Porumboiu starts off making a mordant slice of life, but he gradually entwines the personal and the historical, then ends on a poignant note. The story and situation are slight, but in the best possible way.
12:08 East of Bucharest (2007)
Tomatometer
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Reviews Counted:44
Fresh:42
Rotten:2
Average Rating:7.8/10
Consensus: With a witty script full of satirical overtones and dry humor, 12:08 East of Bucharest is a thoroughly enjoyable Romanian comedy.
Theatrical Release:Jun 6, 2007 Limited
Synopsis: Gil-Scott Heron once wrote "the revolution will not be televised," but one Romanian newsman attempts to put his nation's revolution on the air after the fact in this satiric comedy from... Gil-Scott Heron once wrote "the revolution will not be televised," but one Romanian newsman attempts to put his nation's revolution on the air after the fact in this satiric comedy from writer-director Corneliu Porumboiu. It's the 16th anniversary of the revolt that removed Communist dictator Nicolae Ceausescu from power in Romania, and Jderescu (Ion Sapdaru) is the host of a televised public-affairs show who wants to do a special program on the revolution. Jderescu's idea is to bring on a handful of ordinary citizens to discuss their role in Ceausescu's overthrow and how their lives have changed since Communist rule ended in Romania. However, Jderescu can only round up two guests for his broadcast: elderly Piscoci (Mircea Andreescu), who's more interested in playing Santa Claus for the neighborhood kids than talking politics, and Manescu (Teo Corban), a schoolteacher nursing a brutal hangover. As Jderescu tries to lead a serious discussion of how Romania has changed since Ceausescu was driven from power, the conversation wanders off on a tangent about where the revolution actually took place; the waters become even more muddied when Jderescu opens up the phone lines for questions from viewers. Most of the callers have their own distinct (and strongly conflicting) memories of the revolution, and, comically, one of them has a bone to pick with Manescu over some drunken insults he hurled the night before. [More]
Starring: Mircea Andreescu, Teo Corban, Ion Sapdaru
Starring: Mircea Andreescu, Teo Corban, Ion Sapdaru
Director: Corneliu Porumboiu
Director: Corneliu Porumboiu
Screenwriter: Corneliu Porumboiu
Producer: Corneliu Porumboiu
Studio: Tartan Films
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Reviews for 12:08 East of Bucharest
The self-indulgent 12:08 East of Bucharest certainly takes its time getting to the point. In fact, the first third of this film could have been trimmed without much damage. And this Romanian comedy-drama is only an hour and a half in length.
12:08 East of Bucharest is easier to admire than enjoy, funnier to describe than actually watch.
Though it is modest, almost anecdotal, in scale, 12:08 East of Bucharest is also characterized by a precise and sneaky formal wit.
Corneliu Porumboiu's picture would submerge you in alcoholic despair if it weren't so damn funny. (That seems to be the Romanian mode of expression.)
It won the best first film award at Cannes; somehow, it doesn't seem quite substantial enough to justify that accolade.
A melancholy rumination on the failed hopes of Eastern Europe after the Cold War, infused with a sense of farce and the irrecoverable nature of the past.
Small-town values are rocked by the tide of history in Porumboiu's grimly funny and determinedly slight retrospective on the 1989 Romanian revolution.
The introductory half hour feels overly protracted, but the comedy works perfectly, mainly because of the excellent direction of the actors (who all have a faultless comic timing) and the witty script.
Porumboiu’s satire about history and short memories is a modest, deadpan masterpiece.
A deadpan delight that offers further proof of Romania’s cinematic ascendance.
A funny, gentle film that understands the wearying nature of political upheaval.
The buoyant little comedy 12:08 East of Bucharest puts its finger on the problem in the best tradition of East European humor, savvy but concrete, gentle but sharp as a knife.
The only problem with the new Romanian cinema seems to be titles few can easily remember - but some eccentricity is permissible when the films are so good.
First-time director Corneliu Porumboiu’s political satire is uproariously funny and bitingly critical of social hypocrisy before and after Ceausescu, and of the new forms of mythmaking and corruption that have replaced Soviet-style autocracy.
A casually bleak and neatly structured ensemble comedy -- at once deadpan and bemused.
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