This is a case where style has not only trumped substance, but negated it as well.
The Unknown Woman (2006)
Tomatometer
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Reviews Counted:39
Fresh:25
Rotten:14
Average Rating:6.1/10
Consensus: If it's occasionally manipulative, this Italian melodrama mixes thriller conventions with a poignant love story and keeps the tension rolling from start to finish.
Theatrical Release:2008-03
Synopsis: Russian actress Xenia Rappoport gives a rich, complex lead performance in Giuseppe Tornatore's Italian thriller, THE UNKNOWN WOMAN (LA SCONOSCIUTA). Rappoport stars as Irena, a deeply troubled... Russian actress Xenia Rappoport gives a rich, complex lead performance in Giuseppe Tornatore's Italian thriller, THE UNKNOWN WOMAN (LA SCONOSCIUTA). Rappoport stars as Irena, a deeply troubled Ukrainian woman who has just arrived in Italy. She is desperate to get a job working in a specific building, mopping floors and doing whatever is necessary, even giving significant parts of her payment to the super (Alessandro Haber) she convinces to hire her. After causing Gina (Piera Degli Esposti) to have a terrible accident, Irena takes over Gina's job, working as a nanny for Thea (Clara Dossena) and her parents, Valeria (Claudia Gerini) and Donato (Pierfrancesco Favino). While growing very close with the young child, Irena suffers from horrible flashbacks and bad memories in which she is a blonde involved in some kind of mysterious sex trade headed by a man called Mold (Michele Placido). Irena brutally teaches Thea how to fight back when she's picked on at school, the way Irena was unable to fight back for so long against Mold, but things threaten to implode when Valeria starts becoming suspicious of Irena's motives. THE UNKNOWN WOMAN is a modern-day film noir, with clues slowly being revealed until it all comes together in the end, with plenty of surprises. Tornatore, who has made such international hits as MALENA, THE LEGEND OF 1900, and CINEMA PARADISO--which won the Oscar for Best Foreign Language Film--keeps things moving at a steady pace, allowing the characters to grow in depth and emotion. THE UNKNOWN WOMAN captured five prestigious David di Donatello Awards in Italy, including Best Film, Best Director (Tornatore), Best Actress (Rappoport), Best Cinematography (Fabio Zamarion), and Best Composer (Ennio Morricone). [More]
Starring: Ksenia Rappoport, Clara Dossena, Michele Placido, Claudia Gerini
Starring: Ksenia Rappoport, Clara Dossena, Michele Placido, Claudia Gerini, Pierfrancesco Favino, Margherita Buy, Alessandro Haber, Piera Degli Esposti, Angela Molina
Director: Giuseppe Tornatore
Director: Giuseppe Tornatore
Screenwriter: Giuseppe Tornatore
Composer: Ennio Morricone
Studio: Outsider Pictures
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Release:
Jul 21, 2009
Reviews for The Unknown Woman
A restless, panicked, devastating emotional roller coaster, meticulously planned and executed like a razor.
The Unknown Woman is a thriller and a love story, and those elements are mixed together in unexpected ways. It's a stunning film.
Un intenso y atrapante thriller con algo de melodrama que bien podría haber dirigido Brian de Palma.
Plays like a cross between Hitchcock and tabloid feminism, a mix that shouldn't work and doesn't.
Writer/director Giuseppe Tornatore ("Cinema Paradiso," "Malèna") reveals a hitherto unknown side of his own with this dark jigsaw puzzle of a mystery.
A spellbinder with a lot of Hitchcock touches and an Ennio Morricone score to match.
Tornatore is unable to sustain tension once the heroine’s agenda is revealed halfway through, and what follows veers between ploddingly dull and unintentionally risible.
The melodrama form allows Tornatore to examine such current issues as human trafficking and black-market babies within a yarn that, for all its sentiment, is never less than gripping.
Just under two hours, sumptuously photographed in noirish shades and slathered in spine-tingling music by Ennio Morricone, it twists every which way to sustain suspense until the final frame.
The Unknown Woman falters when it falls into exploitation and fatal contrivance.
It’s the toast of the continent and once you’ve watched it, the reason why it is will be anything but a mystery.
The whole movie hangs on the gradual unraveling of the central mystery and is made with the expectation that the audience is fascinated and hanging on every tidbit. But Tornatore overplays his hand.
A riveting lead performance by Rappoport [...] overshadowed by the more frequent potboiler preposterousness.
Tornatore, best known for Cinema Paradiso, has meticulously crafted a story that's at times so raw it hurts to watch. Its action blends piercingly lit flashbacks and dream sequences with a gray, prosaic present in an unnamed Italian city.
It's an uneasy mix, and not an entirely successful one. But the film is flat-out gorgeous and contains moments of sheer lunacy.
Wanting it both ways, Tornatore presents the tragedy of sex slavery, while lavishly eroticizing it. And without a clue about female desires or dreams, whether sex slaves, servants or hysterical psychos, beyond their sexual apparatus. Unknown Woman, indeed
It gets more and more ridiculous and unbelievable as it goes along, and the final scene is shamelessly manipulative.
Postures as empathetic while getting its leading lady out of her skivvies -- there's nothing bold about taking a stance against human trafficking
Latest News for The Unknown Woman
September 19, 2008:
OtherCool.com: Wanting it both ways, Tornatore presents the tragedy of sex slavery, while lavishly eroticizing it. And without a clue about female desires or dreams, whether sex slaves, servants or hysterical psychos, beyond their sexual apparatus. ![]()
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| Tomatometer Percentage | Movie |
|---|---|
| 77% 77% | The Hangover |
| 88% 88% | Inglourious Basterds |
| 66% 66% | Public Enemies |
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| 58% 58% | A Perfect Getaway |
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