Chief benefit of this film with its rapid editing and copious flashbacks is its mixture of levity and seriousness as Trier examines the lives of Norwegians just past their teens.
Reprise (2008)
Tomatometer
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Reviews Counted:74
Fresh:64
Rotten:10
Average Rating:7.4/10
Consensus: With Reprise, first-time director Joachim Trier effectively captures the spirit of young adulthood, and announces his arrival as a filmmaker to be watched.
Theatrical Release:May 16, 2008 Limited
Box Office: $469,817
Synopsis:
As Erik and Phillip, lifelong friends and aspiring novelists, stand in front of a mailbox clutching their manuscripts, our narrator takes a moment to speculate upon their futures. Surely both books...
As Erik and Phillip, lifelong friends and aspiring novelists, stand in front of a mailbox clutching their manuscripts, our narrator takes a moment to speculate upon their futures. Surely both books will garner wild acclaim, lead to prolific careers, and inspire revolutions. In actuality, Phillip's is published and Erik's rejected. But it's Phillip who suffers the harsher fate. Overnight success and a budding, but obsessive, romance prove overwhelming, and he suffers a breakdown. Six months later, when he returns from a psychiatric hospital, Phillip tries to put his life back together, and Erik, having adopted a more measured approach to writing, attempts a literary rebound.
Joachim Trier's debut feature is a whimsical, intelligent reflection on friendship and youthful exuberance. His portrait of two young men for whom life and art occupy the same blurry space is full of honesty and carefully observed moments. And while its preoccupations are weighty (love, disappointment, self-doubt), Reprise is buoyed by visual flourish and an infectious energy. Its splashy, self-conscious style--a throwback to the French New Wave--mixes film stocks, delights in cinematic references, and employs flashbacks, flash-forwards, an unidentified narrator, and frequent detours to Paris (surely with a wink). And with a stellar young cast to boot, Reprise hits every mark, ushering in an exciting young filmmaker.
--© Sundance Film Festival
Starring: Espen Klouman Høiner, Anders Danielsen Lie, Viktoria Winge, Magnus Williamson
Starring: Espen Klouman Høiner, Anders Danielsen Lie, Viktoria Winge, Magnus Williamson, Pål Stokka, Christian Rubeck, Henrik Elvestad
Director: Joachim Trier
Director: Joachim Trier
Screenwriter: Eskil Vogt, Joachim Trier
Producer: Karin Julsrud
Composer: Ola Flottum
Studio: Miramax Films
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Reviews for Reprise
The film has the elegant exuberance of a display of indoor fireworks.
This quick-witted film is likely to be a fleeting presence on our overcrowded screens. Catch it while you can.
Two aspiring novelists in hip young Oslo scribble their way through success, failure, love and friendship in this crafty little gem directed by Lars Von Trier's nephew, Joachim Trier.
Trier justifies the boys' hardships with a bright and breezy detour through would-be glories. Altogether he crafts a striking portrait of the artist as a young brat, with the leads showing enough sensitivity to carry it off.
Style is mirrored by content, Trier’s non-linear storytelling (unnamed narrator, imagined versions of events) credibly reflecting the characters’ turbulent inner worlds.
It’s a by-turns flip and searching cineaste’s rites-of-passage drama -- both for the characters and the director -- that deals entertainingly with the rivalries, doubts, fears and sexual entanglements of its twentysomething milieu.
The plot is pretty simple, and the depiction of the jumbled, impatient world in which the friends travel is believable.
This groovy little film is spiked with an arresting, hyper-saturated mix of sadness and joy.
Effervescent, if somewhat baggy in structure, dramedy Reprise reps an impressive debut for young Norwegian Joachim Trier.
A work that's deeper, funnier and more inventive than most indie films about young creative types lost in youthful exploits.
Trier’s blend of genuine coolness, flesh-and-blood characters and a portrait of creative types that hits marrow, however, is a hat trick we’d gladly watch ad infinitum.
This likeable, smart Danish drama about two aspiring writers has some of the arch, extra-dry-martini quality of a Whit Stillman film, including jumping locations and a dry, ironic voice-over.
Uncannily like Truffaut's Jules et Jim in its ability to seamlessly synthesise the heedless energy of youth and its pronounced melancholy undercurrents.
Latest News for Reprise
May 18, 2008:
Trailer & Poster review ![]()
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May 04, 2007:
SFIFF Report: Red Carpet, Parker Posey, Capsule Reviews!
It's been half a century since the San Francisco International Film Festival began (making it the longest-running domestic fest of its kind) and its lineup reflects that history... More...
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