The problem is that the movie always takes the easy way, scattering a few heavy, confrontational scenes among acres of picturesque montages.
The Boys Are Back (2009)
Tomatometer
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Reviews Counted:81
Fresh:58
Rotten:23
Average Rating:6.4/10
Consensus: Great performances by Clive Owen and The Boys save this melodrama from entering into the sappy territory it might have in less competent hands.
Rated: PG-13 [See Full Rating] for some sexual language and thematic elements.
Genre: Comedies
Theatrical Release:Sep 25, 2009 Limited
Box Office: $783,013
Synopsis:
Inspired by a true story, THE BOYS ARE BACK is a deeply moving, wryly confessional tale of fatherhood, that
intimately evokes both the fragility and wonders of family life. It follows a witty,...
Inspired by a true story, THE BOYS ARE BACK is a deeply moving, wryly confessional tale of fatherhood, that
intimately evokes both the fragility and wonders of family life. It follows a witty, wisecracking, action-oriented
sportswriter (Academy Award® nominee and Golden Globe® winner CLIVE OWEN) who, in the wake of his wife’s
tragic death, finds himself in a sudden, stultifying state of single parenthood. With turbulent emotions swirling just
below the surface, Joe Warr throws himself into the only child-rearing philosophy he thinks has a shot at bringing joy
back into their lives: “just say yes.” Raising two boys – a curious six year-old (NICHOLAS MCANULTY) and a rebel
teen (GEORGE MACKAY) from a previous marriage -- in a household devoid of feminine influence, and with an
unabashed lack of rules, life becomes exuberant, instinctual, reckless . . . and on the constant verge of disaster.
United by unspoken love, conflicted by fierce feelings and in search of a road forward, the three multi-generational
boys of the Warr household, father and sons alike, must each find their own way, however tenuous, to grow up.
Their story is not just about the transforming power of a family crisis -- but the unavoidable grace of everyday life
and love that gets them through.
Academy Award® nominee Scott Hicks (“Shine”) directs from a screenplay by Allan Cubitt based on the acclaimed
2001 memoir by Simon Carr, The Boys Are Back, an unflinchingly funny and honest recounting of his journey from
grieving husband to full-contact fatherhood in the aftermath of profound loss. Shot on location in the stunning
countryside of South Australia, the film is produced by Greg Brenman (“Billy Elliot”) and Tim White (“Ned Kelly”).
The executive producers are Peter Bennett-Jones and Clive Owen. --© Miramax
Starring: Clive Owen, Laura Fraser, Nicholas Macanulty, Julia Blake
Starring: Clive Owen, Laura Fraser, Nicholas Macanulty, Julia Blake, George MacKay, Emma Booth
Director: Scott Hicks
Director: Scott Hicks
Screenwriter: Allan Cubitt
Producer: Greg Brenman, Tim White, Bella Wright
Composer: Hal Lindes
Studio: Miramax Films
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Reviews for The Boys Are Back
So ravishing [looking], actually, that it severely diminishes the emotional beats of the narrative. How mopey can you be when you've got wallabies on your veranda?
Bland, uneventful and going in circles for most of its second half, The Boys are Back never really gets to the point.
A hairs-breadth thumbs down; Owen's trademark tousled charm carries stretches of too-loose widower's tale The Boys Are Back, but otherwise overly familiar dramatic plotting elicits lukewarm positive feelings at best.
Carr's original anecdotes don't supply much storyline, so Hicks spans the gaps with golden-lit montages set to Sigur Rós. They're a great advertisement for Australian vacations. And vasectomies.
There's nothing terribly wrong with this leisurely paced chronicle of a single father's struggles parenting his two sons, but there's nothing terribly right with it, either.
Owen brings insight and honesty to this otherwise by-the-numbers adaptation of Simon Carr’s memoir, which director Scott Hicks bathes in shimmering golden tones as if the characters lived at the end of the rainbow.
The film plods along unremarkably -- even Joe’s unorthodox rearing techniques lose their surprise factor after a while -- but does remain true to itself right to the bitter(sweet) end.
The tears will definitely trickle from your eyes. It’s distinguishing the trickle from the treacle that becomes the problem.
Much like its lead character, the film lacks the discipline to always do what's best.
Neither takes chances with the process of pain nor uncovers any big lessons about losing a spouse or raising a family.
The Boys Are Back is based on a true story, and not in a good way. It's obviously true; otherwise why would anyone think it's worth telling a story so trivial?
The Boys are bound to seem a rather boring bunch, which makes it hard for Scott Hicks' downbeat heart-tugger to resonate in any meaningful way.
In spite of the fine lead performance, Back is a grey, unedifying slog from grief and hopelessness to parental semi-competence.
The film seems to regard Joe with affection, and Owen certainly portrays him as a nice man. But why are his unformed theories about bringing up Artie supposed to fill us with affection and sentiment?
As the film grapples with the tension between the ideals of parenthood and the realities, the script fumbles some key moments.
...reduces the complexities of human relationships to a series of aphorisms and sitcom-like scenes, each of which is carefully designed to teach a lesson or establish a plot point.
Latest News for The Boys Are Back
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