A painfully unfunny flop.
Easy Virtue (2009)
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Reviews Counted:113
Fresh:58
Rotten:55
Average Rating:5.8/10
Consensus: A lightweight and pithy Noel Coward adaptation with plenty of sparkle and fizz.
Rated: PG-13 [See Full Rating] for sexual content, brief partial nudity, and smoking throughout.
Runtime: 1 hr 37 mins
Genre: Comedies
Theatrical Release:May 22, 2009 Limited
Box Office: $2,537,150
Synopsis: Adapted from a Noel Coward play, EASY VIRTUE is essentially a tale of Old World manners vs. New World freedom. The year is 1929, and John Whitaker (Ben Barnes) has just married a feisty American... Adapted from a Noel Coward play, EASY VIRTUE is essentially a tale of Old World manners vs. New World freedom. The year is 1929, and John Whitaker (Ben Barnes) has just married a feisty American racecar driver named Larita (Jessica Biel). John is the eldest of the Whitakers--a prim English family--and when he returns home with Larita on his arm, his mother (Kristin Scott Thomas) is none too pleased. John's choice of a loud, brash American has raised everyone's eyebrows, including his sisters, Hilda (Kimberly Nixon) and Marion (Katherine Parkinson). The only person who seems to approve of Larita is Mr. Whitaker--John's weary, put-upon father (Colin Firth). Try as she might, Larita has a hard time impressing the icy, unforgiving Mrs. Whitaker, and indeed, the entire Whitaker clan proves to be a rather eccentric, unhappy bunch. John had promised Larita a short visit, but due to pressure from his mother, they stay longer than planned. Time drags on, and the friction between Mrs. Whitaker and Larita only gets worse. When Hilda digs up something scandalous from Larita's past, tensions bubble to a boiling point, and Larita is forced to face some rather hard truths about herself and her new husband. For fans of period films, EASY VIRTUE is a visual treat, set on a sprawling country estate and with gorgeous and impeccable costumes. Director Stephan Elliot (THE ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT) tries to inject a bit of modern zing by filling scenes with contemporary renditions of Cole Porter songs, while Biel and Scott Thomas breathe some life into their lightweight characters. Though the source play, with its airy plot, isn't one of Coward's most popular works, fans of Colin Firth's work in costume comedies and dramas will be delighted with the actor's performance here. [More]
Starring: Jessica Biel, Colin Firth, Kristin Scott Thomas, Ben Barnes
Starring: Jessica Biel, Colin Firth, Kristin Scott Thomas, Ben Barnes, Kris Marshall, Katherine Parkinson, Kimberly Nixon
Director: Stephan Elliott
Director: Stephan Elliott
Screenwriter: Stephan Elliott, Sheridan Jobbins
Producer: Barnaby Thompson, Joseph Abrams, James D. Stern
Composer: Marius De Vries
Studio: Sony Pictures Classics
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Reviews for Easy Virtue
Jessica Biel gets more publicity for her body and her boyfriend than for her acting ability, but Easy Virtue may be cause for a reassessment.
It’s potentially a creaky old yarn but Elliott, working with screenwriter Sheridan Jobbins, has imbued the film with an energy and a beauty that is beguiling.
Biel is not completely miscast in this role of the Other in the drawing-room midst, but she exudes a thoroughly contemporary air that never jibes with the Twenties tenor of the English manor-born in the decade after the Great War.
Easy Virtue needs a strong center to justify its celebration of American effrontery, and Biel lacks that prideful edge.
In 1988, Sheridan Morley noted that Easy Virtue "remains of interest chiefly as Noel's elegant, laconic tribute to a lost world of drawing-room dramas." This gleefully inelegant movie tosses even that mild interest away.
Those coming in cold may be forgiven for thinking they've wandered into Atonement remade as a farce.
Just watching Biel share the frame with Thomas and Firth and not immediately crawl into a fetal position is nearly worth the price of admission alone.
Jessica Biel turns out to be up to the task of handling Coward's deliciously acidic lines and is well-matched with an impressive all-British cast in the sparkling "Easy Virtue."
Stephan Elliott's best film since Priscilla, Queen Of The Desert, Easy Virtue should satisfy fans of Coward, despite its differences to the original. A pity then that, despite Biel's sprightly turn, it feels better suited to the small screen.
The only characters who seem anchored in some form of reality are the hero's parents...all the others, from siblings to servants, are standard-issue eccentrics or the subjects of running gags.
Unusually for a play by Noel Coward, Love struggles while conquering All in Easy Virtue, a subversive view of British country-house society between the wars.
Elliott nearly turns the whole affair into a musical, with characters singing snatches of Coward and Cole Porter songs. But his sense of humor is extremely broad.
Stephan Eliott's Noel Coward adaptation hits a lilting comic gallop in '20s era England.
Elliott keeps the mood spirited and breezy, and of course, there are lots of great lines, but those little modern touches suggest a lack of trust in the material.
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