Critic Consensus: With Reprise, first-time director Joachim Trier effectively captures the spirit of young adulthood, and announces his arrival as a filmmaker to be watched.
Erik and Phillip are trying to make it as writers. Erik is rejected by publishers as lacking in talent, while Phillip's manuscript is accepted and the young man becomes a major name on the Norwegian cultural scene practically overnight. Six months later, Erik and his friends come to visit Phillip at a psychiatric hospital to bring him home after long-term treatment. Writing is the last thing on Phillip's mind, but Erik is continuing his literary attempts and tries to convince his friend to go back to writing. … More
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as Jan Eivind
as Sten Egil Dahl
as Inger, Phillip's Mot...
as Guest at Party
as Mathis Wergeland
as Hanne, Erik's Mother
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Critic Reviews for Reprise
This story about two aspiring writers in their early 20s has the fearlessness and vivacity of a first novel, and its playful approach to chronology and voice-over narration serves to amplify its themes instead of coming off as a show-off trick.
Reprise is not just about engaging with or surviving through the creative instinct. It is that instinct.
If you are young, male and dream of making a name for yourself in the arts, Reprise is about the joys and sufferings of that quest: It is a Jules and Jim for the punk-rock generation.
The jagged energy of this film's opening and closing moments leave you wondering where it might have gone and what it might have been.
The word 'Reprise' may mean recurrence, but Trier's fleet, joyously intellectual film comes at us like anything but a retread.
Audience Reviews for Reprise
A beautiful, poignant gem from Norway that is at once a loving tribute to the French New Wave and a wholly original story that riffs on familiar themes of friendship, romance, madness, and creativity in fresh, stylish ways.
In his first film, Trier comes up as a promising director, using a stylish approach to tell a playful story about the literary youth. A likeable drama that has some good moments but fails to be more engaging, ending in an optimistic, perhaps too poetic conclusion.
[font=Arial][color=DarkRed]This very New Wave-styled Norwegian film manages to be thoughtful and intelligent, stylish without being vapid, touching, and it brilliantly captures the exuberance of youth on the cusp of adapting into maturity. [i]Reprise[/i] follows two best friends and aspiring writers; Phillip finds success immediately but cannot handle it, and Erik must fight through rejections. Director/co-writer Joachim Trier (cousin to Lars) has given the film a hypnotic triptych narrative structure, meaning there are flashbacks, flash forwards, flashbacks within flashbacks, and the viewer is best advised to just succumb to the thrills of the narrative and sort it all out later. The structure made me feel totally immersed in the lives of this small unit of 20-somethings. You get a lifetime of detail thanks to the tangential narrative structure and the help of an occasional narrator. The film has a remarkably deft touch when it comes to crafting realistic characters; the pangs of uncertainty, jealousy, and insecurity all ring true without being trite or obvious. But the movie never gets dour or pretentious as it covers weighty topics. The movie also has an indelible energy that is hard to ignore. [i]Reprise [/i]is playfully edited and constantly moving, sometimes forward, sometimes backwards, sometimes telling us a possible scenario that sounds better than reality. I found several small moments to be provocative, like Phillip trying to replicate the happy memories of time and place by trying to restage a photo of his girlfriend with his girlfriend (a lovely Viktoria Winge). [i]Reprise[/i] is full of small tender moments that speak volumes. This is a terrific film brimming with life and verve and clearly targets Trier as an inspiring filmmaker to watch.
Nate's Grade: A[/color][/font]
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