Average Rating: 7.3/10
Reviews Counted: 24
Fresh: 22 | Rotten: 2
No consensus yet.
Average Rating: 7.4/10
Critic Reviews: 6
Fresh: 5 | Rotten: 1
No consensus yet.
liked it
Average Rating: 2.7/5
User Ratings: 80
Chronicles the thirty-year international movement to free Soviet Jews. What started as a small grassroots movement bold enough to take on a Cold War superpower blossomed into an international human rights crusade that engaged the disempowered and world leaders alike. Activists on both sides of the Iron Curtain--many of whom survived punishment in Soviet Gulag labor camps--tell their stories.
May 9, 2008 Wide
Resonance Media
All Critics (24) | Top Critics (6) | Fresh (22) | Rotten (2)
One credits their naivete as the best tool to change history, as, because of it, they refused to cave in to excuse-making politicians and initial indifference in the Jewish-American community.
There are fascinating archival clips that show rare glimpses of early years of struggle behind the Iron Curtain, while the story eventually moves through such momentous footage as the Helsinki Accords and the fall of the Berlin Wall.
The result is a documentary that plays like a fat, satisfying work of nonfiction literature -- the final word because it seems to contain every word.
Packed with an extraordinary amount of archival material, the film offers a fascinating, if occasionally dense look at a grass-roots movement that became the world's chance to retroactively fight Hitler's Holocaust.
Refusenik falls short as entertainment because of the plodding, overly studious approach of the director, Laura Bialis.
[Director] Bialis may have been too diligent in tracking down sources.
A conventional but generally well-made documentary about Jewish refuseniks
Neat and nice is good for textbook supplements, but aren't gonna cut it cinematically when the story itself is the only thing going.
[Director] Bialis chronicles all this with perhaps too much thoroughness. But, given the nature of the subject, you get the sense that she doesn't want to leave out any voice, no matter if they add little in the way of new information.
[An] absorbing portrait of the refusenik movement of the 1960s and '70s.
Refusenik's opening on Israel's 60th birthday could not have been more timely.
Refusenik does not so much capture the moment as it does educate, however, with material so compelling and inspiring, a thorough education serves.
Using title cards, interviews, and endless archival footage, Bialis is able to tie a very specific history to the course of 20th century upheaval.
Refusenik is a little dry in its presentation, relying on a conventional mix of talking heads and stock footage. But Bialis has good footage to work with, including some film shot by the BBC in Moscow using equipment smuggled in by tourists.
Visually and intellectually brisk, the movie is as lively as its subjects' gumption is humbling.
One can only hope that future films about today's most pressing humanitarian crises have such unambiguously happy endings.
The story of the nearly thirty years of courage in the face of repression in the Soviet Union. This is polished and evocative filmmaking.
The film "Refusenik' directed by Laura Bialis is landmark documentary on the history of the struggle to liberate Soviet Jews from the shackles of bondage they had known for so long in the USSR. Having been victimized by a brutal Communist totalitarian regime for several decades, a group of Soviet Jewish dissidents,
June 16, 2008
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