While 12:08 East of Bucharest could take more than one viewing to truly appreciate, it’s worth the commitment.
12:08 East of Bucharest (2007)
Tomatometer
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Reviews Counted:44
Fresh:42
Rotten:2
Average Rating:7.8/10
Consensus: With a witty script full of satirical overtones and dry humor, 12:08 East of Bucharest is a thoroughly enjoyable Romanian comedy.
Theatrical Release:Jun 6, 2007 Limited
Synopsis: Gil-Scott Heron once wrote "the revolution will not be televised," but one Romanian newsman attempts to put his nation's revolution on the air after the fact in this satiric comedy from... Gil-Scott Heron once wrote "the revolution will not be televised," but one Romanian newsman attempts to put his nation's revolution on the air after the fact in this satiric comedy from writer-director Corneliu Porumboiu. It's the 16th anniversary of the revolt that removed Communist dictator Nicolae Ceausescu from power in Romania, and Jderescu (Ion Sapdaru) is the host of a televised public-affairs show who wants to do a special program on the revolution. Jderescu's idea is to bring on a handful of ordinary citizens to discuss their role in Ceausescu's overthrow and how their lives have changed since Communist rule ended in Romania. However, Jderescu can only round up two guests for his broadcast: elderly Piscoci (Mircea Andreescu), who's more interested in playing Santa Claus for the neighborhood kids than talking politics, and Manescu (Teo Corban), a schoolteacher nursing a brutal hangover. As Jderescu tries to lead a serious discussion of how Romania has changed since Ceausescu was driven from power, the conversation wanders off on a tangent about where the revolution actually took place; the waters become even more muddied when Jderescu opens up the phone lines for questions from viewers. Most of the callers have their own distinct (and strongly conflicting) memories of the revolution, and, comically, one of them has a bone to pick with Manescu over some drunken insults he hurled the night before. [More]
Starring: Mircea Andreescu, Teo Corban, Ion Sapdaru
Starring: Mircea Andreescu, Teo Corban, Ion Sapdaru
Director: Corneliu Porumboiu
Director: Corneliu Porumboiu
Screenwriter: Corneliu Porumboiu
Producer: Corneliu Porumboiu
Studio: Tartan Films
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Reviews for 12:08 East of Bucharest
Porumboiu starts off making a mordant slice of life, but he gradually entwines the personal and the historical, then ends on a poignant note. The story and situation are slight, but in the best possible way.
A funny, gentle film that understands the wearying nature of political upheaval.
It's a dark little ride, but at the end the lights hesitantly flicker back on.
Small-town values are rocked by the tide of history in Porumboiu's grimly funny and determinedly slight retrospective on the 1989 Romanian revolution.
The movie provokes low-key laughs (yes, it's a comedy), but with a sad overtone.
Dry comedies from eastern Europe tend to cast a skeptical eye on anything and everything, which is certainly the case with Corneliu Porumboiu's debut feature.
Dryly funny throughout its first half, the film truly comes to life in its final 45 minutes.
The self-indulgent 12:08 East of Bucharest certainly takes its time getting to the point. In fact, the first third of this film could have been trimmed without much damage. And this Romanian comedy-drama is only an hour and a half in length.
12:08 East of Bucharest is easier to admire than enjoy, funnier to describe than actually watch.
12:08 East of Bucharest is a shrewdly built comedy, but the characters are broad-verging-on-cheap unholy hick fools.
The introductory half hour feels overly protracted, but the comedy works perfectly, mainly because of the excellent direction of the actors (who all have a faultless comic timing) and the witty script.
Filmed in real time, the unraveling call-in program is a comedy of embarrassment (The Office, without the asides to the camera, but just as dry).
The central European tradition of failed aspirations, lost ideals and forlorn eccentrics goes back to early Forman, or indeed Chekhov, but the Latin Romanians bring their own awareness of the distant big city alternately beckoning and frightening.
It won the best first film award at Cannes; somehow, it doesn't seem quite substantial enough to justify that accolade.
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