Money goes and makes Ivan Boesky out of Annie Hall, paints redemption green, and paves the road to heaven with gold. Color me surprised.
"Ocean's Eleven" if it were geared to the drones at the Oprah Winfrey book club...
The latest vibrato performance of Diane Keaton's late career shame has her playing once-wealthy housewife Bridget Cardigan, whose twee name and dithering hysteria are equally insufferable.
While being a serviceable, somewhat female-empowering bank-heist comedy, Mad Money doesn't do much else to distinguish itself.
[W]orks... as bright, cheery, satisfying fantasy, if a mere trifle of a passing fancy. And it works, too, as a celebration of female don't-ignore-us indignation...
Audience Reviews for Mad Money
It's very engaging (if you know what I mean). I couldn't take my attention off (you know those tiny breaks you take during movie). Nice.More
Pretty good and smart.
The film begins close to the end of the story, when the suspects get caught and are interrogated. Then it flashes back to three years earlier and the film proceeds forward from there interspersed with occasional bits from the interrogation.
Three years before getting caught, Bridget (Diane Keaton) lived a comfortable upper class life until her husband Don (Ted Danson) was fired from his position and sunk into debt. The paycheck for Selina, the cleaning lady, bounces again. Selina confronts Bridget and suggests she take a job as a janitor at the Federal Reserve Bank of Kansas City.
On her first day on the job, Bridget hatches a scheme to steal damaged dollar bills slated for destruction. For her team she chooses Nina (Queen Latifah), who works the dollar bill shredder, and Jackie (Katie Holmes), who takes bill carts from the Secret Service room to the shredding room. It takes some work to convince Nina to join, but Jackie joins them quickly.
The plan is that in the Secret Service room Bridget will switch a cart's official Master-brand lock with a near identical lock she purchased at Home Depot. Bridget will tell Jackie the cart number and give Nina the official lock. When Jackie gets the chosen cart, she dumps some bills from the cart into a trash can before taking the cart to Nina, who then uses Bridget's key to open it and restores the official lock, and then proceeds to shred the remaining bills. Meanwhile, Bridget, in the course of her janitorial duties, retrieves the dumped bills from the trash and splits them among Nina and Jackie in the women's restroom.
Their first robbery is a success though the take is not as big as they had hoped. However, they're emboldened to do it again and again. Once Don and Bridget pay off their debt, Don suggests they stop before they get caught. Bridget rejects this idea and convinces Nina and Jackie to keep going. They almost get caught but they fold in one of the cops.
A Federal Bank Examiner shows up at a party at Bridget's house, and the next day Bridget sees him at work. The Examiner confronts Glover (Stephen Root), who is unwilling to admit anyone has stolen a single bill out of his bank as a matter of professional pride. Tipped off, that night Bridget and her accomplices begin trying to get rid of all the loot stashed in their houses, but the cops move in before all the evidence is destroyed. Bridget escapes but the others get caught.
Bridget hires a tax attorney to defend them. The lawyer gets Bridget and all her accomplices off the hook for their crimes. However, the IRS demands they pay their taxes, which turn out to be equal in amount to the money that remains. They walk away free but penniless.
Eight months later, Bridget reveals to Nina and Jackie that she had stashed away a lot of the stolen money in the basement of a friend's bar.
I thought it was cute. Diane Keaton, Queen Latifah, and Katie Holmes were absolutely adorable together and had great chemistry. They made the story an Ocean's Eleven for the girls, sounds like such a chick flick, but I think this is one that most could actually enjoy.More
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