If The Boys Are Back takes some emotional shortcuts, it still manages to convey some of the more mystifying aspects of parenthood.
The Boys Are Back (2009)
Tomatometer
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Reviews Counted:81
Fresh:58
Rotten:23
Average Rating:6.4/10
Consensus: Great performances by Clive Owen and The Boys save this melodrama from entering into the sappy territory it might have in less competent hands.
Rated: PG-13 [See Full Rating] for some sexual language and thematic elements.
Genre: Comedies
Theatrical Release:Sep 25, 2009 Limited
Box Office: $783,013
Synopsis:
Inspired by a true story, THE BOYS ARE BACK is a deeply moving, wryly confessional tale of fatherhood, that
intimately evokes both the fragility and wonders of family life. It follows a witty,...
Inspired by a true story, THE BOYS ARE BACK is a deeply moving, wryly confessional tale of fatherhood, that
intimately evokes both the fragility and wonders of family life. It follows a witty, wisecracking, action-oriented
sportswriter (Academy Award® nominee and Golden Globe® winner CLIVE OWEN) who, in the wake of his wife’s
tragic death, finds himself in a sudden, stultifying state of single parenthood. With turbulent emotions swirling just
below the surface, Joe Warr throws himself into the only child-rearing philosophy he thinks has a shot at bringing joy
back into their lives: “just say yes.” Raising two boys – a curious six year-old (NICHOLAS MCANULTY) and a rebel
teen (GEORGE MACKAY) from a previous marriage -- in a household devoid of feminine influence, and with an
unabashed lack of rules, life becomes exuberant, instinctual, reckless . . . and on the constant verge of disaster.
United by unspoken love, conflicted by fierce feelings and in search of a road forward, the three multi-generational
boys of the Warr household, father and sons alike, must each find their own way, however tenuous, to grow up.
Their story is not just about the transforming power of a family crisis -- but the unavoidable grace of everyday life
and love that gets them through.
Academy Award® nominee Scott Hicks (“Shine”) directs from a screenplay by Allan Cubitt based on the acclaimed
2001 memoir by Simon Carr, The Boys Are Back, an unflinchingly funny and honest recounting of his journey from
grieving husband to full-contact fatherhood in the aftermath of profound loss. Shot on location in the stunning
countryside of South Australia, the film is produced by Greg Brenman (“Billy Elliot”) and Tim White (“Ned Kelly”).
The executive producers are Peter Bennett-Jones and Clive Owen. --© Miramax
Starring: Clive Owen, Laura Fraser, Nicholas Macanulty, Julia Blake
Starring: Clive Owen, Laura Fraser, Nicholas Macanulty, Julia Blake, George MacKay, Emma Booth
Director: Scott Hicks
Director: Scott Hicks
Screenwriter: Allan Cubitt
Producer: Greg Brenman, Tim White, Bella Wright
Composer: Hal Lindes
Studio: Miramax Films
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Reviews for The Boys Are Back
The content of Allan Cubitt's script, based on Simon Carr's memoir, is meaty and straightforward, which gives it an unexpected power.
Director, Scott Hicks has created a really lovely film. It’s fortunate that the star power of Clive Owen gives the film a core dynamism.
. . . presents some inevitable clichés from the grief-dealing playbook, but also tosses in the occasional change of pace zinger to keep the film from drowning in sorrow.
The tears will definitely trickle from your eyes. It’s distinguishing the trickle from the treacle that becomes the problem.
In spite of the fine lead performance, Back is a grey, unedifying slog from grief and hopelessness to parental semi-competence.
All told, the movie’s a solid entry in the Bad Dad Gets It Together genre and Owen is really quite touching, especially when he’s not trying too hard, which is most of the time.
Joe's "just say yes" policy is billed as an antidote to helicopter parenting, but there's little evidence that his laxity benefits anything but his own ego.
A richly emotional and heartfelt drama that should strike a strong chord with discerning movie audiences around the world.
Bland, uneventful and going in circles for most of its second half, The Boys are Back never really gets to the point.
The characters' clumsy emotional growth shows us there's hope even for a stumbling father and two sons groping toward peace.
A substantial performance from Clive Owen rescues what might otherwise have been a fairly gooey fatherhood drama.
The film seems to regard Joe with affection, and Owen certainly portrays him as a nice man. But why are his unformed theories about bringing up Artie supposed to fill us with affection and sentiment?
Joe says in a voice-over that "life is a journey to be traveled no matter how bad the road." And The Boys Are Back is a highly satisfying ride.
A head-turning performance by Clive Owen and a similar breakthrough from Emma Booth ... an incredibly powerful and moving film.
Much like its lead character, the film lacks the discipline to always do what's best.
It manages to veer from touching to humorous (Warr has some rather unconventional parenting techniques) without being overly mawkish, and the sumptuous cinematography by Greig Fraser is perhaps the best commercial ever for South Australia.
Director Hicks keeps the cliches under control in this treacly tale of a man struggling to be a single father.
Latest News for The Boys Are Back
November 09, 2009:
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