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Mother of Tears (2008)
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Reviews Counted:69
Fresh:34
Rotten:35
Average Rating:5.3/10
Consensus: As excessive and ketchup laden as predecessors Suspiria and Inferno, Dario Argento's Mother of Tears completes the trilogy with the same baroque grandeur and soggy 1970s sensibilities.
Theatrical Release:Jun 6, 2008 Limited
Synopsis: The third installment in Italian horror master Dario Argento's Three Mothers saga, THE MOTHER OF TEARS is a gruesome and long-awaited treat for horror fans. Completing a loosely knit trilogy that... The third installment in Italian horror master Dario Argento's Three Mothers saga, THE MOTHER OF TEARS is a gruesome and long-awaited treat for horror fans. Completing a loosely knit trilogy that began with SUSPIRIA (1977) and continued with INFERNO (1980), the film sees the titular witch awakening to unleash apocalyptic evil on Rome. A grisly and excessive hoot, this is one of the director's strongest efforts since the 1980s. After construction workers discover an ancient urn near a cemetery, it is sent to a Rome university where Sarah Mandy (Asia Argento, daughter of the director) is an art history student. Shortly after opening the urn, Sarah's associate is brutally murdered (in an frighteningly creative manner) by a mysterious being who also unleashes an evil monkey in the halls of the school. Sarah escapes to tell the police, but they find her story implausible. Soon, though, it becomes apparent that a tidal wave of evil is washing over the city as a serious of excessively violent crimes is committed. Matters are worsened when the international black magic community--aware that the urn has unleashed Mater Lachyrmarum, The Mother of Tears--begins to descend upon a chaotic Rome in droves. Within its first 10 minutes, MOTHER OF TEARS features a woman being strangled by her own intestines, and continues with well-paced shocks from that point on. As in TRAUMA (1993) and THE STENDHAL SYNDROME (1996), Argento has no reservations about putting his always-game daughter though virtual hell on screen. While featuring none of the candy-colored lighting that made SUSPIRIA and INFERNO such surreal nightmares, this is still a rock-solid horror film with more originality and loony energy than a dozen SAWs or FINAL DESTINATIONs, proving that the nearly 70-year-old Argento still has the knack that won him legions of fans. [More]
Starring: Asia Argento, Cristian Solimeno, Adam James, Udo Kier
Starring: Asia Argento, Cristian Solimeno, Adam James, Udo Kier
Director: Dario Argento
Director: Dario Argento
Screenwriter: Dario Argento, Jace Anderson, Adam Gierasch
Story: Dario Argento
Studio: Weinstein Company
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Reviews for Mother of Tears
... goofy fun, in its own way. But it's the same goofy fun we've seen in dozens of other films for years now, by Argento and others.
Italian director Dario Argento is revered by hard-core horror fans for his gothic, over-the-top thrillers, but even the patience of his most devoted followers will be sorely tested by Mother of Tears: The Third Mother.
could Argento really, like his Mater Lachrymarum, be returning to bring a second reign of blood, chaos and terror to the world? Or will he, like his heroine Sarah, find himself once again wading through shit? The truth lies somewhere in between.
The best thing about Dario Argento’s The Mother of Tears is that it ends.
Asia Argento's outright horrendous performance ruins what could have been a decent B-movie.
It's hard to find lines and performances like Mother of Tears outside of anything that doesn't come with a XXX rating.
Mother of Tears feels like a copy, like someone "doing Argento", instead of the real deal that it could have been.
The Argento touch -- that florid stylishness that made gore and bloodshed feel like the stuff of gorgeously transfixing but profoundly disquieting dreams -- is mostly gone.
This long-awaited final offering about the apocalyptic second sacking of Rome by an unholy pack of demons gets lost in the back alleys of ’70s-era Italian horror films and unconvincing Cinecittŕ Studio sets.
not nearly enough action and gore, and there's far too much time spent on uncovering secrets and tracking down random tidbits
A gruesome drama enacted by a cast that speaks English with a bewildering variety of accents, Mother of Tears is reliably gruesome and occasionally startling but not particularly scary.
That old Argento black magic, literally and figuratively, is still AWOL.
The visual mastery that not only excused but actually elevated the illogic of the first two installments of the trilogy is absent here.
One can only guess at whether director Argento meant the laughs for a campy production or whether the audience guffaws are unintentional.
A once-great director's near-worst work passes through its funhouse plumbing and emerges from the crapper as intentional mischief: self-sabotage explained away as mad genius.
A kinky alternative to The Da Vinci Code for conspiracy theorists with cast iron stomachs.
Latest News for Mother of Tears
September 24, 2008:
Argento's gothic hokey horror homage to sleazy sorceress boobs, demon damsels with too much makeup, and assorted cannibalistic weirdos run amok. Girl witches gone wild, Italian style. ![]()
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June 09, 2008:
WNYC RADIO: Sleazy sorceress boobs, demon damsels with too much makeup, and assorted cannibalistic weirdos run amok. Girl witches gone wild, Italian style. ![]()
More...
June 05, 2008:
Grisly trilogy closes with another gruesome snuff flick. ![]()
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May 20, 2008:
Argento's gothic hokey horror homage to sleazy sorceress boobs, demon damsels with too much makeup, and assorted cannibalistic weirdos run amok. Girl witches gone wild, Italian style. ![]()
More...
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