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Mother of Tears (2008)
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Reviews Counted:69
Fresh:34
Rotten:35
Average Rating:5.3/10
Consensus: As excessive and ketchup laden as predecessors Suspiria and Inferno, Dario Argento's Mother of Tears completes the trilogy with the same baroque grandeur and soggy 1970s sensibilities.
Theatrical Release:Jun 6, 2008 Limited
Synopsis: The third installment in Italian horror master Dario Argento's Three Mothers saga, THE MOTHER OF TEARS is a gruesome and long-awaited treat for horror fans. Completing a loosely knit trilogy that... The third installment in Italian horror master Dario Argento's Three Mothers saga, THE MOTHER OF TEARS is a gruesome and long-awaited treat for horror fans. Completing a loosely knit trilogy that began with SUSPIRIA (1977) and continued with INFERNO (1980), the film sees the titular witch awakening to unleash apocalyptic evil on Rome. A grisly and excessive hoot, this is one of the director's strongest efforts since the 1980s. After construction workers discover an ancient urn near a cemetery, it is sent to a Rome university where Sarah Mandy (Asia Argento, daughter of the director) is an art history student. Shortly after opening the urn, Sarah's associate is brutally murdered (in an frighteningly creative manner) by a mysterious being who also unleashes an evil monkey in the halls of the school. Sarah escapes to tell the police, but they find her story implausible. Soon, though, it becomes apparent that a tidal wave of evil is washing over the city as a serious of excessively violent crimes is committed. Matters are worsened when the international black magic community--aware that the urn has unleashed Mater Lachyrmarum, The Mother of Tears--begins to descend upon a chaotic Rome in droves. Within its first 10 minutes, MOTHER OF TEARS features a woman being strangled by her own intestines, and continues with well-paced shocks from that point on. As in TRAUMA (1993) and THE STENDHAL SYNDROME (1996), Argento has no reservations about putting his always-game daughter though virtual hell on screen. While featuring none of the candy-colored lighting that made SUSPIRIA and INFERNO such surreal nightmares, this is still a rock-solid horror film with more originality and loony energy than a dozen SAWs or FINAL DESTINATIONs, proving that the nearly 70-year-old Argento still has the knack that won him legions of fans. [More]
Starring: Asia Argento, Cristian Solimeno, Adam James, Udo Kier
Starring: Asia Argento, Cristian Solimeno, Adam James, Udo Kier
Director: Dario Argento
Director: Dario Argento
Screenwriter: Dario Argento, Jace Anderson, Adam Gierasch
Story: Dario Argento
Studio: Weinstein Company
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Reviews for Mother of Tears
So although Argento may not be in peak form, he does seem to be enjoying himself and there are still flashes of the old master.
[Marries] CGI to Guignol whimsy in ways so tasteless that you can hear the crackle of Argento's mojo working.
Hitting the ground running and never giving up for 90 nasty minutes, Mother of Tears is Dario Argento's final statement on his precedent as the definitive Delacroix of dread.
It's an imperfect motion picture, often downright ridiculous, but it's a blast of lusty, violent fun that doesn't come around nearly enough these days. Take it as a flamboyant exclamation point on a stalled career, and it's practically irresistible.
This is a foreign horror movie that's all about style and shock value. The fruit of Argento's mad vision is an acquired taste, but there's plenty to chew on here.
The visuals are vibrant and fans of Argento's bravura bloodletting will thrill to his imaginative use of pikes, entrails and his daughter, who performs a shower scene for Dear Old Dad.
[Argento's] odyssey has a little Harry Potter, a little Da Vinci Code, and enough splatter to make the late Lucio Fulci dash his brains against the inside of his coffin for the chance to come back and top it.
...one can't help but admire any flick that features a baby death count of two.
Although lacking helmer's usual aesthetic panache, this Mother is a cheesy, breathless future camp classic.
... Argento's nightmare vision is vivid enough to overcome the weaker aspects and make this a commendable, if not entirely satisfying, closing to his supernatural trilogy.
A work that builds on the visions of Suspiria and Inferno while crafting its own distinct dark-fairy-tale landscape.
A fascinating effort in '70s horror nostalgia, or proof that they don't make them like they used to for good reason.
Argento is admired for his voluptuous use of color and his operatic bloodletting; this is lovely to look at, if you can stand to.
In comparison to the majority of bland Hollywood widgets cranked out on a corporate conveyer belt, these mad, personal misfires are the real masterworks.
So logically impaired, so clumsily written and so haphazardly designed that it's a sheer delight.
The director employs his entire bag of tricks to keep the audience on the edge of their seats, from shock cuts and loud chords on the soundtrack to performances that devour the scenery.
Both the body and the body politic are under attack in Mother of Tears.
Although The Mother of Tears teeters on the preposterous and awkward, it is diverting and reveals that the filmmaker's signature bravura flourishes and use of sinister settings are still intact.
Latest News for Mother of Tears
September 24, 2008:
Argento's gothic hokey horror homage to sleazy sorceress boobs, demon damsels with too much makeup, and assorted cannibalistic weirdos run amok. Girl witches gone wild, Italian style. ![]()
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June 09, 2008:
WNYC RADIO: Sleazy sorceress boobs, demon damsels with too much makeup, and assorted cannibalistic weirdos run amok. Girl witches gone wild, Italian style. ![]()
More...
June 05, 2008:
Grisly trilogy closes with another gruesome snuff flick. ![]()
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May 20, 2008:
Argento's gothic hokey horror homage to sleazy sorceress boobs, demon damsels with too much makeup, and assorted cannibalistic weirdos run amok. Girl witches gone wild, Italian style. ![]()
More...
| Tomatometer Percentage | Movie |
|---|---|
| 44% 44% | Night at the Museum: B… |
| 32% 32% | Terminator Salvation |
| 36% 36% | Angels & Demons |
| 95% 95% | Star Trek |
| 25% 25% | Four Christmases |
| Tomatometer Percentage | Movie |
|---|---|
| 83% 83% | Harry Potter and the H… |
| 67% 67% | Public Enemies |
| 75% 75% | Julie & Julia |
| 95% 95% | The Cove |
| 85% 85% | World's Greatest Dad |
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