Adaptation of Noel Coward's 1925 comedy reminds us that time has marched on.
Easy Virtue (2009)
Tomatometer
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Reviews Counted:113
Fresh:58
Rotten:55
Average Rating:5.8/10
Consensus: A lightweight and pithy Noel Coward adaptation with plenty of sparkle and fizz.
Rated: PG-13 [See Full Rating] for sexual content, brief partial nudity, and smoking throughout.
Runtime: 1 hr 37 mins
Genre: Comedies
Theatrical Release:May 22, 2009 Limited
Box Office: $2,537,150
Synopsis: Adapted from a Noel Coward play, EASY VIRTUE is essentially a tale of Old World manners vs. New World freedom. The year is 1929, and John Whitaker (Ben Barnes) has just married a feisty American... Adapted from a Noel Coward play, EASY VIRTUE is essentially a tale of Old World manners vs. New World freedom. The year is 1929, and John Whitaker (Ben Barnes) has just married a feisty American racecar driver named Larita (Jessica Biel). John is the eldest of the Whitakers--a prim English family--and when he returns home with Larita on his arm, his mother (Kristin Scott Thomas) is none too pleased. John's choice of a loud, brash American has raised everyone's eyebrows, including his sisters, Hilda (Kimberly Nixon) and Marion (Katherine Parkinson). The only person who seems to approve of Larita is Mr. Whitaker--John's weary, put-upon father (Colin Firth). Try as she might, Larita has a hard time impressing the icy, unforgiving Mrs. Whitaker, and indeed, the entire Whitaker clan proves to be a rather eccentric, unhappy bunch. John had promised Larita a short visit, but due to pressure from his mother, they stay longer than planned. Time drags on, and the friction between Mrs. Whitaker and Larita only gets worse. When Hilda digs up something scandalous from Larita's past, tensions bubble to a boiling point, and Larita is forced to face some rather hard truths about herself and her new husband. For fans of period films, EASY VIRTUE is a visual treat, set on a sprawling country estate and with gorgeous and impeccable costumes. Director Stephan Elliot (THE ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT) tries to inject a bit of modern zing by filling scenes with contemporary renditions of Cole Porter songs, while Biel and Scott Thomas breathe some life into their lightweight characters. Though the source play, with its airy plot, isn't one of Coward's most popular works, fans of Colin Firth's work in costume comedies and dramas will be delighted with the actor's performance here. [More]
Starring: Jessica Biel, Colin Firth, Kristin Scott Thomas, Ben Barnes
Starring: Jessica Biel, Colin Firth, Kristin Scott Thomas, Ben Barnes, Kris Marshall, Katherine Parkinson, Kimberly Nixon
Director: Stephan Elliott
Director: Stephan Elliott
Screenwriter: Stephan Elliott, Sheridan Jobbins
Producer: Barnaby Thompson, Joseph Abrams, James D. Stern
Composer: Marius De Vries
Studio: Sony Pictures Classics
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Reviews for Easy Virtue
This cinematic opening of Noel Coward's play should inspire Broadway and Hollywood alike to tackle some more of the playwright's output.
Easy Virtue is not an entirely satisfactory outing; it's too chaotic for that, but it's certainly a great wheeze that blows ample life into period comedy.
It is a sure-footed, entertaining period piece, a revamp of a Noel Coward play from the '20s that never takes itself too seriously, yet never treats its source material with contempt.
There are some very ragged segues but thanks to Biel's sparkle and Firth's unexpected flair for the tango, honesty finally trumps hypocrisy and the pacey ending sends you out on a high.
It’s potentially a creaky old yarn but Elliott, working with screenwriter Sheridan Jobbins, has imbued the film with an energy and a beauty that is beguiling.
The often outrageous Steph Elliott is a surprising choice to make a Noel Coward adaptation, and a surprise it is for us too, in the best possible way. Elliott injects two special ingredients: a naughty sense of edgy fun ..and a splendid soundtrack
With a delicious zest for life and a casual disdain for the upper middle class, Stephan Elliott's happy return to directing is piquant joy.
This 1920s play by Noel Coward still dances along like a sprightly flapper, defying the passage of the years, thanks to Stephen Elliott’s energetic direction.
While its tone occasionally wavers and there are some wobbly performances, this has moments of true lightness, and a welcome sense of whimsy often missing in the costume genre.
Overall, the film’s never less than lively – with Kris Marshall a nifty scene-stealer as the wise butler – yet you do get the sense that greater discipline all round would have made even more of it. As it is, it’s fizzy, but variable.
Stephan Elliott's best film since Priscilla, Queen Of The Desert, Easy Virtue should satisfy fans of Coward, despite its differences to the original. A pity then that, despite Biel's sprightly turn, it feels better suited to the small screen.
But worst of all is the incessant, unbearably smug soundtrack that drills its way into your brain like a parasite.
Yet another period movie starring Colin Firth? Er, yes. But hang on. Director Stephan Elliott has cleverly filed down the Cowardy-sharp archaisms and by some miracle made something that seems very now.
Firth and Biel perform a rather elegant tango together, which cheers things up a little, but this is a heavy-footed affair.
If you can cope with the excruciating soundtrack medley (a jazz cover of Sex Bomb?) it's a perfectly jolly bauble.
Easy on both eye and ear, this jaunty little number has many virtues to commend it.
It’s playful, it’s elegant, it’s fizzing with lacerating wit… after the stone-faced dreariness of The Duchess and Brideshead Revisited, it’s a welcome jolt of fresh air to see a Brit period piece you can just kick back and enjoy.
It is poorly shot, indifferently acted camp, based on a rightly forgotten Noel Coward comedy.
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