Fizzing with droll humour, pithy observations on the class system and some brilliantly acidic one-liners, it’s wall-to-wall wit on a grand scale.
Easy Virtue (2009)
Tomatometer
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Reviews Counted:113
Fresh:58
Rotten:55
Average Rating:5.8/10
Consensus: A lightweight and pithy Noel Coward adaptation with plenty of sparkle and fizz.
Rated: PG-13 [See Full Rating] for sexual content, brief partial nudity, and smoking throughout.
Runtime: 1 hr 37 mins
Genre: Comedies
Theatrical Release:May 22, 2009 Limited
Box Office: $2,537,150
Synopsis: Adapted from a Noel Coward play, EASY VIRTUE is essentially a tale of Old World manners vs. New World freedom. The year is 1929, and John Whitaker (Ben Barnes) has just married a feisty American... Adapted from a Noel Coward play, EASY VIRTUE is essentially a tale of Old World manners vs. New World freedom. The year is 1929, and John Whitaker (Ben Barnes) has just married a feisty American racecar driver named Larita (Jessica Biel). John is the eldest of the Whitakers--a prim English family--and when he returns home with Larita on his arm, his mother (Kristin Scott Thomas) is none too pleased. John's choice of a loud, brash American has raised everyone's eyebrows, including his sisters, Hilda (Kimberly Nixon) and Marion (Katherine Parkinson). The only person who seems to approve of Larita is Mr. Whitaker--John's weary, put-upon father (Colin Firth). Try as she might, Larita has a hard time impressing the icy, unforgiving Mrs. Whitaker, and indeed, the entire Whitaker clan proves to be a rather eccentric, unhappy bunch. John had promised Larita a short visit, but due to pressure from his mother, they stay longer than planned. Time drags on, and the friction between Mrs. Whitaker and Larita only gets worse. When Hilda digs up something scandalous from Larita's past, tensions bubble to a boiling point, and Larita is forced to face some rather hard truths about herself and her new husband. For fans of period films, EASY VIRTUE is a visual treat, set on a sprawling country estate and with gorgeous and impeccable costumes. Director Stephan Elliot (THE ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT) tries to inject a bit of modern zing by filling scenes with contemporary renditions of Cole Porter songs, while Biel and Scott Thomas breathe some life into their lightweight characters. Though the source play, with its airy plot, isn't one of Coward's most popular works, fans of Colin Firth's work in costume comedies and dramas will be delighted with the actor's performance here. [More]
Starring: Jessica Biel, Colin Firth, Kristin Scott Thomas, Ben Barnes
Starring: Jessica Biel, Colin Firth, Kristin Scott Thomas, Ben Barnes, Kris Marshall, Katherine Parkinson, Kimberly Nixon
Director: Stephan Elliott
Director: Stephan Elliott
Screenwriter: Stephan Elliott, Sheridan Jobbins
Producer: Barnaby Thompson, Joseph Abrams, James D. Stern
Composer: Marius De Vries
Studio: Sony Pictures Classics
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Reviews for Easy Virtue
It’s playful, it’s elegant, it’s fizzing with lacerating wit… after the stone-faced dreariness of The Duchess and Brideshead Revisited, it’s a welcome jolt of fresh air to see a Brit period piece you can just kick back and enjoy.
The champagne wit of Noel Coward's eighty year old play still fizzes and sparkles in Stephan Elliott's jaunty adaptation of Easy Virtue.
This 1920s play by Noel Coward still dances along like a sprightly flapper, defying the passage of the years, thanks to Stephen Elliott’s energetic direction.
The often outrageous Steph Elliott is a surprising choice to make a Noel Coward adaptation, and a surprise it is for us too, in the best possible way. Elliott injects two special ingredients: a naughty sense of edgy fun ..and a splendid soundtrack
[Elliott] tends toward camp, yet respects Coward’s light sentiment (and pays homage to Ealing Studios’ genteel tradition).
Even though the laughs eventually fizzle out toward the end, Easy Virtue nonetheless manages to be unadulterated fun...It's a sparkling, delightfully witty and frothy British comedy with a lively ensemble cast.
Engaging and well acted -- that rare period piece that refuses to yield to predictably stuffy interpretations of what does and doesn't constitute familial screen conflict in times gone by.
Just watching Biel share the frame with Thomas and Firth and not immediately crawl into a fetal position is nearly worth the price of admission alone.
Goes down as light and fizzily as a flute of Champagne tossed back in an airy drawing room.
Stephan Eliott's Noel Coward adaptation hits a lilting comic gallop in '20s era England.
Easy Virtue is not an entirely satisfactory outing; it's too chaotic for that, but it's certainly a great wheeze that blows ample life into period comedy.
Stephan Elliott's deliciously cheeky screen adaptation of one of the satirist's lesser-known jabs at the British upper crust will charm your pants off.
Easy on both eye and ear, this jaunty little number has many virtues to commend it.
Stephan Elliott's lavish version of Noel Coward's 1924 play, first shot by Hitchcock as a silent in 1927, brings to the fore the witty dialogue and sharp characterizations of a comedy of morals and manners, which is surprisingly still relevant today.
I enjoyed Easy Virtue with its witty dialogue, great character acting and the mother-in-law from hell.
If Colin Firth and Kristin Scott Thomas firing snarky bon mots at people for 90 minutes doesn't sound entertaining, I don't know what to tell you.
While everyone won't agree with the approach...it does result in the sort of mildly amusing, feel-good period piece with an easy-to-swallow message that appeals to today's older audiences.
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