The melodies in Love Songs are charming and so, for the most part, is the movie, even if it doesn’t entirely work.
Love Songs (2008)
Tomatometer
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Reviews Counted:43
Fresh:27
Rotten:16
Average Rating:6.1/10
Consensus: Love Songs is hampered by a lack of focus, but held together by Honore's deft direction and an engaging cast.
Theatrical Release:Mar 21, 2008 Limited
Synopsis: Director Christophe Honoré pays homage to French cinema of the 1960s with LOVE SONGS (LES CHANSONS D'AMOUR). Though it borrows its structure from Jacques Demy's classic THE UMBRELLAS OF CHERBOURG,... Director Christophe Honoré pays homage to French cinema of the 1960s with LOVE SONGS (LES CHANSONS D'AMOUR). Though it borrows its structure from Jacques Demy's classic THE UMBRELLAS OF CHERBOURG, this modern musical paints its sad story in much darker colors than its predecessor. LOVE SONGS begins with Parisian lovers Ismaël (Louis Garrel, THE DREAMERS) and Julie (Ludivine Sagnier, SWIMMING POOL) adding a third person to their relationship to add spice to their dying romance. Alice (Clotilde Hesme, REGULAR LOVERS) works with Ismaël in his job at a newspaper, and she shows instant chemistry with both partners. But tragedy soon divides the lovers, and Ismaël is left to cope in the best way he can: through love. While LOVE SONGS echoes the three-act format of THE UMBRELLAS OF CHERBOURG--"the departure," "the absence," and "the return"--Honoré's film is a much bleaker, more realistic offering. The candy colors of Cherbourg are gone, replaced by a dreary looking Paris, where it constantly rains and the characters are forever lacking umbrellas. Even though Garrel, Saigner, Hesme, and the rest of the cast burst into song, the film has far more in common with Honoré's other dramas than with typical musicals. In his third collaboration with the director after DANS PARIS and MA MERE, Garrel is a fascinating physical and emotional presence. He ably leaps between Ismaël's sadness and the lightness of physical comedy. Fans of French cinema may recognize costar Chiara Mastroianni, who is the daughter of legend Catherine Deneuve, the luminous star of THE UMBRELLAS OF CHERBOURG. [More]
Starring: Louis Garrel, Ludivine Sagnier, Chiara Mastroianni, Clotilde Hesme
Starring: Louis Garrel, Ludivine Sagnier, Chiara Mastroianni, Clotilde Hesme, Gregoire Leprince-Ringuet, Brigitte Rouan, Alice Butaud, Jean-Marie Winling, Yannick Renier
Director: Christophe Honoré
Director: Christophe Honoré
Screenwriter: Christophe Honoré
Producer: Paulo Branco
Composer: Alex Beaupain
Studio: IFC Films
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Reviews for Love Songs
This inexpressibly tender and lovely picture suggests that [Honoré's] developing into a major talent, one who can make the spirit of classic French movies come alive in a new world.
While the filmmaker succeeds at keeping it real most of the time, a blazing romanticism informs the whole oddly engaging endeavor; as, of course, it should.
Are the characters completely believable? No. Are the feelings the characters talk and sing about pinpointed with a precision that seems to have become a Honoré trademark? Very much so.
Basically a beautiful, sophisticated soap opera punctuated by the occasional musical number
[Director Christophe] Honoré has proven you can make a movie musical in which style doesn’t upstage content -- a movie musical that blossoms from the inside out.
Sensitively using song to express grief, passion and ennui, this is a cineaste’s delight.
As dark as these themes seem, in Honoré's capable hands, they become almost frothy and the perfect elements for a surprisingly joyous musical.
Yes, it's weird. But it's wild card weird, with that thrill of never knowing what's coming next or when these Parisians are going to get musical on us.
Evoke[s] another era of cinema, so that moviegoers with long memories may have the nicer ride.
The love affairs of the film's characters aren't merely expressions of fluid sexual desire but an acknowledgement of the interconnectedness of human life.
An entertaining view of love in Paris becomes a compelling story of dealing with its loss.
The story of a young man with a flexible sexual imagination is marred by an annoying central character and by the superficiality of the songs.
Why make a movie about bohemian swingers, if all you're going to serve up is the French equivalent of a Broadway musical?
A bittersweet trifle one can conceivably fall in love with, and [Christophe] Honore's best film so far.
Whereas Umbrellas of Cherbourg has become timeless in its depiction of romance, Love Songs strikes a strongly contemporary note in its calm acceptance of the fluidity of desire and emotion.
Boy loves girl and sings about it, boy loses girl to tragedy and sings about it, then boy considers the possibility of new love with a new boy and sings about it -- and the whole thing works, in a delirious French way.
Love Songs finds the magic that the great screen musicals have -- the way a sad song can nonetheless leave an audience happy, or the way two voices blending seems to create something so much bigger.
Love Songs is definitely daring, but too much of it seems calculated to lead up to a final line about how to guard against grief: 'Love me less, but love me a long time.'
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