Refusenik (2008)
Average Rating: 7.3/10
Reviews Counted: 24
Fresh: 22 | Rotten: 2
No consensus yet.
Average Rating: 7.8/10
Critic Reviews: 10
Fresh: 9 | Rotten: 1
No consensus yet.
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Average Rating: 2.9/5
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Movie Info
Historically speaking, documentarist Laura Bialis' nonfiction effort Refusenik marks one of the first cinematic attempts to chronicle the decades-long liberation of Soviet Jews, from the early years of the 20th century through the end of the Cold War. Drawing from archival footage and extended interviews, Bialis documents the process by which a regionally oriented, grassroots social-activist movement ultimately ballooned into as massive, transcontinental human-rights crusade. By shining a light
May 9, 2008 Wide
Resonance Media
- Official Site
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Refusenik Trailer & Photos
All Critics (24) | Top Critics (10) | Fresh (22) | Rotten (2)
One credits their naivete as the best tool to change history, as, because of it, they refused to cave in to excuse-making politicians and initial indifference in the Jewish-American community.
There are fascinating archival clips that show rare glimpses of early years of struggle behind the Iron Curtain, while the story eventually moves through such momentous footage as the Helsinki Accords and the fall of the Berlin Wall.
The result is a documentary that plays like a fat, satisfying work of nonfiction literature -- the final word because it seems to contain every word.
Packed with an extraordinary amount of archival material, the film offers a fascinating, if occasionally dense look at a grass-roots movement that became the world's chance to retroactively fight Hitler's Holocaust.
Refusenik falls short as entertainment because of the plodding, overly studious approach of the director, Laura Bialis.
Visually and intellectually brisk, the movie is as lively as its subjects' gumption is humbling.
A conventional but generally well-made documentary about Jewish refuseniks
Neat and nice is good for textbook supplements, but aren't gonna cut it cinematically when the story itself is the only thing going.
[Director] Bialis chronicles all this with perhaps too much thoroughness. But, given the nature of the subject, you get the sense that she doesn't want to leave out any voice, no matter if they add little in the way of new information.
[An] absorbing portrait of the refusenik movement of the 1960s and '70s.
Refusenik's opening on Israel's 60th birthday could not have been more timely.
Refusenik does not so much capture the moment as it does educate, however, with material so compelling and inspiring, a thorough education serves.
Using title cards, interviews, and endless archival footage, Bialis is able to tie a very specific history to the course of 20th century upheaval.
Refusenik is a little dry in its presentation, relying on a conventional mix of talking heads and stock footage. But Bialis has good footage to work with, including some film shot by the BBC in Moscow using equipment smuggled in by tourists.
One can only hope that future films about today's most pressing humanitarian crises have such unambiguously happy endings.
The story of the nearly thirty years of courage in the face of repression in the Soviet Union. This is polished and evocative filmmaking.
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Top Critic
The film includes rare footage of the early days of the Soviet Jewish struggle, smuggled out of the USSR and given in to the hnads of Jewish activists in the United States. The film also focuses on and lauds the efforts of such liberation movements as the Student Struggle for Soviet Jewry and a whole host of local councils established for the sole purpose of bringing attention to the plight of Soviet Jews. The film shows the various demonstrations held for Soviet Jews, as well as concerts, petition drives and the courting of sympathetic politicians.
What this film does not show or even mention for even a second is the truth behind who was actually responsible for the freedom of Soviet Jews. However well intentioned, this film is a patently gross distortion of the authentic history of the Soviet Jewry movement in the United States. The glaring omissions of the truth is downright appalling and smacks of political expediency.
Conveniently, there is no mention of the role of Rabbi Meir Kahane and his Jewish Defense League. Students of history know that it was the JDL and their anti-establishment activities on behalf of Soviet Jews that put this issue on page one of the newspapers, where it belonged. In a place where people saw it and began to care about it and more importantly began to take concerete action on it. It was he who was one of the first to champion the cause of Soviet Jewry and through his leadership the young members of the Jewish Defense League staged loud and raucous demonstrations at the Soviet Mission in New York and Washington. They were the ones who vandalized Soviet property, threatened the safety of Soviet diplomats and engaged in the kinds of activities that these "nice Jews" who sponsored this film would rather not remember or think about. It was Rabbi Kahane of blessed memory who taught the world that it is the militant that serves as the gadfly to the moderate, forcing him to do things he never would have dreamt of.
And if Soviet Jewry had become an establishment issue it was strictly and exclusively because of the brave and fiercely courageous actions of the Jewish Defense League. It was Rabbi Kahane who taught that the Soviets would not be moved or persuaded to release Soviet Jews until and if their precious detente with US were seriously threatened. For it was the Soviets who desperately needed lucrative trade agreements with the US.
Shame on the people behind the film "Refusenik" for refusing to give an accurate and complete depiction of history.