Goes down as light and fizzily as a flute of Champagne tossed back in an airy drawing room.
Easy Virtue (2009)
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Reviews Counted:113
Fresh:58
Rotten:55
Average Rating:5.8/10
Consensus: A lightweight and pithy Noel Coward adaptation with plenty of sparkle and fizz.
Rated: PG-13 [See Full Rating] for sexual content, brief partial nudity, and smoking throughout.
Runtime: 1 hr 37 mins
Genre: Comedies
Theatrical Release:May 22, 2009 Limited
Box Office: $2,537,150
Synopsis: Adapted from a Noel Coward play, EASY VIRTUE is essentially a tale of Old World manners vs. New World freedom. The year is 1929, and John Whitaker (Ben Barnes) has just married a feisty American... Adapted from a Noel Coward play, EASY VIRTUE is essentially a tale of Old World manners vs. New World freedom. The year is 1929, and John Whitaker (Ben Barnes) has just married a feisty American racecar driver named Larita (Jessica Biel). John is the eldest of the Whitakers--a prim English family--and when he returns home with Larita on his arm, his mother (Kristin Scott Thomas) is none too pleased. John's choice of a loud, brash American has raised everyone's eyebrows, including his sisters, Hilda (Kimberly Nixon) and Marion (Katherine Parkinson). The only person who seems to approve of Larita is Mr. Whitaker--John's weary, put-upon father (Colin Firth). Try as she might, Larita has a hard time impressing the icy, unforgiving Mrs. Whitaker, and indeed, the entire Whitaker clan proves to be a rather eccentric, unhappy bunch. John had promised Larita a short visit, but due to pressure from his mother, they stay longer than planned. Time drags on, and the friction between Mrs. Whitaker and Larita only gets worse. When Hilda digs up something scandalous from Larita's past, tensions bubble to a boiling point, and Larita is forced to face some rather hard truths about herself and her new husband. For fans of period films, EASY VIRTUE is a visual treat, set on a sprawling country estate and with gorgeous and impeccable costumes. Director Stephan Elliot (THE ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT) tries to inject a bit of modern zing by filling scenes with contemporary renditions of Cole Porter songs, while Biel and Scott Thomas breathe some life into their lightweight characters. Though the source play, with its airy plot, isn't one of Coward's most popular works, fans of Colin Firth's work in costume comedies and dramas will be delighted with the actor's performance here. [More]
Starring: Jessica Biel, Colin Firth, Kristin Scott Thomas, Ben Barnes
Starring: Jessica Biel, Colin Firth, Kristin Scott Thomas, Ben Barnes, Kris Marshall, Katherine Parkinson, Kimberly Nixon
Director: Stephan Elliott
Director: Stephan Elliott
Screenwriter: Stephan Elliott, Sheridan Jobbins
Producer: Barnaby Thompson, Joseph Abrams, James D. Stern
Composer: Marius De Vries
Studio: Sony Pictures Classics
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Reviews for Easy Virtue
The first Noel Coward play to hit the big screen in more than 40 years, Easy Virtue is a crass, heavy- handed and -- most unfor givably -- largely laugh-free adaptation of The Master's infrequently revived 1924 comic melodrama.
Misses the mark by a wide margin %u2013 because the director thinks he knows better than Coward ... a misfire that will barely make a blip before it disappears.
Elliott keeps the mood spirited and breezy, and of course, there are lots of great lines, but those little modern touches suggest a lack of trust in the material.
The elegant barbed wit of Noel Coward bubbling up in a time of Wolverine grunts. I must be dreaming.
In its cold-eyed assessment of the English aristocracy Easy Virtue has none of the lurking Anglophilia found in Merchant-Ivory movies.
Too often Easy Virtue feels like a rough facsimile of many better drawing-room comedies.
We're primed for an old-fashioned cat fight, but director Stephan Elliot can't get more fangs from Biel than a kitten.
His reliance on and desire to highlight Coward's wit gives him less incentive to use his own intelligence and cunning as a filmmaker, making his film little more than a fan letter.
Easy Virtue needs a strong center to justify its celebration of American effrontery, and Biel lacks that prideful edge.
Just watching Biel share the frame with Thomas and Firth and not immediately crawl into a fetal position is nearly worth the price of admission alone.
[Jessica Biel] really proves herself here, taking charge of the movie with a breakthrough performance that's charming, sexy and effortless.
The combination of deft direction, good acting, intelligent script and excellent look make Easy Virtue a good bet for mature audiences.
Coward’s champagne-fizz lightness has never felt so labored; nothing here comes easy.
[Elliott] tends toward camp, yet respects Coward’s light sentiment (and pays homage to Ealing Studios’ genteel tradition).
Stephan Elliott's deliciously cheeky screen adaptation of one of the satirist's lesser-known jabs at the British upper crust will charm your pants off.
Stephan Elliott is determined to contemporize a playwright whose rhythms, concerns, and craft are all permanently bonded to the '20s art of British sophisticated escapism, art being short for "artifice."
The laughter found in Easy Virtue requires a sophisticated cinematic palate, but for those who appreciate this sort of motion picture, it's a top-notch creation.
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