The Boys Are Back is not a perfect movie -- but you can't do much better than Owen, who beautifully plays against his darkly brooding persona.
The Boys Are Back (2009)
Tomatometer
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Reviews Counted:81
Fresh:58
Rotten:23
Average Rating:6.4/10
Consensus: Great performances by Clive Owen and The Boys save this melodrama from entering into the sappy territory it might have in less competent hands.
Rated: PG-13 [See Full Rating] for some sexual language and thematic elements.
Genre: Comedies
Theatrical Release:Sep 25, 2009 Limited
Box Office: $783,013
Synopsis:
Inspired by a true story, THE BOYS ARE BACK is a deeply moving, wryly confessional tale of fatherhood, that
intimately evokes both the fragility and wonders of family life. It follows a witty,...
Inspired by a true story, THE BOYS ARE BACK is a deeply moving, wryly confessional tale of fatherhood, that
intimately evokes both the fragility and wonders of family life. It follows a witty, wisecracking, action-oriented
sportswriter (Academy Award® nominee and Golden Globe® winner CLIVE OWEN) who, in the wake of his wife’s
tragic death, finds himself in a sudden, stultifying state of single parenthood. With turbulent emotions swirling just
below the surface, Joe Warr throws himself into the only child-rearing philosophy he thinks has a shot at bringing joy
back into their lives: “just say yes.” Raising two boys – a curious six year-old (NICHOLAS MCANULTY) and a rebel
teen (GEORGE MACKAY) from a previous marriage -- in a household devoid of feminine influence, and with an
unabashed lack of rules, life becomes exuberant, instinctual, reckless . . . and on the constant verge of disaster.
United by unspoken love, conflicted by fierce feelings and in search of a road forward, the three multi-generational
boys of the Warr household, father and sons alike, must each find their own way, however tenuous, to grow up.
Their story is not just about the transforming power of a family crisis -- but the unavoidable grace of everyday life
and love that gets them through.
Academy Award® nominee Scott Hicks (“Shine”) directs from a screenplay by Allan Cubitt based on the acclaimed
2001 memoir by Simon Carr, The Boys Are Back, an unflinchingly funny and honest recounting of his journey from
grieving husband to full-contact fatherhood in the aftermath of profound loss. Shot on location in the stunning
countryside of South Australia, the film is produced by Greg Brenman (“Billy Elliot”) and Tim White (“Ned Kelly”).
The executive producers are Peter Bennett-Jones and Clive Owen. --© Miramax
Starring: Clive Owen, Laura Fraser, Nicholas Macanulty, Julia Blake
Starring: Clive Owen, Laura Fraser, Nicholas Macanulty, Julia Blake, George MacKay, Emma Booth
Director: Scott Hicks
Director: Scott Hicks
Screenwriter: Allan Cubitt
Producer: Greg Brenman, Tim White, Bella Wright
Composer: Hal Lindes
Studio: Miramax Films
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Reviews for The Boys Are Back
Shot in the glorious golds and greens of South Australia's autumn, it's a convincing tale of spiritual and emotional rehabilitation, perhaps not as important as it wants to be, but not exactly a waste of time, either.
The Boys Are Back is a bit like the parenting it portrays -- at times there is pain, mistakes will be made, but if you can get beyond that, there is pleasure to be found.
This lovely and emotionally resonant film about a family shattered by grief deserves better than a forgettably glib title that conjures up images of beer brawls or gangster affiliations.
It sounds like the start of a Neil Simon sitcom, or some Dennis Quaid movie for Disney, with Rene Russo sweeping in during the second act to bring some order. Actually, that might have been okay. At least it would have had a few jokes.
A hairs-breadth thumbs down; Owen's trademark tousled charm carries stretches of too-loose widower's tale The Boys Are Back, but otherwise overly familiar dramatic plotting elicits lukewarm positive feelings at best.
With those piercing eyes, Owen makes a lovely, soulful Joe, of course. But it's not the nice papa we want to understand here, it's the unapologetically naughty one.
The content of Allan Cubitt's script, based on Simon Carr's memoir, is meaty and straightforward, which gives it an unexpected power.
Carr's original anecdotes don't supply much storyline, so Hicks spans the gaps with golden-lit montages set to Sigur Rós. They're a great advertisement for Australian vacations. And vasectomies.
Owen brings insight and honesty to this otherwise by-the-numbers adaptation of Simon Carr’s memoir, which director Scott Hicks bathes in shimmering golden tones as if the characters lived at the end of the rainbow.
Scott Hicks' film never confuses sentimentality for genuine feeling. Owen brings a range to this role that that he hasn't previously had much opportunity to reveal.
Mr. Owen plays all the colors and emotions of the parenting dilemma with a probing wit and a sense of humanity that are thrilling to watch. Roguish yet vulnerable, he gives a performance that is both rough-hewn and gently nuanced.
There's nothing terribly wrong with this leisurely paced chronicle of a single father's struggles parenting his two sons, but there's nothing terribly right with it, either.
OK, it sounds like a tear-jerker, and sometimes it drifts dangerously close. But Owen, in a heartfelt, award-caliber performance, never goes soft. It's his core of toughness that makes the movie so funny, touching and vital.
A richly emotional and heartfelt drama that should strike a strong chord with discerning movie audiences around the world.
After a decade of weak films, Hicks has made his strongest work since Shine, an intimate and emotional father-son melodrama that while conventional and predictable benefits from Clive Owen's presence in a part that updates Hoffman's in Kramer Vs. Kramer.
A head-turning performance by Clive Owen and a similar breakthrough from Emma Booth ... an incredibly powerful and moving film.
Never does anything feel forced or contrived. Life, as this memoir reminds, can offer plenty of drama that need not abide by fictional formulas or genre conventions.
The pain of divorce and the tragedy of a parent's death supply the raw emotional materials of The Boys Are Back, making it all the more impressive that director Scott Hicks steers clear of the maudlin and the manipulative...
Latest News for The Boys Are Back
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