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The Unknown Woman (2006)
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Reviews Counted:39
Fresh:25
Rotten:14
Average Rating:6.1/10
Consensus: If it's occasionally manipulative, this Italian melodrama mixes thriller conventions with a poignant love story and keeps the tension rolling from start to finish.
Theatrical Release:2008-03
Synopsis: Russian actress Xenia Rappoport gives a rich, complex lead performance in Giuseppe Tornatore's Italian thriller, THE UNKNOWN WOMAN (LA SCONOSCIUTA). Rappoport stars as Irena, a deeply troubled... Russian actress Xenia Rappoport gives a rich, complex lead performance in Giuseppe Tornatore's Italian thriller, THE UNKNOWN WOMAN (LA SCONOSCIUTA). Rappoport stars as Irena, a deeply troubled Ukrainian woman who has just arrived in Italy. She is desperate to get a job working in a specific building, mopping floors and doing whatever is necessary, even giving significant parts of her payment to the super (Alessandro Haber) she convinces to hire her. After causing Gina (Piera Degli Esposti) to have a terrible accident, Irena takes over Gina's job, working as a nanny for Thea (Clara Dossena) and her parents, Valeria (Claudia Gerini) and Donato (Pierfrancesco Favino). While growing very close with the young child, Irena suffers from horrible flashbacks and bad memories in which she is a blonde involved in some kind of mysterious sex trade headed by a man called Mold (Michele Placido). Irena brutally teaches Thea how to fight back when she's picked on at school, the way Irena was unable to fight back for so long against Mold, but things threaten to implode when Valeria starts becoming suspicious of Irena's motives. THE UNKNOWN WOMAN is a modern-day film noir, with clues slowly being revealed until it all comes together in the end, with plenty of surprises. Tornatore, who has made such international hits as MALENA, THE LEGEND OF 1900, and CINEMA PARADISO--which won the Oscar for Best Foreign Language Film--keeps things moving at a steady pace, allowing the characters to grow in depth and emotion. THE UNKNOWN WOMAN captured five prestigious David di Donatello Awards in Italy, including Best Film, Best Director (Tornatore), Best Actress (Rappoport), Best Cinematography (Fabio Zamarion), and Best Composer (Ennio Morricone). [More]
Starring: Ksenia Rappoport, Clara Dossena, Michele Placido, Claudia Gerini
Starring: Ksenia Rappoport, Clara Dossena, Michele Placido, Claudia Gerini, Pierfrancesco Favino, Margherita Buy, Alessandro Haber, Piera Degli Esposti, Angela Molina
Director: Giuseppe Tornatore
Director: Giuseppe Tornatore
Screenwriter: Giuseppe Tornatore
Composer: Ennio Morricone
Studio: Outsider Pictures
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Release:
Jul 21, 2009
Reviews for The Unknown Woman
Postures as empathetic while getting its leading lady out of her skivvies -- there's nothing bold about taking a stance against human trafficking
The Unknown Woman falters when it falls into exploitation and fatal contrivance.
From its silly exploitation treatment of prostitution and sexual bondage you'd never imagine that Giuseppe Tornatore, the same director who created the magnificent "Cinema Paradiso," made "The Unknown Woman."
Tornatore is unable to sustain tension once the heroine’s agenda is revealed halfway through, and what follows veers between ploddingly dull and unintentionally risible.
The film has major problems blending the strong social theme of exploitation and white slavery with Tornatore's noirish screenplay, full of holes and improbabilities.
Meet the filmmaker that [Tornatore] is today -- sadomasochistic fantasist, exploiter of women and cheesy Hitchcock imitator.
A riveting lead performance by Rappoport [...] overshadowed by the more frequent potboiler preposterousness.
This is a case where style has not only trumped substance, but negated it as well.
The whole movie hangs on the gradual unraveling of the central mystery and is made with the expectation that the audience is fascinated and hanging on every tidbit. But Tornatore overplays his hand.
The Unknown Woman begins the same way director Giuseppe Tornatore's last film, Malena, operated throughout: by ogling a fine female form.
An unstable concoction of political melodrama, film noir, and weepie.
Wanting it both ways, Tornatore presents the tragedy of sex slavery, while lavishly eroticizing it. And without a clue about female desires or dreams, whether sex slaves, servants or hysterical psychos, beyond their sexual apparatus. Unknown Woman, indeed
Plays like a cross between Hitchcock and tabloid feminism, a mix that shouldn't work and doesn't.
It gets more and more ridiculous and unbelievable as it goes along, and the final scene is shamelessly manipulative.
The melodrama form allows Tornatore to examine such current issues as human trafficking and black-market babies within a yarn that, for all its sentiment, is never less than gripping.
An exceptionally well-made example of the kind of delirious, semi-Gothic, overcooked melodrama filmmakers from the Boot have long specialized in.
Un intenso y atrapante thriller con algo de melodrama que bien podría haber dirigido Brian de Palma.
Latest News for The Unknown Woman
September 19, 2008:
OtherCool.com: Wanting it both ways, Tornatore presents the tragedy of sex slavery, while lavishly eroticizing it. And without a clue about female desires or dreams, whether sex slaves, servants or hysterical psychos, beyond their sexual apparatus. ![]()
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