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Top Critics (32)
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DVD (5)
Of course, von Trier wants us to react, to be repulsed, shocked, offended. Mission accomplished.
Antichrist is a unique form of cruel and unusual punishment: an unrelenting orgy of graphic sex, violence and cynicism that also manages to be wildly pretentious.
Self-loathing, mean, ugly and perfectly made, Antichrist is probably the best film ever that you'd recommend to absolutely no one.
Antichrist ends up being more unnerving than it is terrifying, and a lot funnier than it's supposed to be.
To watch the Danish provocateur's new film is to experience unrelenting pain, shading into revulsion, while being inspired by his virtuoso command of the medium and sharp intelligence.
Von Trier and cinematographer Anthony Dod Mantle use sumptuous black-and-white photography and saturated color. Few movies are as beautifully wrought as this.
It's audacious, gruesome and pushes to the extreme limits of acceptable cinema content: but it is never any of those things to exclude ordinary viewers.
... another provocation that is at once beautiful and perverse, personal and cynical, and filled with his sour vision...
One of the most personal films ever made about anxiety, Antichrist is hitting retail stores just in time for the holiday season. Let your loved ones know that you care by letting chaos reign...in their Blu-ray player.
It is unrelenting, terrifying and profoundly powerful. And it is really, really ballsy; a claim that viewers will recognise as being highly ironic considering the ball-related events that take place within the film.
Von Trier is a prankster so any attempt to guess at WTF he had in mind could just end up with the Danish auteur pulling your leg. The Fox may have said it best:"Chaos Reigns"
Functioning as the inverse of the Biblical creation story, Antichrist is the most unique and divisive 'horror' film you are ever likely to see.
A beautiful and ultimately very sad film.
A grim film that wants you to feel the pain its characters do.
It's a far cry from Nicolas Roeg's excellent 1973 chiller Don't Look Now, which maintains a high-gloss art-house sheen yet draws us into its similar story of a couple coping with the drowning death of their child.
Built on a shallow premise designed to cheaply evoke feelings of disgust while elaborating on a simplistic theme.
Despite some strikingly flourishes, von Trier's latest makes him look less like a mad genius and more like he's simply, mad.
Wildly inconsistent, veering from boredom to moments of visual beauty to some of the most ghastly gruesomeness ever seen on screen.
Purely as a visual and visceral experience, puckish writer-diretor Lars von Trier produces an enormously powerful phantasmagoria that deals with and reproduces the effects of fear and depression.
I cannot recommend Antichrist, but in a culture that hemorrhages death and torture nightly on shows like 24 or C.S.I., I can understand it.
'Antichrist' begins promisingly for the genre but descends into schlock/slasher-school stuff.
Very hard to watch, and in the end it's doubtful it's worth the effort. But it has moments you won't forget, however much you may want to.
A cinematic violation made worse by the fact that von Trier is such a gifted filmmaker.
But there is one very definite way to take the vibe of the whole thing, I'd say, and that's that this movie knows exactly what it is to suffer from panic attacks.
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