I don't know that achieving this kind of sexual freedom would be worth having to live around all these exhaustingly precocious people.
Love Songs (2008)
Tomatometer
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Reviews Counted:43
Fresh:27
Rotten:16
Average Rating:6.1/10
Consensus: Love Songs is hampered by a lack of focus, but held together by Honore's deft direction and an engaging cast.
Theatrical Release:Mar 21, 2008 Limited
Synopsis: Director Christophe Honoré pays homage to French cinema of the 1960s with LOVE SONGS (LES CHANSONS D'AMOUR). Though it borrows its structure from Jacques Demy's classic THE UMBRELLAS OF CHERBOURG,... Director Christophe Honoré pays homage to French cinema of the 1960s with LOVE SONGS (LES CHANSONS D'AMOUR). Though it borrows its structure from Jacques Demy's classic THE UMBRELLAS OF CHERBOURG, this modern musical paints its sad story in much darker colors than its predecessor. LOVE SONGS begins with Parisian lovers Ismaël (Louis Garrel, THE DREAMERS) and Julie (Ludivine Sagnier, SWIMMING POOL) adding a third person to their relationship to add spice to their dying romance. Alice (Clotilde Hesme, REGULAR LOVERS) works with Ismaël in his job at a newspaper, and she shows instant chemistry with both partners. But tragedy soon divides the lovers, and Ismaël is left to cope in the best way he can: through love. While LOVE SONGS echoes the three-act format of THE UMBRELLAS OF CHERBOURG--"the departure," "the absence," and "the return"--Honoré's film is a much bleaker, more realistic offering. The candy colors of Cherbourg are gone, replaced by a dreary looking Paris, where it constantly rains and the characters are forever lacking umbrellas. Even though Garrel, Saigner, Hesme, and the rest of the cast burst into song, the film has far more in common with Honoré's other dramas than with typical musicals. In his third collaboration with the director after DANS PARIS and MA MERE, Garrel is a fascinating physical and emotional presence. He ably leaps between Ismaël's sadness and the lightness of physical comedy. Fans of French cinema may recognize costar Chiara Mastroianni, who is the daughter of legend Catherine Deneuve, the luminous star of THE UMBRELLAS OF CHERBOURG. [More]
Starring: Louis Garrel, Ludivine Sagnier, Chiara Mastroianni, Clotilde Hesme
Starring: Louis Garrel, Ludivine Sagnier, Chiara Mastroianni, Clotilde Hesme, Gregoire Leprince-Ringuet, Brigitte Rouan, Alice Butaud, Jean-Marie Winling, Yannick Renier
Director: Christophe Honoré
Director: Christophe Honoré
Screenwriter: Christophe Honoré
Producer: Paulo Branco
Composer: Alex Beaupain
Studio: IFC Films
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Reviews for Love Songs
Love Songs is definitely daring, but too much of it seems calculated to lead up to a final line about how to guard against grief: 'Love me less, but love me a long time.'
An entertaining view of love in Paris becomes a compelling story of dealing with its loss.
Basically a beautiful, sophisticated soap opera punctuated by the occasional musical number
Would actually have worked, and been better off, in my opinion, if it didn't feature any of its 14 songs at all.
The story of a young man with a flexible sexual imagination is marred by an annoying central character and by the superficiality of the songs.
... writer-director Christophe Honoré ... fashions a 14-song musical about love and loss.
Sensitively using song to express grief, passion and ennui, this is a cineaste’s delight.
Boy loves girl and sings about it, boy loses girl to tragedy and sings about it, then boy considers the possibility of new love with a new boy and sings about it -- and the whole thing works, in a delirious French way.
Are the characters completely believable? No. Are the feelings the characters talk and sing about pinpointed with a precision that seems to have become a Honoré trademark? Very much so.
Evoke[s] another era of cinema, so that moviegoers with long memories may have the nicer ride.
Sweetly plays on stereotypes of the French as obsessed with romance, or at least movie musicals, so regardless of any consistency or logic, love and singing conquer all.
a light and playful story about sex and love but doesn't really say anything specific about either one
You need a sweet tooth for this kind of thing and Garrel really is turning into the most irritating actor in the world, hyperactively clowning around and generally behaving like the Big Brother contestant from hell.
Honoré is not without talent, but Love Songs adds up to considerably less than the sum of its references.
While the filmmaker succeeds at keeping it real most of the time, a blazing romanticism informs the whole oddly engaging endeavor; as, of course, it should.
Whereas Umbrellas of Cherbourg has become timeless in its depiction of romance, Love Songs strikes a strongly contemporary note in its calm acceptance of the fluidity of desire and emotion.
Latest News for Love Songs
March 20, 2008:
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March 01, 2008:
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