What helps the film stand out is the less than melodramatic approach of director Isabel Coixet and the complex performances of Kingsley and Cruz.
Elegy (2008)
Tomatometer
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Reviews Counted:112
Fresh:83
Rotten:29
Average Rating:6.7/10
Consensus: An intelligent, adult, and provocative Philip Roth adaptation that features classy performances, Elegy is never quite the sum of its parts.
Theatrical Release:Aug 8, 2008 Limited
Box Office: $3,456,676
Synopsis: Like director Isabel Coixet's previous film MY LIFE WITHOUT ME, ELEGY is consumed by the ideas of love and mortality. But while that film focused on a young protagonist, the hero of this drama is... Like director Isabel Coixet's previous film MY LIFE WITHOUT ME, ELEGY is consumed by the ideas of love and mortality. But while that film focused on a young protagonist, the hero of this drama is an aging writer and professor played by Ben Kingsley. David Kepesh (Kingsley) is a minor literary celebrity in New York City who shies away from commitment, happy with his casual relationship with a businesswoman (Patricia Clarkson) who is rarely in town. But a date with a stunning grad student named Consuela (Penelope Cruz) surprisingly turns into a long-term romance, changing David from a confident Lothario into a jealous boyfriend. His age and her beauty haunt their romance until David begins to push her away. As its title suggests, ELEGY achieves a perfectly somber tone. Adapted from the Philip Roth novel THE DYING ANIMAL, the script from Nicholas Meyer (THE HUMAN STAIN) doesn't try too hard for the audience's tears. But much of the credit goes to the cast: Kingsley and Cruz make for a sexy, affectionate couple with their layered performances, and Clarkson (THE STATION AGENT) is wonderful as always. Dennis Hopper is nicely cast as David's philandering friend George, and Blondie frontwoman Deborah Harry is very non-rock-and-roll (but incredibly genuine) in a small appearance as George's longsuffering wife. The largely classical soundtrack further adds to the film's contemplative mood. [More]
Starring: Ben Kingsley, Penélope Cruz, Peter Sarsgaard, Patricia Clarkson
Starring: Ben Kingsley, Penélope Cruz, Peter Sarsgaard, Patricia Clarkson, Dennis Hopper, Deborah Harry
Director: Isabel Coixet
Director: Isabel Coixet
Screenwriter: Nicholas Meyer
Producer: Tom Rosenberg, Gary Lucchesi, Andre Lamal
Studio: Samuel Goldwyn Films
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Reviews for Elegy
Elegy is a rare treat: a serious film that, thanks to Kingsley and the rest, doesn't seem to take itself too seriously.
It's a dark, dark film, and not a fun night out at the movies by any means, but... the filmmakers have clearly done a good job with material from a major author whose work is difficult to adapt.
Kingsley and Cruz both give performances that rank among the best of their recent careers...all by themselves making a terrifically flat movie seem marginally human.
A moving character study and romance based on the novel The Dying Animal by Philip Roth.
A remarkable example of the actor at his best -- conveying wounded hurt or burning hunger with a glance.
The spell cast by most films evaporates before you can fish out the car keys. Elegy, though, only grows in the memory -- more potent, more immediate, more disturbing.
Every once in a while [Kingsley] will give the type of performance, like his superb lead turn in the drama Elegy, that reminds you of just how great he can be when he's properly motivated.
A male-flattering romantic/tragic fantasy for mature intellectuals unable to identify with the young man's fantasies of Judd Apatow movies.
The high-minded philosophical discussions feel like posturing, like the movie is trying a little too hard to earn that "prestige" title.
How ironic that it took a woman - Spanish director Isabel Coixet - to capture Philip Roth's inherently male agony about facing mortality.
Intelligent, well-rendered film about adults, relationships, and growing old.
The film is exquisite on every level, full of sadness and emotional surprise.
A feat that Coixet (My Life Without Me, The Secret Life of Words) and her exquisite cast pull off with knowing aplomb and subtle skill.
For a chamber drama it's unusually spacious and well-populated. Three supporting relationships are brilliantly limned.
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July 02, 2008:
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