This is not a rare movie, but it does have a warm red center. It's likable, and its appeal grows as it recovers from a shaky start and finds its footing.
The Great Buck Howard (2009)
Tomatometer
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Reviews Counted:24
Fresh:17
Rotten:7
Average Rating:6.4/10
Consensus: By turns fluffy and biting, this show biz comedy is given girth by comic heavyweight John Malkovich and made all the more charming by Emily Blunt.
Rated: PG [See Full Rating] for some language including suggestive remarks, and a drug reference.
Runtime: 2 hrs 17 mins
Genre: Comedies
Theatrical Release:Mar 20, 2009 Limited
Box Office: $606,264
Synopsis: Prior to THE GREAT BUCK HOWARD, writer-director Sean McGinly helmed TWO DAYS, a film that deals with themes of show-business failure. McGinly treads similar territory here, but whereas DAYS mixed... Prior to THE GREAT BUCK HOWARD, writer-director Sean McGinly helmed TWO DAYS, a film that deals with themes of show-business failure. McGinly treads similar territory here, but whereas DAYS mixed dark comedy and tense drama in the internal struggle of a man who merely thinks he’s a failed entertainer, BUCK is a gentle charmer about a bona-fide washed-up star. When sensible but jaded law student Troy Gabel (Colin Hanks) decides that school isn’t for him, he takes off without telling his father (Tom Hanks, whose presence underscores how many mannerisms he and his real-life son have in common) and looks for the job that will get him a proverbial foot in the door of the entertainment industry. In the blink of an eye, Troy finds himself as road manager for the Great Buck Howard (John Malkovich), an aging mentalist in the tradition of the Amazing Kreskin. He may be a corny relic with an act full of piano interludes and lo-fi theatrics, but he’s also pretty entertaining and genuinely impressive, especially his signature bit in which he locates his own hidden payment. He’s prone to throwing prima-donna fits and blathering on about his 61 appearances on THE TONIGHT SHOW while he regularly performs to half-full rooms; but every time he screams "I love this town!" to the audiences of Wausau, Wisconsin, and Bakersfield, California, it becomes increasingly apparent that he means it. Buck is the best showcase for Malkovich’s hilarious eccentricities since BEING JOHN MALKOVICH. But seen through the eyes of McGinly’s semi-autobiographical Troy and a perceptive publicist named Valerie (Emily Blunt), he’s more than just a caricature: his brief, hipster-irony-propelled resurgence as a national celebrity and the movie’s lighthearted satirization of Hollywood suggest he’s the kitschy, infantile heart of every entertainer. [More]
Starring: John Malkovich, Colin Hanks, Emily Blunt, Griffin Dunne
Starring: John Malkovich, Colin Hanks, Emily Blunt, Griffin Dunne, Ricky Jay, Steve Zahn, Tom Hanks
Director: Sean McGinly
Director: Sean McGinly
Screenwriter: Sean McGinly
Producer: Tom Hanks, Gary Goetzman
Composer: Blake Neely
Studio: Magnolia Pictures
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Release:
Jul 21, 2009
DVD Features:
- Region [unknown]
- Keep Case
- Widescreen - 1.85
Audio:
- Dolby Digital 2.0, Dolby Digital 5.1 - English
- Subtitles - Spanish
Additional Release Material:
- Deleted Scenes
- Outtakes
- Behind the Scenes
Making Of:
- 1. Making of THE GREAT BUCK HOWARD
Audio Commentary:
- 1. Sean McGinly, Director; Colin Hanks, Actor
Featurette:
- 1. The Amazing Kreskin
- 2. HDNet: A Look at The Great Buck Howard
Reviews for The Great Buck Howard
Buck Howard is Malkovich's show. When's he's off the screen, the film sputters, but while he's on-camera, it's magical.
Just as in Burn After Reading, the craftsman's pursuit of character, warts and vulnerability intact, is adamant. He makes it hard to pass up this Buck.
Malkovich keeps Buck an enigma -- part fool, part unheralded genius -- and if the film moves in expected ways it also hits some subtle grace notes.
What Malkovich really needs are actors opposite him with a few more tricks up their sleeve.
The film is a small-scale charmer that provides a tailor-made role for Malkovich, who is always fun to watch.
[Director] McGinly, working with a modest budget, balances the film's sense of mockery with its more somber moments and doesn't allow the story's considerable nostalgia and sentimentality to overwhelm it.
Under the direction of, say, Alexander Payne or David O. Russell, Malkovich might have flourished in a deeper, darker, more madcap version of the film.
Writer-director Sean McGinley based his title character on the Amazing Kreskin, and it provides a suitable mainstream vehicle for Malkovich's bruised aloofness.
The Great Buck Howard is an agreeable show business satire with a warm heart.
Any synopsis of The Great Buck Howard is going to make it sound more than a little like My Favorite Year. ... But that film had a compellingly poignant center.
It sidesteps ultra-saccharine territory, emerging as sweetly nostalgic and gently satiric, if lightweight, entertainment.
When an actor finds the perfect role, a rare sort of magic happens. And you can find it onscreen right now, in The Great Buck Howard.
Malkovich, mixing the magician shtick with a dogged resiliency, a dab of pathos, and more than a bit of mystery (did he really just hypnotize 300 people?), is simply a joy to watch.
The film is funny and perceptive in the way it shows the humiliations for a man with Buck's tender vanity.
The Great Buck Howard is in love with kitsch, the backwaters of showbiz, and true magic. It's a wee charmer that left me enchanted.
The cast is speckled with lively souls like Steve Zahn and Griffin Dunne, but the only person who wakes the movie from its slumbers is Emily Blunt.
Latest News for The Great Buck Howard
March 19, 2009:
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