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Fernando F. Croce |
Curdles into fanciful obscurantism
Full Review | Comment
| Aug., 26 2009 07:03 PM
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CinePassion |
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N/R
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Peter Keough |
Click to read the article
Full Review | Comment
| Apr., 23 2009 03:15 AM
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Boston Phoenix |
 C-
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Click to read the article
Full Review | Comment
| Oct., 18 2008 03:30 AM
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St. Louis Post-Dispatch |
 4/5
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Jonathan Kiefer |
It’s movies like this that the art house was made for.
Full Review | Comment
| Aug., 07 2008 03:15 AM
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Sacramento News & Review |
 C-
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Dennis Schwartz |
A bore.
Full Review | Comment
| Aug., 03 2008 06:03 PM
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Ozus' World Movie Reviews |
 2/4
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Phil Villarreal |
The film, more ant farm than movie, seems like a lazy effort from a talent who has lost his edge.
Full Review | Comment
| Jun., 25 2008 08:24 PM
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Arizona Daily Star |
 3/5
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Marjorie Baumgarten |
This film may be Korine's most accessible as a director, featuring characters, images, and situations that are stirring and unforgettable -- even if they don't add up to a complete narrative or visual whole.
Full Review | Comment
| Jun., 06 2008 02:21 PM
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Austin Chronicle |
 5/10
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Tim Brayton |
Fails to achieve any kind of cumulative meaning outside of Korine's private amusement.
Full Review | Comment
| Jun., 03 2008 09:33 PM
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Antagony & Ecstasy |
 3/5
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Adam Fendelman |
The film has a delicate and deliberate pace. While all the characters could be assigned symbolic motivations, most just seem like annoying and self-indulgent jokes within director Harmony Korine's eccentric point of view.
Full Review | Comment
| Jun., 01 2008 06:59 PM
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HollywoodChicago.com |
 2/5
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Liz Braun |
Mister Lonely falls into the 'art house' category of film, and you can multiply that by 100.
Full Review | Comment
| May., 30 2008 01:40 PM
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Jam! Movies |
 2.5/4
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Philip Marchand |
Korine has found an evocative subject, but he remains entirely too cavalier in this attitude towards narrative coherence.
Full Review | Comment
| May., 30 2008 01:39 PM
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Toronto Star |
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J. R. Jones |
In contrast to the grimy and occasionally grotesque Gummo (1997) and Julien Donkey-Boy (1999), this drama has a more gentle, Felliniesque feel.
Full Review | Comment
| May., 30 2008 01:02 PM
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Chicago Reader |
 2/4
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Roger Ebert |
The film doesn't work, and indeed seems to have no clear idea of what its job is, and yet (sigh) there is the temptation to forgive its trespasses simply because it is utterly, if pointlessly, original.
Full Review | Comment
| May., 30 2008 11:32 AM
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Chicago Sun-Times |
 1.5/4
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Rick Groen |
A movie that goes to extraordinary lengths to say ordinary things.
Full Review | Comment
| May., 30 2008 03:15 AM
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Globe and Mail |
 2.5/4
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Tasha Robinson |
Korine falls so thoroughly in love with many of his images, including his opening shot, that he stretches them out in hypnotic slow motion.
Full Review | Comment
| May., 29 2008 12:09 PM
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Chicago Tribune |
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Brian Tallerico |
Korine may have an original voice and eye but can't really think of anything interesting to do with them.
Full Review | Comment
| May., 27 2008 07:16 AM
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The Deadbolt |
 2/4
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Mick LaSalle |
Like Francis Ford Coppola's Youth Without Youth, the film has overarching problems yet contains diamonds of clarity and inspiration that you won't find in any dozen movies. You'll have to mine for those diamonds, though.
Full Review | Comment
| May., 23 2008 02:19 PM
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San Francisco Chronicle |
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Scott Foundas |
Korine's most lavishly produced pic to date begins as a sweet-tempered tale of social misfits-turned-celebrity impersonators, but falls short of its ambition to say something meaningful about the obsessive nature of celebrity culture.
Full Review | Comment
| May., 22 2008 03:15 AM
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Variety |
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Desson Thomson |
A visually and conceptually mesmerizing and mystical movie.
Full Review | Comment
| May., 16 2008 01:17 PM
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Washington Post |
 2/4
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Tom Keogh |
Sporadically poetic but largely a chore to sit through.
Full Review | Comment
| May., 16 2008 12:44 PM
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Seattle Times |