With The Edge of Heaven, the marvelously talented Fatih Akin, a German filmmaker of Turkish origin, continues to explore questions posed in Head On.
The Edge of Heaven (2008)
Tomatometer
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Reviews Counted:71
Fresh:63
Rotten:8
Average Rating:7.7/10
Consensus: Evocative and complex, this story of struggling immigrants in Germany will stay with you after you leave the theater.
Theatrical Release:May 21, 2008 Limited
Box Office: $561,187
Synopsis:
Retired widower Ali (Tuncel Kurtiz) sees a solution to his loneliness when he meets prostitute Yeter
(Nursel Köse), and he proposes that his fellow Turkish native live with him in exchange for a...
Retired widower Ali (Tuncel Kurtiz) sees a solution to his loneliness when he meets prostitute Yeter
(Nursel Köse), and he proposes that his fellow Turkish native live with him in exchange for a low
rent. At first Alis German Professor son Nejat (Baki Davrak) seems disapproving about his fathers
choice, but the young professor quickly grows fond of kind Yeter, especially upon discovering most
of her hard-earned money is sent home to Turkey for her daughters university studies.
The accidental death of Yeter further distances father and son, both emotionally and physically.
Nejat then decides to travel to Istanbul to begin an organized search for Yeters daughter Ayten
(Nurgül Yes¸Ilçay). He decides to stay in Turkey and trades places with the owner of a German
bookstore who goes home to Germany. What Nejat doesnt know is that 20-something political
activist Ayten is already in Germany, having fled the Turkish police.
Alone and penniless, Ayten is befriended by German student Lotte (Patrycia Ziolkowska), who is
immediately seduced by the young Turkish womans charms and political situation. Lotte invites
rebellious Ayten to stay in her home, a gesture not particularly pleasing to her conservative mother
Susanne. However Ayten ends up arrested and confined for months while awaiting political asylum.
When her plea is denied, Ayten is deported and imprisoned in Turkey.
Passionate Lotte decides to abandon everything to help Ayten and as the story develops she meets
Nejat. --© Official Site
[More]
Starring: Baki Davrak, Nursel Kose, Hanna Schygulla, Tunçel Kurtiz
Starring: Baki Davrak, Nursel Kose, Hanna Schygulla, Tunçel Kurtiz, Nurgül Yesilçay, Patrycia Ziolkowska
Director: Fatih Akin
Director: Fatih Akin
Screenwriter: Fatih Akin
Producer: Andreas Thiel, Klaus Maeck, Fatih Akin
Composer: Shantel
Studio: Strand Releasing
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Reviews for The Edge of Heaven
What makes the film remarkable is how delicately it whips up its intricate contrivances; what makes it a masterpiece is that it does none of the things we expect with those contrivances.
[It's] a much-needed maturation of the Babel/Crash formula but also fails to rattle your bones the way those movies did. Pick your poison, I suppose.
The Edge Of Heaven's final part is less spectacular by design, and feels a little forced at times, but Akin's multigenerational cast helps give the story a touching sense of perspective.
In a single two-hour film, Akin strikes the notes of emotional distress, geographical dissonance, generational discord, and nearly divine convergence that Kieslowski orchestrated over nearly six hours.
An ode to youth and homelands, this fictional tale lives up to its searing title.
Akin's purpose, I think, is a simple one: He wants us to meet these people, know them, sympathize with them....I found them fascinating.
The film has a bit of the overdetermined, cosmic-coincidence quality you find, for example, in a work like Babel. These are troubled people caught in the grip of fate, yet Akin, I think, has the skill and the insight to make do with a little less p
Akin has the audacity and skill to create two characters who do not meet within the scope of the film but whom we know are fated for one another as surely as a trout and a stream.
Strong and artful and well-made, but it also feels like its unpredictability is actually predictable, that its unconventional narrative is, in fact, conventional.
Hanna Schygulla cuts through platitudes with a privately fierce, graceful sense of spiritual space
Plays out like a complex novel clearly adapted to the screen, and yet it's an original screenplay.
Propelled by the beautiful camerawork and scenery that moves back and forth between pastoral idyll and urban chaos as it takes the viewer on a journey that ends with a final image as quiet and beautiful as any in recent cinema.
What Akin says about parent-child relationships is perceptive, and the cast is very good.
Leaves behind the raw power and direct impact tactics of Gegen die Wand (Head-on) for something more evocative and complex.
Slowly paced but never dull, filled with quiet moments that add up to a thoroughly moving experience.
Latest News for The Edge of Heaven
May 25, 2008:
Trailer & Poster review ![]()
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May 24, 2008:
Cross-cultural melodrama explores Turkish immigrants' adjustment to Germany. ![]()
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