Directed by Jeremy Dean, Dare Not Walk Alone successfully avoids the trappings of many well-meaning civil rights docs that serve chiefly as grief mops for white liberal guilt.
Dare Not Walk Alone (2008)
Tomatometer
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Reviews Counted: 7
Fresh: 6
Rotten:1
Average Rating: 6.6/10
Runtime: 83 mins
Genre: Education/General Interest
Theatrical Release:Apr 25, 2008 Limited
Synopsis: This film is an emotional march from past to present combining rarely seen news footage from 1964 with present day testimony to tell the true story of troubled times in the historic tourist town of... This film is an emotional march from past to present combining rarely seen news footage from 1964 with present day testimony to tell the true story of troubled times in the historic tourist town of St. Augustine, Florida. See African-Americans and their allies in the white community put their lives on the line to force the President of the United States to sign the first civil rights act. The film also takes a look at the aftermath of desegregation and the challenges that it presents to all Americans. In the end we see signs of hope and reconciliation and are challenged to take the next step forward. --© IndiCan Pictures [More]
Director: Jeremy Dean
Director: Jeremy Dean
Screenwriter: Jeremy Dean
Producer: Stephen Cobb, Jeremy Dean, Richard Mergener
Studio: Indican Pictures
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Reviews for Dare Not Walk Alone
Jeremy Dean makes a valiant attempt to juxtapose past and present, but his goal is consistently undermined by an execution so muddled it's almost unwatchable...Even so, the film deserves to be seen, if only for its wealth of rare historical footage.
Dean's ability to explore history through such a local nexus creates a uniquely intimate document.
Brock's story and the vivid remembrances of protesters...Clumsier is Dean's attempt to revive calls for social justice regarding today's poverty-stricken West St. Augustine.
It's nothing short of breathtaking to see these demonstrations, and the clear and unmitigated cruelty incurred by these activists, from the points of view of general passersby.
Even though this production was completed in 2006, the racial politics of the current presidential election make his film all the more significant.
Inelegantly made and sometimes awkward in its transitions between the two eras, Dean’s film nonetheless packs a punch, thanks to vivid archival footage from this lesser-known (compared to Montgomery, Selma, Birmingham) hotbed of Southern racial unrest.
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